7.1. Graduate (MA)
1. As member (examiner). Luís Esteves, “Relatório do Projecto do Filme Entre Macacos e Anjos” [“Project Report on the Film Macacos e Anjos (Monkeys and Angels)”] (project, supervised by Fausto Crucinho e Elizeu Ewald). MA in Art Studies. University of Coimbra, 22 Sept. 2011.
2. As member (examiner). Débora Pinto de Carvalho, “Fatal, Cativa e Independente: A Mulher no Film Noir” [“Deadly, Captive and Independent: The Woman in Film Noir”] (dissertation, supervised by Abílio Hernandez Cardoso). MA in Art Studies. University of Coimbra, 18 Jan. 2012.
3. As member (examiner). Raquel Casqueira, supervised by Bárbara Vallera, “Live the Dream or Die Trying: Live. Dream. Believe.” (project, supervised by Bárbara Vallera). MA in Art Studies. University of Coimbra, 3 Feb. 2012.
4. As member (co-supervisor). Susana Serigado, seconded by Sérgio Dias Branco, “The Fountainhead Revisitado: De Chicago Tribune Tower a Pruitt-Igoe” [“The Fountainhead Revisited: From the Chicago Tribune Tower to Pruitt-Igoe”] (dissertation, supervised by Pedro Costa). MA in Architecture. University School Vasco da Gama, 24 Jan. 2013.
5. As member (supervisor). Angélica Bértolo, “Argumento Cinematográfico A Grande Falácia” [“Film Screenplay A Grande Falácia (The Great Fallacy)”] (project report). MA in Art Studies. University of Coimbra, 29 Oct. 2013.
6. As member (supervisor). Pedro Niza, “Projecto Educativo no TAGV” [“Educational Project at TAGV”] (internship report). MA in Art Studies. University of Coimbra, 16 Jul. 2013.
7. As member (examiner). Ricardo Batista, “Os Bastidores em Directo” [“The Backstage Live”] (internship report, supervised by João Ferreira). MA in Art Studies. University of Coimbra, 28 Oct. 2014.
8. As chair. Samanta Almeida, “Produção e Programação no TAGV: Uma Proposta para o Dia Mundial da Música” [“Production and Programming in TAGV: A Proposal for World Music Day”] (internship report, supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 13 Oct. 2015.
9. As chair. Ana Eduarda Barbosa, “Produção Cultural e Programação Cinematográfica no Teatro Académico de Gil Vicente” [“Cultural Production and Film Programming at Academic Theatre of Gil Vicente”] (internship report, supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 27 Oct. 2015.
10. As chair. José Filipe Pereira, “A Performance como Ritual — da Arte como Veículo de Jerzy Grotowski ao Theyyam do Norte Malabar” [“Performance as Ritual — from Jerzy Grotowski’s Art as a Vehicle to Theyyam of North Malabar”] (dissertation, supervised by João Maria André). MA in Art Studies. University of Coimbra, 12 Oct. 2015.
11. As member (examiner). Pedro Valentim, “Da Desavergonhada Forma das Coisas: Uma Digressão Flanada Através da Forma e do Discurso duma Constelação de Corpos Cinematográficos” [“Of the Shameless Shape of Things: A Strolling Tour Through the Shape and Discourse of a Constellation of Cinematographic Bodies”] (dissertation, supervised by Abílio Hernandez). MA in Art Studies. University of Coimbra, 19 Oct. 2015.
12. As member (supervisor). Denise Liege Fraga e Klock, supervised by Sérgio Dias Branco, “Estilo em Documentário: Análise dos Filmes 5 Broken Cameras (2011) e Iraq in Fragments (2006)” [“Style in Documentary: Analysis of the Films 5 Broken Cameras (2011) e Iraq in Fragments (2006)”] (dissertation). MA in Art Studies. University of Coimbra, 30 Oct. 2015.
13. As chair. Filipe Bento de Araújo, “Estudo e Edição Crítica dos Responsórios Polifónicos de Quinta-Feira Santa Presentes em Dois Manuscritos da Biblioteca Geral da Universidade de Coimbra” [“Study and Critical Edition of the Polyphonic Responses of Holy Thursday Present in Two Manuscripts of the General Library of the University of Coimbra”] (dissertation, supervised by José Abreu, co-supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 25 Feb. 2016.
14. As chair. Rúben Gaspar Gomes, supervised by Osvaldo Silvestre, “Agora Não: Argumento Cinematográfico Original” [“Agora Não (Not Now): Original Film Screenplay”] (project report). MA in Art Studies. University of Coimbra, 25 Oct. 2016.
15. As chair. Raphael Diego de Mesquita, supervised by Paulo Estudante, “O Mercado da Música Urbana em Portugal: Estudo de Caso ‘Music in My Soul’” [“The Market of Urban Music in Portugal: ‘Music in My Soul’ as Case Study”] (internship report). MA in Art Studies. University of Coimbra, 24 Oct. 2016.
16. As chair. Cláudia Morais, “Teatro, Cultura e Educação: Relatório de Estágio nos Serviços de Produção e na Área de Projecto Educativo do Teatro Académico de Gil Vicente” [“Theater, Culture and Education: Report of the Internship in the Production Services and in the Educational Project Area of the Academic Theatre of Gil Vicente”] (internship report, supervised by João Maria André, co-supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 26 Jan. 2016.
17. As chair. Fernando Duarte de Oliveira, “Consciência Histórica ou Tradição?: O ‘Estilo Antigo’ em Edições Históricas Publicadas entre 1750 e 1850” [“Historical Consciousness or Tradition?: The ‘Old Style’ in Historical Editions Published between 1750 and 1850”] (dissertation, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 27 Oct. 2016.
18. As member (supervisor). Susana Figueira Henriques, “Queer Lisboa: Derek Jarman e a Estética Queer no Vídeo Musical” [“Queer Lisbon: Derek Jarman and Queer Aesthetics in Music Video”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct. 2016.
19. As member (supervisor). Jéssica Pestana, “Cinema e Pedagogia: Estágio no IndieLisboa” [“Film and Pedagogy: Internship at IndieLisboa”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct. 2016.
20. As member (supervisor). Marta Torres, “Queer Lisboa e o Novo Cinema Queer” [“Queer Lisbon and New Queer Cinema”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct. 2016.
21. As chair. Rui Aniceto, “Symposion: Argumento Cinematográfico Original” [“Symposion: Original Screenplay”] (project, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 17 Oct. 2017.
22. As chair. Sónia Antonieta de Carvalho, “Solilóquios para Além das Palavras: Fugas em B Menor e K Maior” [“Soliloquies Beyond Words: Fugues in B Minor and K Major”] (dissertation, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 12 Oct. 2017.
23. As member (examiner). Ana Raquel Cássio, “Cinema Bioscoop” (internship report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 14 Jul. 2017.
24. As chair. Rosa Catarina Diogo, “Programação, Produção Musical e Teatral nos Serviços de Cultura da Câmara Municipal de Abrantes” [“Music and Theater Programming and Production at the Culture Services of Abrantes City Hall”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 10 Oct. 2017.
25. As chair. Ana Teresa Leal, “Os Museus de Arte na Era da Revolução Digital: Considerações sobre os Processos de Mediação, Educação e Espectáculo” [“The Art Museums in the Era of Digital Revolution: Considerations on Processes of Mediation, Education and Entertainment”] (dissertation, supervised by João Maria André and Maria Dalila Rodrigues). MA in Art Studies. University of Coimbra, 16 Feb. 2017.
26. As chair. Ana Luís de Oliveira, “Produção Cultural em Contexto de Educação Artística: O Caso da Associação Escolíadas” [“Cultural Production in a Context of Art Education: The Case of the Escolíadas Association”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 10 Oct. 2017.
27. As chair. Francisco Ricardo Silveira, “Hiper-Real(ismo): O Cinema Ciborgue à Beira do Ano 2000” [“Hyper-Real(ism): Cyborg Cinema on the Verge of the Year 2000”] (dissertation, supervised by Manuel Portela). MA in Art Studies. University of Coimbra, 12 Oct. 2017.
28. As chair. João Miguel Simões, “Penacova em Movimento: Um Estudo de Caso para a Política Cultural Municipal” [“Penacova in Motion: A Case Study for Municipal Cultural Policy”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 13 Jul. 2017.
29. As member (examiner). Ricardo Branco, “Transpor o Género: Representação do Corpo Trans como um Outro no Cinema” [“Overcoming Gender: Representing the Trans Body as an Other in Film”] (project report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 14 Jul. 2017.
30. As member (examiner). Virgílio Marcelo Jesus, “Ressurgimento da Temática Melodramática no Cinema Contemporâneo” [“Resurgence of the Melodramatic Theme in Contemporary Cinema”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 2 Oct. 2017.
31. As member (examiner). Jorge Lestre, “Jornalismo Cultural Online: Estágio na Magazine.HD” [“Online Cultural Jornalism: Internship at Magazine.HD”] (internship report, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 17 Oct. 2017.
32. As member (examiner). Gonçalo Oliveira de Mara, “Tornar o Cinema Vísivel: A Prática da Programação Cinematográfica” [“Making Cinema Visible: The Practice of Film Programming”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 13 Feb. 2017.
33. As member (examiner). Mariana Feteira Parracho, “A Melancolia na Arquitetura a partir do Cinema Português” [“Melancholy in Architecture from Portuguese Cinema”] (dissertation, supervised by Susana Lobo and Luís Urbano). Integrated MA in Architecture. University of Coimbra, 2 Feb. 2017.
34. As member (examiner). Vanessa Ribeiro, “Documentário, Espaço Selvagem da Experimentação” [“Documentary, Wild Space for Experimentation”] (internship report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 13 Feb. 2017.
35. As member (supervisor). André Avelino, “Jogos de Empatia: Criação de Empatia e Conexão com Outras Realidades através dos Videojogos” [“Empathy Games: Creation of Empathy and Connection with Other Realities Through Videogames”] (dissertation). MA in Art Studies. University of Coimbra, 13 Oct. 2017.
36. As member (supervisor). Ana Lopes, “O Espaço Habitacional enquanto Retrato Psicológico da Personagem” [“The Space of Inhabitation as Psychological Character Portrait”] (dissertation). MA in Art Studies. University of Coimbra, 11 Oct. 2017.
37. As member (supervisor). Cristina Lopes, “Sé7ima Memória: Ciclo de Cinema Sénior” [“Se7enth Memory: Senior Film Programme”] (project, co-supervised by João Maria André). MA in Art Studies. University of Coimbra, 11 Oct. 2017.
38. As chair. João Costa, “Produção Teatral em Coimbra: Relatório de Estágio no Teatro Académico de Gil Vicente” [“Theater Production in Coimbra: Internship Report at Academic Theatre of Gil Vicente”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 19 Jul. 2018.
39. As chair. Sara Dacal Crespo, “A Música Impressa do Fundo da Biblioteca Geral da Universidade de Coimbra: Catalogação dos Livros de Partes do Séc. XVI” [“The Printed Music of the General Library of University of Coimbra Fund: Cataloging of the 16th Century Books of Parts”] (dissertation, supervised by Paulo Estudante and José Abreu). MA in Art Studies. University of Coimbra, 24 Oct. 2018.
40. As chair. Severina Jankauskaite, “The Therateutic Nature and Effects of Drama and Theatre Processes - The Case of Drama Therapy” (dissertation, supervised by Luís Umbelino). MA in Art Studies. University of Coimbra, 22 Feb. 2018.
41. As chair. Maria Beatriz Nogueira, “Convento São Francisco: Palco de Programação, de Produção e de Educação Artística” [“Saint Francis Convent: Stage of Programming, Production and Art Education”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 30 Oct. 2018.
42. As chair. Nuno Rato, “Programação ao Centro: Relatório de Estágio nos Serviços de Cultura da Câmara Municipal de Oliveira do Hospital” [“Programming at the Center: Internship Report at the Culture Services of Oliveira do Hospital City Hall”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 19 Jul. 2018.
43. As chair. Fernando Gil Sousa, “Metamorphosis: Construção de uma Demo Musical” [“Metamorphosis: Construction of a Music Demo”] (project, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 26 Feb. 2018.
44. As chair. Pedro Vaz, “Do Atelier à Bienal: CAPC e a Bienal de Arte Contemporânea em Coimbra” [“From the Workshop to the Biennial: CAPC and the Coimbra Biennial of Contemporary Art”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 30 Oct. 2018.
45. As member. Diego Hoefel Vasconcelos, “Entre Retratos e Paisagens: Ensaio sobre Rosto no Cinema” [“Between Portraits and Landscapes: Essay on the Face in Film”] (dissertation, supervised by Marcelo Dídimo Souza Vieira). Equivalency recognition of degree granted by Federal University of Ceará for MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 21 Mar. 2018.
46. As member (supervisor). Ricardo Almeida, “O Realismo Mágico no Cinema: O Caso de Veit Helmer” [“Magic Realism in Film: The Case of Veit Helmer”] (dissertation). MA in Art Studies. University of Coimbra, 19 Jul. 2018.
47. As member (supervisor). Ana Filipa Leandro, “Cinema e Memória Colectiva: German Concentration Camps Factual Survey, Death Mills e Nuit et brouillard” [“Film and Collective Memory: German Concentration Camps Factual Survey, Death Mills and Nuit et brouillard”] (dissertation). MA in Art Studies. University of Coimbra, 22 Feb. 2018.
48. As chair. Tiago Marques, “A Gestão, Produção e Sustentabilidade das Organizações Culturais: O Caso Prático da Jangada Teatro, Cooperativa Profissional de Teatro” [“The Management, Production and Sustainability of Cultural Organisations: The Practical Case of Jangada Teatro, Professional Theater Co-operative”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 18 Jul. 2019.
49. As chair. João Pedro Melim, “Programação e Produção Artística no TAGV” [“Programming and Art Production at TAGV”] (internship report, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 12 Feb. 2019.
50. As chair. Christian Staiger Schneider, “7 Minutos: Narração em um Cinema Sem Diálogos — Da Ideia à Realização de um Filme de Curta-Metragem” [“7 Minutos: Narration in a Cinema With No Dialogue — From the Idea to the Realization of a Short Film”] (project, supervised by Fausto Cruchinho). MA in Art Studies. University of Coimbra, 23 Oct. 2019.
51. As member (examiner). Ana Margarida Almeida, “Quem Vou Ser, Se Não Souber Quem Sou?: A Plenitude Cósmica de Cada Presença e a Autodescoberta através do Cinema” [“Who Will I Be, If I Don’t Know Who I Am?: The Cosmic Completeness of Each Presence and Self-Discovery Through Film”] (project, supervised by João Mário Grilo). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 29 Apr. 2019.
52. As member (examiner). Fernando Serzedelo de Almeida, “O Cinema Submetido à Representação do Real: Trajetória e Formas de Expressão” [“Cinema Submitted to the Representation of the Real: Trajectory and Forms of Expression”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 4 Dec. 2019.
53. As member (examiner). Yuri Bobeck, “O Cinema Brasileiro Contemporâneo 20 Anos Após Central do Brasil: Outras Perspectivas sobre a Representação da Tragédia Social Brasileira” [“Contemporary Brazilian Cinema 20 Years After Central Station: Other Perspectives on the Representation of the Brazilian Social Tragedy”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 4 Dec. 2019.
54. As member (examiner). Catarina Calvinho Gil, “A Dimensão Socio-Política da Obra de Abi Feijó: Retrospectiva do Cinema de Animação em Portugal” [“The Socio-Political Dimension of Abi Feijó’s Oeuvre: Retrospective of Animation Film in Portugal”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 24 Jul. 2019.
55. As member (examiner). Eduardo Chaves Laurent, “Bibi e os Crustáceos: Argumento Original de Animação” [“Bibi e os Crustáceos: Original Animation Script”] (project, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 23 Oct. 2019.
56. As member (examiner). Daniela Marques, “A Última Feiticeira: Argumento Cinematográfico Adaptado” [“A Última Feiticeira (The Last Sorceress): Adapted Screenplay”] (project, supervised by Marta Teixeira Anacleto). MA in Art Studies. University of Coimbra, 11 Feb. 2019.
57. As member (supervisor). Vanessa Fernandes, “In Motion: A Dança na Obra Cinematográfica de Norman McLaren” [“In Motion: Dance in Norman McLaren’s Film Work”] (dissertation). MA in Art Studies. University of Coimbra, 11 Feb. 2019.
58. As member (supervisor). Maria Júlia Pereira, “Os Festivais de Cinema e a sua Organização: Estágio no Festival Caminhos do Cinema Português” [“Film Festivals and their Organisation: Internship at Caminhos do Cinema Português Festival”] (internship report). MA in Art Studies. University of Coimbra, 18 Jul. 2019.
59. As chair. Aarón Pérez Borrajo, “Folk Music and Poetry of Spain and Portugal: Kurt Schindler e a Problemática da Recolha de Música Popular Portuguesa de Tradição Oral” [“Folk Music and Poetry of Spain and Portugal: Kurt Schindler and the Problem of Collection of Popular Portuguese Music of Oral Tradition”] (dissertation, supervised by Paulo Estudante and José Abreu). MA in Art Studies. University of Coimbra, 11 Feb. 2020.
60. As chair. João Pedro Alves de Freitas, “Uma Experiência de Produção Musical: Relatório de Estágio no Jazz ao Centro Clube — Salão Brazil” [“A Music Production Experience: Internship Report at Jazz ao Centro Clube — Salão Brazil”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra (by videoconference), 9 Dec. 2020.
61. As chair. André Heitor, “Performatividade Historiável: Guião sobre Teatro Académico de Gil Vicente” [“Historizable Performativity: Screenplay on Academic Theatre of Gil Vicente”] (dissertation, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 2 Dec. 2020.
62. As chair. Márcio Laranjeira, “Festival Tremor 2021: Uma Experiência Musical no Centro do Atlântico” [“Tremor Festival 2021: A Musical Experience in the Center of the Atlantic”] (dissertation, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 2 Dec. 2020.
63. As chair. Catarina Tavares de Lemos, “Dinâmicas Culturais e Artísticas: Criação, Curadoria e Programação, Produção e Difusão: Relatório de Estágio na Bienal de Arte Contemporânea de Coimbra Anozero” [“Cultural and Artistic Dynamics: Creation, Curatorship and Programming, Production and Dissemination: Internship Report at the Coimbra Biennial of Contemporary Art Anozero”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 3 Dec. 2020.
64. As chair. Leonardo Pereira, “Produção de Espetáculos ao Vivo em Coimbra: Relatório de Estágio no Salão Brazil/JACC” [“Production of Live Shows in Coimbra: Internship Report at Salão Brazil/JACC”] (internship report, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra (by videoconference), 14 Dec. 2020.
65. As chair. Ricardo Regalado, “Jovens Artistas Unidos: Possibilidades do Teatro com Jovens Hoje” [“Jovens Artistas Unidos: Possibilities for Theatre with Young People Today”] (project, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 19 Feb. 2020.
66. As chair. Ana Luísa Santos, “Produção e Programação nas XVII Jornadas de Cultura Popular do GEFAC” [“Production and Programming in the 17th GEFAC Popular Culture Days”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 11 Feb. 2020.
67. As member (examiner). Isabel Brazinha, “E=MZZ2 Mon Amour: Do Argumento à Montagem” [“E=MZZ2 Mon Amour: From Screenplay to Editing”] (project, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra (by videoconference), 17 Dec. 2020.
68. As member (examiner). Ana Costa, “Cinema e Memória: Um Estudo sobre a Representação da Memória no Cinema de Ficção Científica” [“Cinema and Memory: A Study on the Representation of Memory in Science Fiction Cinema”] (dissertation, supervised by Jorge Martins Rosa). MA in Communication Sciences, specialisation in Communication and Artes. Nova University of Lisbon (by videoconference), 9 Dec. 2020.
69. As member (examiner). João Luz, “O Outro Quarto, Argumento Cinematográfico Original” [“O Outro Quarto, Original Screenplay”] (project, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 26 Feb. 2020.
70. As member (examiner). Géssica Pimentel Reis, “Estética da Resistência do Terceiro-Cinema no Brasil” [“Aesthetics of Resistance of Third-Cinema in Brazil”] (dissertation, supervised by Diogo Ferrer and Pedro Hussak van Velten Ramos). Erasmus Mundus MA in French and German Philosophies: Contemporary Challenges. University of Coimbra (by videoconference), 10 Dec. 2020.
71. As member (supervisor). Luís Freitas, “Incolor: Argumento Original e Comentário” [“Incolor: Original Screenplay and Commentary”] (project). MA in Art Studies. University of Coimbra, 4 Mar. 2020.
72. As member (supervisor). João Marcelo Ventura, “Queer Lisboa: Hip-Hop Queer e a Representação Queer no Vídeo Musical” [“Queer Lisboa: Queer Hip-Hop and Queer Representation in Music Video”] (internship report). MA in Art Studies. University of Coimbra, 19 Feb. 2020.
73. As chair. Ana Rita Moutela, “Festival Ponte 64: Teatro e Comunidade” [“Festival Ponte 64: Theatre and Community”] (project, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra (by videoconference), 9 Set. 2021.
74. As chair. André Quaresma, “JAZZ-OFF: A Música de Jorge Lima Barreto na Década de 1970” [“JAZZ-OFF: Jorge Lima Barreto’s Music in the 1970s”] (dissertation, supervised by Paulo Estudante and José Abreu). MA in Art Studies. University of Coimbra, 16 Sept. 2021.
75. As member (examiner). Maria Inês Rodrigues, “A Entrada no Tempo em Primavera Tardia de Ozu” [“Coming of Age in Late Spring of Ozu”] (dissertation, supervised by Joaquim Sapinho). MA in Cinematographic Project Development, specialisation in Dramaturgy and Directing. Lisbon Theatre and Film School - Polytechnic Institute of Lisbon (by videoconference), 26 Jul. 2021.
76. As member (examiner). Maria Jardim Maranha, “O Cinema Político de Straub-Huillet e Pedro Costa” [“Straub-Huillet’s and Pedro Costa’s Political Cinema”] (dissertation, supervised by Simão Valente and Filipa Rosário). MA in Comparative Studies. University of Lisbon (by videoconference), 25 Mar. 2021.
77. As member (examiner). Walber Lins Silva, “Um Paralelo Entre a Velha e a Nova Propaganda Transmidiática no Cinema” [“A Parallel Between the Old and the New Propaganda in Cinema”] (dissertation pre-project). MA in Cinema. University of Beira Interior (by videoconference), 2 Feb. 2021.
78. As chair. Andreea Bonea, “Dances of Resistance in Portugal On and Off the Margins” (dissertation, supervised by Ricardo Seiça). MA in Art Studies. University of Coimbra, 18 Jul. 2022.
79. As chair. Beatriz Monteiro, “A Indústria da Música na Era Digital: Relatório de Estágio no Jazz ao Centro Clube/Salão Brasil” [“The Music Industry in the Digital Age: Report on Internship at Centro Clube/Salão Brasil”] (internship report, supervised by José Oliveira Martins). MA in Art Studies. University of Coimbra, 20 Jul. 2022.
80. As chair. Carlota Vieira de Castro, “Poesia Dita — Trajetos de Mediação Cultural: O Caso dos Serões Poéticos” [“Said Poetry — Paths of Cultural Mediation: The Case of Serões Poéticos”] (project, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 22 Jul. 2022.
81. As chair. José Urbano, “Cantochão num Livro de Bolso: Sobre o Impresso Musical 254 da Biblioteca Geral da Universidade de Coimbra e o Seu Impacto na Tratadística Musical Portuguesa” [“Plainchant in a Pocket Book: About the Musical Print 254 of the General Library of the University of Coimbra and Its Impact on Portuguese Musical Treatises”] (dissertation, supervised by José Abreu, co-supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 19 Jul. 2022.
82. As chair. Magali Alvadia, “Viver (d)a Cultura: Uma Experiência em Gestão e Programação Cultural na Câmara Municipal de Coimbra” [“Living (off) Culture: An Experience in Cultural Management and Programming at the Coimbra City Council”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 12 Jul. 2022.
83. As chair. Sara Ferreira, “A Arte de Ser Artista: O Processo de Criação de um Documentário” [“A Arte de Ser Artista: The Documentary Creation Process”] (project, supervised by Iván Villarmea Álvarez). MA in Art Studies. University of Coimbra, 22 Jul. 2022.
84. As member (examiner). Diogo Doroteia Frazão, “Trinta Anos em Cima do Skate: Uma Viagem pelos Arquivos e Narrativas Visuais do Skate Aveirense” [“Thirty Years on Top of Skate: A Journey Through the Archives and Visual Narratives of Skate Aveirense”] (project, supervised by Ângela Ferreira). MA in Audiovisual Communication, specialisation in Photography and Documentary Cinema. Higher School of Media Arts and Design - Polytechnic Institute of Porto, 31 Oct. 2022.
85. As member (examiner). Francisco Barbosa, “O Real Imaginário: Socrático entre Platão e Rossellini” [“The Imaginary Real: Socratic Between Plato and Rossellini”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Communication and Arts. Nova University of Lisbon, 3 Feb. 2022.
86. As member (examiner). Manuel Raposo de Melo, “O Tempo e a Mise-en-Scène de Gestos e Rituais: The Process of Cinematographic Development of A Ilha” [“The Time and Mise-en-Scène of Gestures and Rituals: O Processo de Desenvolvimento Cinematográfico de A Ilha”] (project, supervised by Margarida Leitão). MA in Cinematographic Project Development, specialisation in Dramaturgy and Directing. Lisbon Theatre and Film School - Polytechnic Institute of Lisbon, 19 Dec. 2021.
87. As member (examiner). Paulo Portugal, “Viagem, Desvio e Transfiguração: O Monólogo Interior como Acto de Resistência no Renascimento da Mise-en-scène” [“Journey, Deviation and Transfiguration: The Internal Monologue as an Act of Resistance in the Renaissance of the Mise-en-Scène”] (dissertation, supervised by Maria Irene Aparício). MA in Aesthetics and Artistic Studies, specialisation in Cinema and Photography. Nova University of Lisbon, 3 Feb. 2022.
88. As member (examiner). Rui Fernando Luís, “As Muitas Máscaras do Slasher Movie: Como os Medos da Sociedade se Refletem na Evolução do Género” [“The Many Masks of the Slasher Movie: How Society’s Fears Reflect in the Evolution of the Genre”] (dissertation, supervised by Luís Mendonça). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 3 Feb. 2022.
89. As member (supervisor). Raquel Luís da Silva, “O (Cine-)Teatro Municipal e a Descentralização da Cultura: Estágio no Cine-Teatro Garrett” [“The Municipal (Cine-)Theatre and the Decentralisation of Culture: Internship at Cine-Teatro Garrett”] (internship report). MA in Art Studies. University of Coimbra, 12 Jul. 2022.
90. As member (supervisor). Tailor Morais, “Antologia Cyberpunk: Um Estudo sobre a Série Black Mirror” [“Cyberpunk Anthology: A Study on the Series Black Mirror”] (dissertation). MA in Art Studies. University of Coimbra, 20 Jul. 2022.
91. As chair. Patrícia Morais, “O Teatro Municipal da Covilhã: Um Novo Capítulo” [“The Municipal Theater of Covilhã: A New Chapter”] (internship report, supervised by Mário Montenegro). MA in Art Studies. University of Coimbra, 19 Oct. 2022.
92. As chair. Ana Nogueira, “Fera, Que Me Feres: Argumento Cinematográfico Original” [“Fera, Que Me Feres: Original Screenplay”] (project, su3pervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 25 Oct. 2022.
93. As chair. Yang Chen, “The Shaping of Meaning Through a Culturally Distant Approach to Fado Singing: An Exploratory Case Study Among Chinese Listeners” (dissertation, supervised by José Oliveira Martins). MA in Art Studies. University of Coimbra, 25 Oct. 2022.
94. As chair Miguel Araújo, “O Papel do Produtor Musical: Um Caso Prático Através de um Estágio no Loudstudio” [“The Role of the Music Producer: A Case Study Through an Internship at Loudstudio”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 26 Oct. 2022.
95. As chair. Brígida Alves, “A Programação Cultural em Territórios Periféricos: O Caso do CAE de Sever do Vouga” [“Cultural Programming in Peripheral Territories: The Case of CAE of Sever do Vouga”] (project, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 27 Oct. 2022.
96. As chair. Cristina Vieira, “Representações da Juventude na Dramaturgia Portuguesa Contemporânea” [“Representations of Youth in Contemporary Portuguese Dramaturgy”] (dissertation, supervised by Fernando Matos Oliveira). MA in Art Studies. University of Coimbra, 28 Oct. 2022.
97. As chair. Diogo Carvalho, “Jorge Retorna a Montemor — Do Texto ao Palco: Uma Encenação com o CITEC” [“Jorge Returns to Montemor — From Text to Stage: A Staging with CITEC”] (project, supervised by Fernando Matos Oliveira and Armando Nascimento Rosa). MA in Art Studies. University of Coimbra, 28 Oct. 2022.
98. As chair. Joana Calhau, “As Três Idades: Criação Dramatúrgica” [“As Três Idades: Dramaturgical Creation”] (project, supervised by João Maria André). MA in Art Studies. University of Coimbra, 28 Oct. 2022.
7.2. Graduate (PhD)
1. As member. Diogo Morato, “Learning from Cinema: Da Cidade e da Explosão do Espaço no Séc. XX” [“Learning from Cinema: From the City to the Explosion of Space in the 20th Century”] (thesis project, supervised by António Lousa, co-supervised by Abílio Hernandez Cardoso). PhD in Architecture. University of Coimbra, 3 Feb. 2012.
2. As member (examiner). Liliana Navarra, supervised by Paulo Filipe Monteiro, “João César Monteiro entre Antropologia e Ficção” [“João César Monteiro between Anthropology and Fiction”] (thesis, supervised by Paulo Filipe Monteiro). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 6 Nov. 2013.
3. As member. Fausto Cruchinho, “Roberto Rossellini: A ‘Televisão de Autor’” [“Roberto Rossellini: ‘Auteur Television’”] (thesis, supervised by António Pedro Pita). PhD in Art Studies, Film and Image Studies path. University of Coimbra, 3 Apr. 2013.
4. As member. Maria do Carmo Piçarra, “Azuis Ultramarinos: Propaganda Colonial nas Actualidades Filmadas do Estado Novo e Censura a Três Filmes de Autor” [“Ultramarine Blues: Colonial Propaganda in the Filmed Newsreels of Estado Novo and Censorship of Three Auteur Films”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 31 Jan. 2013.
5. As member (examiner). Marta Pinho Alves, “Cinema 2.0: Modalidades de Produção Cinematográfica do Tempo do Digital” [“Cinema 2.0: Modalities of Film Production in Digital Times”] (thesis, supervised by José Luís Garcia). PhD in Sociology, specialisation in Culture, Communication and Life Styles. University of Lisbon, 1 Jul. 2014.
6. As member (examiner). Susana Nascimento Duarte, “O Figural no Cinema Contemporâneo: Articulações e Disjunções do Visível e do Dizível” [“The Figural in Contemporary Cinema: Articulations and Disjunctions of the Visible and of the Sayable”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 13 Jul. 2015.
7. As member. Bruno Fontes, “Entre Escritas: Relações Intermediais entre a Escrita e a Imagem Fílmica em João Botelho, Peter Greenaway e Luiz Fernando Carvalho” [“Between Writings: Intermedial Relations Between Writing and Film Image in João Botelho, Peter Greenaway and Luiz Fernando Carvalho”] (thesis project, supervised by Osvaldo Silvestre and Ricardo Namora). PhD in Materialities of Literature. University of Coimbra, 29 Jan. 2016.
8. As member (examiner). Pedro Caldas, “O Cinema e a Ciência dos Processos” [“Film and the Science of Processes”] (thesis, supervised by Olga Pombo). PhD in Philosophy of Science, Technology, Art and Society, specialty in Art and Science. University of Lisboa, 3 Jul. 2017.
9. As member (supervisor). Dária Salgado, “A Poética da Paisagem: Espiritualidade como Resultado de uma Fruição Estética Veiculada pela Relação do Indivíduo com o Espaço, o Tempo e as Memórias” [“The Poetics of Landscape: Spirituality as the Result of an Aesthetic Experience Conveyed by the Relationship of the Individual with Space, Time and Memories”] (thesis project, co-supervised by José Maçãs de Carvalho). PhD in Contemporary Art. University of Coimbra, 15 Jul. 2016.
10. As member. Sina Knoll, “Blind Men and an Elephant: How We Speak and Think Animals in Documentary Film” (thesis project, supervised by Maria Irene Aparício). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 25 Oct. 2017.
11. As member. Chang Zhang, “The Cinematic Possibilities of Painting” (thesis project, supervised by António Olaio). PhD in Contemporary Art. University of Coimbra, 30 Jun. 2017.
12. As member (examiner). Inês Rebanda Coelho, “Autoria Conjunta: Uma Visão Industrial, Legal e Social do Cinema e da Televisão” [“Joint Authorship: An Industrial, Legal and Social View of Cinema and Television”] (thesis, supervised by Helena Pires, co-supervised by Pedro Dias Venâncio). PhD in Communication Sciences. University of Minho, 25 Sept. 2018.
13. As member (examiner). Inês Sapeta, “A Programação Cinematográfica: Ordem e Afecção nas Cartas Brancas Programadas na Cinemateca Portuguesa - Museu do Cinema” [“Film Programming: Order and Affection in the Cartas Brancas at the Portuguese Cinemateque - Cinema Museum”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, specialisation in Film and Television. Nova University of Lisbon, 11 Apr. 2018.
14. As member (supervisor). Nuno Malheiro Lopes, “Sério Fernandes e a Escola que ‘Não Existe’: Contributo para uma Reflexão sobre a Escola do Porto” [“Sério Fernandes and the School that ‘Does not Exist’: Contribution for a Reflection on the Porto School”] (thesis, supervised by Sérgio Dias Branco). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra, 3 Apr. 2018.
15. As chair. Joanise Levy da Silva, “Fabular e Interpretar Imagens: o Clichê no Processo de Escrita Fílmica” [“Fabulating and Interpreting Images: The Cliché in the Film Writing Process”] (thesis, supervised by Sérgio Dias Branco and André Luís Gomes). PhD in Art Studies, specialisation in Film and Image Studies and of the Graduate Program in Literature. University of Brasilia (jointly supervised with the University of Coimbra), 17 Jun. 2019.
16. As member. Diego Hoefel, “Dramaturgias do Fracasso: Reinvenções da Comédia no Cinema Brasileiro Contemporâneo” [“Dramaturgies of Failure: Reinventions of Comedy in Contemporary Brazilian Cinema”] (thesis project, supervised by Maria Irene Aparício and Mariana Baltar). PhD in Art Studies: Art and Mediations and PhD in Film and Audiovisual: Narratives and Aesthetics. Nova University of Lisbon and Fluminense Federal University, 24 Jul. 2019.
17. As member. Francisco Ricardo Silveira, “O Sublime Ecfrástico dos Vídeos Musicais: Um Travelling Literário a partir da Letra” [“The Ecfrastic Sublime of Music Videos: A Literary Travelling from the Lyrics”] (thesis project, supervised by Manuel Portela). PhD in Materialities of Literature. University of Coimbra, 11 Jul. 2019.
18. As member (supervisor). Markus Carpenter, “Adapting Bradbury: A Cinema of Wonder and Warning” (thesis). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra, 4 Oct. 2019.
19. As chair. Bruno César Pinto Madureira, “Bandas Civis no Terceiro Quartel do Século XX: Estudo de Casos com as Bandas de Quatro Concelhos” [“Civil Bands in the Third Quarter of the 20th Century: Case Studies with the Bands of Four Counties”] (thesis, supervised by Paulo Estudante and Maria Fernanda Rollo). PhD in Art Studies, specialisation in Music Studies. University of Coimbra (by videoconference), 12 Jun. 2020.
20. As chair. Rosiane de Oliveira, “Com que Máscara Eu Vou: Máscaras Tradicionais em Festivais de Arte e Cultura no Brasil, Canadá e Portugal no Séc. XXI” [“With Which Mask I Go: Traditional Masks in Art and Culture Festivals in Brazil, Canada and Portugal in the 21st Century”] (thesis, supervised by João Maria André). PhD in Art Studies, specialisation in Drama and Performance Studies. University of Coimbra (by videoconference), 20 Jul. 2020.
21. As chair. Iracy Vaz, “Modernidade Severina: O Teatro Experimental de Maria Sylvia Nunes e sua Invisibilidade na História” [“Severina Modernity: Maria Sylvia Nunes’s Experimental Theater and her Invisibility in History”] (thesis, supervised by Catarina Martins and Wladilene de Sousa Lima). PhD in Art Studies, specialisation in Drama and Performance Studies. University of Coimbra (by videoconference), 16 Nov. 2020.
22. As member (examiner). Hugo Martins, “Yasujiro Ozu: Ciclos de Vida” [“Yasujiro Ozu: Cycles of Life”] (thesis, supervised by Carlos João Correia). PhD in Arts (Performative Arts and Moving Image). University of Lisbon (by videoconference), 27 Apr. 2020.
23. As chair. Flávio de Brito, “Não Ator Não Existe: Mímesis, Direção e Performance no Cinema” [“No Actor Doesn’t Exist: Mimesis, Direction and Performance in Cinema”] (thesis, supervised by Abílio Hernandez). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra (by videoconference), 11 Jun. 2021.
24. As chair. Frederico Dinis, “Sensações Sinuosas e Emoções Hipnóticas: Performance Sonora e Visual na Contemporaneidade” [“Sinuous Sensations and Hypnotic Emotions: Aural and Visual Performance in Contemporaneity”] (thesis, supervised by Fernando Matos Oliveira). PhD in Art Studies, specialisation in Theatre and Performative Studies. University of Coimbra (by videoconference), 8 Jun. 2021.
25. As chair. Francisco Manuel Relva Pereira, “Da Charamela da Universidade de Coimbra: Do Século XVIII à Actualidade e a Importância no Ceremonial Académico” [“From Coimbra University’s Charamela: From the 18th Century to the Present and the Importance in the Academic Ceremonial”] (thesis, supervised by Maria José Azevedo Santos and Maria do Amparo Monteiro). PhD in Art Studies, specialisation in Music Studies. University of Coimbra (by videoconference), 22 Jan. 2021.
26. As chair. Levi Fernandes da Silva, “Proposta e Avaliação de um Método Interdisciplinar de Literacia: Musica, Educação e Sensibilização Artística” [“Proposal and Assessment of an Interdisciplinary Literacy Method: Music, Education and Artistic Sensitization”] (thesis, supervised by Maria Dolores Pérez Grande). Equivalency recognition of degree granted by the University of Salamanca for PhD in Art Studies. University of Coimbra, 26 Jul. 2021.
27. As chair. Sara Jobard, “Memórias Encenadas: Processos de Criação em Teatro Depoimento” [“Staged Memories: Creation Processes in Testimony Theatre”] (thesis, supervised by Fernando Matos Oliveira). PhD in Art Studies, specialisation in Theatre and Performative Studies. University of Coimbra (by videoconference), 20 May 2021.
28. As member (examiner). Vinícius Neves de Cabral, “Materialist Readings of Cinematic Representations of Disability” (thesis, supervised by Sílvia Meletti and Michael Wayne). Post-Graduation in Education. State University of Londrina (by videoconference), 29 Apr. 2021.
29. As member (examiner). Rebecca Anne Peters, “When Code Replaces Scripture: Black Mirror, Technology and the Specter of Christianity” (thesis, supervised by Sonia Arribas). PhD in Humanities. Pompeu Fabra University (by videoconference), 6 Jul. 2021.
30. As member. Francisco Ricardo Silveira, “O Complexo da Lagosta Revisitado: Uma Fábula Ensaística” [“The Lobster Complex Revisited: An Essay Fable”] (thesis project, supervised by Manuel Portela; improvement). PhD in Materialities of Literature. University of Coimbra (by videoconference), 18 Feb. 2021.
31. As member. Tiago Fernandes, “Escutar as Paisagens: Experiências Sensoriais Subjetivas e Ressignificadas” [“Listening to Landscapes: Subjective and Resignified Sensory Experiences”] (thesis, supervised by Paulo Cunha). PhD in Media Artes. University of Beira Interior (by videoconference), 12 Jan. 2021.
32. As member. Christian Schneider, “Realização Individual no Cinema de Ficção” [“Individual Realization in Fiction Cinema”] (thesis project, supervised by Iván Villarmea Álvarez). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra (by videoconference), 7 Dec. 2021.
33. As member (chair). Mafalda Lencastre, “Prove You’re Posthuman: Representação e Subjetividade nas Artes Performativas” [“Prove You’re Posthuman: Representation and Subjectivity in the Performing Arts”] (thesis project, supervised by Fernando Matos Oliveira). PhD in Art Studies, specialisation in Theatre and Performance Studies. University of Coimbra (by videoconference), 14 Dec. 2021.
34. As member (chair). Marina Negreiros, “É Preciso ter Voz para Ser Ouvida: Performance Feminista da América Latina e Europa do Sul (2000-2021)” [“You Have to Have a Voice to Be Heard: Feminist Performance from Latin America and Southern Europe (2000-2021)”] (thesis project, supervised by Fernando Matos Oliveira). PhD in Art Studies, specialisation in Theatre and Performance Studies. University of Coimbra (by videoconference), 14 Dec. 2021.
35. As member (supervisor). Pedro Álvaro, “Resgates da Câmara: Intimidade e Unidade de Espaço no Cinema de Ficção Narrativo” [“Rescues of the Camera: Intimacy and Unity of Space in Narrative Fiction Cinema”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, specialisation in Film and Television. Nova University of Lisbon, 21 Nov. 2022.
36. As member (supervisor). Bruna Oliveira, “A Mulher Cineasta em Estados Islâmicos: O Feminismo Islâmico como Prática Cinematográfica” [“The Woman Filmmaker in Islamic States: Islamic Feminism as Film Practice”] (thesis project). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra. University of Coimbra, 19 Oct. 2022.
37. As member (examiner). Pedro Caldas, “O Cinema e a Ciência dos Processos” [“Film and the Science of Processes”] (thesis, supervised by Olga Pombo and Graça. P. Corrêa). Doutoramento em Filosofia da Ciência, Tecnologia, Arte e Sociedade, especialidade em Arte e Ciência. Universidade de Lisboa (por videoconferência), 22 Maio 2023.
