4.1. EDITED JOURNAL ISSUES
[1] 2025. Arts, special issue “The Detailed Study of Films: Adjusting Attention”. MDPI. https://www.mdpi.com/
journal/arts/special_issues/DL2U02O3U1.
[2] 2025. With Raquel Schefer. La Furia Umana 46, “Ousmane Sembène: Inverting the Colonial Gaze”. https://
www.lafuriaumana.com/ousmane-sembene-inverting-the-colonial-gaze. [EG.UC]
[3] 2023. Religions, special issue “Religion and the Working Class in Film”. MDPI. https://www.mdpi.com/
journal/religions/special_issues/ELT133384M.
[4] 2023. With Luísa Neves Soares. Esferas: Revista Interprogramas de Pós-graduação em Comunicação do Centro Oeste 26, “Autoria no Documentário” [“Authorship in Documentary”]. Catholic University of Brasília. https://portalrevistas.ucb.br/index.php/esf/issue/view/705. [EG.UC]
[5] 2020. With Amir Khan. Conversations: The Journal of Cavellian Studies 8. University of Ottawa. https://
uottawa.scholarsportal.info/ottawa/index.php/conversations/issue/view/574. [EG.UC]
[6] 2019. “The Watching and Criticism of Television Series” dossier. Aniki: Portuguese Journal of the Moving Image 6, no. 1. Association of Moving Image Researchers. http://aim.org.pt/ojs/index.php/revista/issue/
view/20. [EG.UC]
[7] 2017. With Amir Khan. Conversations: The Journal of Cavellian Studies 5, “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell”. University of Ottawa. https://uottawa.scholarsportal.info/ottawa/
index.php/conversations/issue/view/291. [EG.UC]
[8] 2017. With Patrícia Silveirinha Castello Branco and Saeed Zeydabadi-Nejad. Cinema: Journal of Philosophy and the Moving Image 9, “Islam and Images”. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/
index.php/revista/issue/view/6/7. [EG.UC]
[9] 2016. With Amir Khan. Conversations: The Journal of Cavellian Studies 4, “Cavell and Literature”. University of Ottawa. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/257. [EG.UC]
[10] 2016. With Michael Wayne. Cinema: Journal of Philosophy and the Moving Image 8, “Marx’s Philosophy”. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/index.php/revista/issue/view/7/8. [EG.UC]
[11] 2015. With Amir Khan. Conversations: The Journal of Cavellian Studies 3, “Cavell and History”. University of Ottawa. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/230. [EG.UC]
[12] 2013. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/index.php/revista/issue/view/11/12. [EG.UC]
[13] 2013. With Amir Khan. Conversations: The Journal of Cavellian Studies 1, “Genesis”. University of Ottawa. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/198. [EG.UC]
[14] 2011. With Patrícia Silveirinha Castello Branco and Susana Viegas. Cinema: Journal of Philosophy and the Moving Image 2. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/index.php/revista/issue/view/12/
14. [EG.UC]
[15] 2010. With Patrícia Silveirinha Castello Branco and Susana Viegas. Cinema: Journal of Philosophy and the Moving Image 1. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/index.php/revista/issue/view/5/2. [EG.UC]
Forthcoming. With Alfredo Teixeira. REVER: Revista de Estudos da Religião, “Cinema e Religião: Da Representação à Expressão” [“Cinema and Religion: From Representation to Expression”].
4.2. BOOKS
[1] 2024. Cinema e Dialéctica: Uma Gramática Profunda [Cinema and Dialectics: A Deep Grammar]. Lisbon: Página a Página. 216 pp.
[2] 2024. As Vozes da Palavra: Escritos de um Leigo Dominicano, Vol. I [The Voices of the Word: Writings of a Dominican Layman, Vol. I]. Lisbon: Edições Vieira da Silva. 286 pp.
[3] 2020. Escrita em Movimento: Apontamentos Críticos sobre Filmes [Writing in Motion: Critical Notes on Films]. Lisbon: Documenta. 176 pp.
[4] 2020. O Trabalho das Imagens: Estudos sobre Cinema e Marxismo [The Work of Images: Studies on Cinema and Marxism]. Lisbon: Página a Página. 182 pp.
[5] 2016. Por Dentro das Imagens: Obras de Cinema, Ideias do Cinema [Within Images: Film Works, Cinema Ideas]. Lisbon: Documenta. 160 pp.
4.3. MANUAL
[1] 2022. O Homem da Câmara de Filmar / Dziga Vertov [Man with a Movie Camera / Dziga Vertov]. Lisbon: PNC. 24 pp. https://pnc.gov.pt/36-o-homem-da-camara-de-filmar. [EG.UC]
4.4. EDITED BOOKS
[1] 2025. With Rita Benis. Exploring Film and Christianity: Movement as Immobility. London and New York: Routledge. 254 pp.
[2] 2019. With Daniel Ribas and Manuela Penafria. Atas do VIII Encontro da AIM [Proceedings of the VIII AIM Annual Meeting]. E-book. Lisbon: Association of Moving Image Researchers. http://aim.org.pt/atas/Atas-
VIIIEncontroAnualAIM.pdf. 318 pp. [EG.UC]
[3] 2014. With Paulo Cunha. Atas do III Encontro da AIM [Proceedings of the III AIM Annual Meeting]. E-book. Coimbra: Association of Moving Image Researchers. http://aim.org.pt/atas/Atas-IIIEncontroAnualAIM.pdf. 454 pp. [EG.UC]
4.5. BOOK CHAPTERS
[1] 2025. With Teodora Jovanović and Daniel Škobla. “Liminal Situations: Aki Kaurismäki’s Cinematic Narratives of Refugees in Europe”. In Religious and Non-Religious Narratives on Migration: Interdisciplinary Perspectives, ed. Regina Polak, Ansgar Jödicke, and Aybiçe Tosun, 113-32. Paderborn: Brill | Schöningh.
[2] 2024. “E Agora? Lembra-me (Joaquim Pinto, 2013) e O Novo Testamento de Jesu Christo Segundo João (Joaquim Pinto e Nuno Leonel, 2013)” [“And Now? Remind Me (Joaquim Pinto, 2013) and The New Testament of Jesus Christ According to John (Joaquim Pinto and Nuno Leonel, 2013)”]. In Um Olhar Português: Cinema e Natureza no Século XXI [A Portuguese Look: Cinema and Nature in the 21st Century], org. Filipa Rosário and José Duarte, 308-14. Lisbon: Documenta. [EG.UC]
[3] 2024. “Estética da Produção: Uma Experiência de Ensino da História do Cinema” [“Aesthetics of Production: An Experience of Teaching History of Cinema”]. In Cultura, Estética e Formação, Vol. IV: Projetos e Vivências [Culture, Aesthetics and Training, Vol. IV: Projects and Experiences], ed. Rita Márcia Furtado and Silvia Zanolla, 24-37. Goiânia, GO: Cegraf UFG.
[4] 2024. “A Projeção do Encontro: O Cinema no Diálogo Intercultural” [“The Projection of Encounter: Cinema in Intercultural Dialogue”]. In Concordância e Diferença: ‘Liber Amicorum’ para João Maria André [Agreement and Difference: ‘Liber Amicorum’ for João Maria André], coord. Mário Santiago de Carvalho, Fernando Matos Oliveira, and Klédson Tiago Alves de Souza, 397-404. Coimbra: IEF. [EG.UC]
[5] 2023. “Foge / Get Out (2017) - Jordan Peele: As Mãos Discordantes” [“Get Out (2017) - Jordan Peele: The Discordant Hands”]. In Os 100 Melhores Planos do Cinema: 100 Autores, 100 Planos [The 100 Best Film Shots: 100 Authors, 100 Shots], org. Nelson Araújo, 397-99. Lisbon: Edições 70.
[6] 2023. “Genuine Poetics: Expressive Authenticity in Film”. In Aesthetic Authenticity in Cinema, org. Filipe Martins, 195-209. Porto: Faculty of Arts and Humanities of the University of Porto. [EG.UC]
[7] 2023. “Lutas pela Democracia” [“Struggles for Democracy”]. In 25 de Abril: Uma Revolução em Perspectiva [April 25th: A Revolution in Perspective], 74-83. Lisbon: Edições “Avante!”
[8] 2023. “The Most Important of the Arts: The October Revolution and Film Production”. In Revolution and (Post) War, 1917-1922: Spring and Autumn in Europe and the World, ed. Clara Serrano and Sérgio Neto, 64-73. London: Routledge.
[9] 2023. “Para a Cidade Fraterna” [“To the Fraternal City”]. In Instituto Universitário Iustitia et Pax, 1971-2021: 50 Anos, 50 Histórias [Iustitia et Pax University Institute, 1971-2021: 50 Years, 50 Stories], ed. Fiftieth Anniversary Organisation Committee, 241-42. Coimbra: Instituto Universitário Justiça e Paz.
[10] 2023. “A Renovação na Europa de Leste” [“Renewal in Eastern Europe”]. In História do Cinema: Dos Primórdios ao Cinema Contemporâneo [History of Cinema: From the Beginnings to Contemporary Cinema], 2nd ed., ed. Nelson Araújo, 225-37. Lisbon: Edições 70.
[11] 2021. “O Mundo de Maria: Reflexões entre Jean-Luc Godard e Stanley Cavell” [“Mary’s World: Reflections Between Jean-Luc Godard and Stanley Cavell”]. In Imágenes como patrias [Images as Homelands], coord. Victoria Hernández Ruiz and Sara Dias-Trindade, 179-200. Madrid: Editorial Sinderesis. [EG.UC]
[12] 2021. “A Renovação na Europa de Leste” [“Renewal in Eastern Europe”]. In História do Cinema: Dos Primórdios ao Cinema Contemporâneo [History of Cinema: From the Beginnings to Contemporary Cinema], ed. Nelson Araújo, 219-32. Lisbon: Edições 70.
[13] 2021. “这么远，这么近” [“So Far Away, So Close”]. In A Century of the Communist Party of China: Statements from 100 Foreign Communists, vol. 2, 532-39. Beijing: Contemporary China Publishing House.
[14] 2021. “Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema”. In New Approaches to Islam in Film, ed. Kristian Petersen, 210-21. New York: Routledge. [EG.UC]
[15] 2020. “‘A Cultura É Política’: O Cinema de Ousmane Sembène na África Pós-Colonial” [“‘Culture Is Politics’: Ousmane Sembène’s Cinema in Post-Colonial Africa”]. In Cinemas Pós-Coloniais e Periféricos, Volume 2 [Post-Colonial and Peripheral Cinemas, Volume 2], ed. Michelle Sales, Paulo Cunha, and Liliane Leroux, 145-55. Guimaraes and Rio de Janeiro: Nós por Cá Todos Bem - Associação Cultural and Edições LCV. [EG.UC]
[16] 2020. “Expressões da Solidão: Início, Fim, Entremeio em Carta de Uma Desconhecida (1948)” [“‘Expressions of Solitude: Beginning, Ending, In-Between in Letter from an Unknown Woman (1948)”]. In Imitações da Vida: Cinema Clássico Americano — Ensaios para Mário Jorge Torres [Imitations of Life: Classic American Cinema — Essays for Mário Jorge Torres], org. Clara Rowland, Fernando Guerreiro, and José Bértolo, 285-95. Silveira: BookBuilders. [EG.UC]
[17] 2020. “Nem Luz Pura, Nem Sombra: Nostalgia da Luz como Documentário Poético Politizado” [“Neither Pure Light, Nor Shadow: Nostalgia for the Light as Politicised Poetic Documentary”]. In Visões da Luz [Visions of Light], ed. Francisco Gil and Lídia Catarino, 163-74. Coimbra: Coimbra University Press. http://
monographs.uc.pt/iuc/catalog/book/42. [EG.UC]
[18] 2019. “Mulheres Especulares: Género e Desdobramento no Neo-Noir de Brian De Palma” [“Specular Women: Gender and Unfolding in Brian De Palma’s Neo-Noir”]. In Espelhos do “Film Noir” [Mirrors of Film Noir], ed. Jeffrey Childs, 133-42. Lisbon: Documenta. [EG.UC]
[19] 2018. “The Urban and the Domestic: Spaces of American Film Noir”. In New Approaches to Cinematic Spaces, ed. Filipa Rosário and Iván Villarmea Álvarez, 85-96. London: Routledge. [EG.UC]
[20] 2017. “As Águas de Sua Mãe: Líquida Força, Líquida Fragilidade” [“As Águas de Sua Mãe: Liquid Strength, Liquid Fragility”]. In UBICinema 2007-2017, org. Ana Catarina Pereira and Luís Nogueira, 209-17. Covilhã: Editora LabCom.IFP. http://www.labcom-ifp.ubi.pt/ficheiros/201712131640-201713_ubicinema10anos_
acpereiralnogueira_02.pdf. [EG.UC]
[21] 2016. “A Cidade das Imagens: Três Olhares Fílmicos sobre a Urbanidade de Hoje” [“The City of Images: Three Film Perspectives on Today’s Urbanity”]. In Territórios do Cinema: Representações e Paisagens da Pós-Modernidade [Territories of Film: Representations and Landscapes of Post-Modernity], coord. Fátima Velez de Castro and João Luís J. Fernandes, 103-22. Malaga, AN: Eumed - University of Malaga. http://
www.eumed.net/libros-gratis/ciencia/2016/39/39.zip. [EG.UC]
[22] 2016. “Sembène, Ousmane (1923-2007)”. In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, Vol. I, ed. Immanuel Ness and Zack Cope, 218-22. Basingstoke: Palgrave Macmillan. [EG.UC]
[23] 2015. “Magic and Loss: Style, Progression and the ‘Ending’ of Carnivàle”. In “Carnivàle” and the American Grotesque: Critical Essays on the HBO Series, ed. Peg Aloi and Hannah E. Johnston, 57-72. Jefferson, NC: McFarland. [EG.UC]
[24] 2014. “O Conceito Aberto de Cinemático” [“The Open Concept of the Cinematic”]. In Cinema & Filosofia: Compêndio [Film & Philosophy: Compendium], org. João Mário Grilo and Maria Irene Aparício, 351-63. Lisbon: Edições Colibri. [EG.UC]
[25] 2013. “Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”. In Television Aesthetics and Style, ed. Jason Jacobs and Steven Peacock, 93-102. New York: Bloomsbury. [EG.UC]
[26] 2011. “Na Desordem: Balagan, Mapa Intersticial de Histórias e Identidades” [“In Disorder: Balagan, Interstitial Map of Histories and Identities”]. In Literatura, Espaço, Cartografias [Literature, Space, Cartographies], ed. António Apolinário Lourenço and Osvaldo Manuel Silvestre, 391-408. Coimbra: Centre for Portuguese Literature at the University of Coimbra. [EG.UC]
[27] 2011. “Super Style: Notes for a Stylistic Analysis”. In Investigating “Heroes”: Truth, Justice and Quality TV, ed. David Simmons, 109-18. Jefferson, NC: McFarland. [EG.UC]
[28] 2010. “Sci-Fi Ghettos: Battlestar Galactica and Genre Aesthetics”. In “Battlestar Galactica”: Investigating Flesh, Spirit, and Steel, ed. Roz Kaveney and Jennifer Stoy, 185-98. London: I.B. Tauris. [EG.UC]
[29] 2009. “Music Videos and Reused Footage”. In Cultural Borrowings: Appropriation, Reworking, Transformation, ed. Iain Robert Smith, 111-21. Nottingham: Scope. http://www.nottingham.ac.uk/scope/
documents/2009/culturalborrowingsebook.pdf. [EG.UC]
Forthcoming. “7. Staging”. In The Oxford Handbook of Theology and Film, ed. Gerard Loughlin. Oxford: Oxford University Press.
Forthcoming. “Diasporic Devotional Cinema: The Experience of Displacement and Peacebuilding in Cherien Dabis’s Amreeka”. In Migrações, Multiculturalidade e Vulnerabilidade Social: Visões Interdisciplinares da Europa e do Mundo [Migrations, Multiculturality, and Social Vulnerability: Interdisciplinary Visions on Europe and the World], ed. Fátima Velez de Castro and João Luis Fernandes. Coimbra: Coimbra University Press.
Forthcoming. “A Imagem em Movimento como Investigação” [“The Moving Image as Research”]. In The Ongoing Lecture. Coimbra: College of Arts of the University of Coimbra. Forthcoming “Uma Personagem na História: Filmar O Ano da Morte de Ricardo Reis” [“A Character in History: Filming The Year of the Death of Ricardo Reis”]. In João Botelho: “Filmo um texto como se fosse um rosto” [João Botelho: “I film a text as if it were a face”], ed. Golgona Anghel, 257-71. Lisbon: Documenta.
4.6. REFEREED ARTICLES
[1] 2024. “Places of Hope: A Cinematic and Theological Exploration”. Gavagai - Revista Interdisciplinar de Humanidades 11, n.º 1, “Representações Literárias e Audiovisuais do Território” [“Literary and Audiovisual Representations of the Territory”], org. Éverton de Moraes Kozenieski, Fernando Rossetto Gallego Campos, and Fátima Velez de Castro, 10-21. Federal University of the Southern Border. https://
periodicos.uffs.edu.br/index.php/GAVAGAI/article/view/14842. [EG.UC]
[2] 2023. “Expressividades: A Autenticidade Estética e as Formas Expressivas do Cinema” [“Expressivities: Aesthetic Authenticity and the Expressive Forms of Cinema”]. Paralaxe: Revista de Estética e Filosofia da Arte 9, n.º 1, “Filme e Filosofia” [“Film and Philosophy”], ed. Carla M. Damião, Rodrigo Araújo, and Eduardo Carli de Moraes: 149-64. Pontifical Catholic University of São Paulo. https://revistas.pucsp.br/index.php/
[3] 2023. “Resistance and Resilience: The Nothing Factory and the Workers’ Self-Management of Fateleva”. International Labor and Working-Class History, special issue “Workers and Obsolescence”, ed. Lori A. Flores and Aaron Benanav: 1-12. Cambridge University Press. https://www.cambridge.org/core/journals/
paralaxe/article/view/62642. [EG.UC]
international-labor-and-working-class-history/article/resistance-and-resilience-the-nothing-factory-and-the-workers-selfmanagement-of-fateleva/0A1EED128104896949703A49F5A72AD1.
[4] 2023. With Júlia Vilhena. “O Filme-Ensaio: História e Teoria” [“The Film-Essay: History and Theory”]. Esferas: Revista Interprogramas de Pós-graduação em Comunicação do Centro Oeste 26, “Autoria no Documentário” [“Authorship in Documentary”], ed. Sérgio Dias Branco and Luísa Neves Soares: 21-39. Catholic University of Brasília. https://portalrevistas.ucb.br/index.php/esf/article/view/14388. [EG.UC]
[5] 2020. “O Agora de Outrora: O Cinema de Silas Tiny” [“The Now of Erstwhile: The Cinema of Silas Tiny”]. Vista: Revista de Cultura Visual 6, “(In)Visibilidades: Imagem e Racismo” [“(In)Visibilities: Image and Racism”], ed. Ana Cristina Pereira, Michele Sales, and Rosa Cabecinhas: 171-78. Portuguese Association of Communication Sciences. http://vista.sopcom.pt/ficheiros/20200630-9_o_agora_de_outrora_o_cinema_
[6] 2020. “Nas Flores Vermelhas: Três Estudos sobre a Revolução de Outubro e o Cinema” [“In the Red Flowers: Three Studies on the October Revolution and Film”]. Estudos do Século XX 20, “Politização, Despolitização e Repolitização” [“Politicisation, Depoliticisation and Repoliticisation”], ed. António Pedro Pita, Fernando Matos Oliveira, and Michelle Sales: 65-82. Coimbra University Press. https://impactum-journals.uc.pt/
[7] 2020. “Spectres of Today: The Fractures of History in Horse Money (2014)”. Observatorio (OBS*) 14, no. 4, “Intermedialidades em Imagens (Pós)Coloniais” [“Intermedialities in (Post)Colonial Images”], ed. Maria do Carmo Piçarra: 39-51. Observatory on Communication. http://obs.obercom.pt/index.php/obs/article/view/
[8] 2020. “The Work of Cinematic Art: Art as Work and Work as Art”. Peace, Land, & Bread: A Scholarly Journal of Revolutionary Theory and Practice 3: 173-80. https://4e738bf1-3b89-467b-8f45-de5511b6665d.filesusr.com
[9] 2019. “Descobertas do Cinemático” [“Discoveries of the Cinematic”]. Paralaxe: Revista de Estética e Filosofia da Arte 6, no. 1: 121-43. Pontifical Catholic University of São Paulo. https://revistas.pucsp.br/paralaxe/
[10] 2019. “Melodias do Reuso: A Reutilização de Imagens nos Vídeos Musicais” [“Melodies of Reuse: Image Reutilisation in Music Videos”]. Esferas: Revista Interprogramas de Pós-graduação em Comunicação do Centro Oeste 16, “Novas Linguagens do Audiovisual” [“New Languages of the Audiovisual”], ed. Felipe Polydoro and Gabriela Freitas: 26-34. Catholic University of Brasília. https://portalrevistas.ucb.br/
[11] 2017. “Morta por Dentro: Subjetividade e Alegoria em The Addiction” [“Dead Inside: Subjectivity and Allegory in The Addiction”]. Revista de História das Ideias 35, “Fronteiras” [“Boundaries”], ed. João Maria André and Rui Cunha Martins: 437-61. Coimbra University Press. https://impactum-journals.uc.pt/rhi/
[12] 2017. “The Past Tense of Our Selves: Um Adeus Português in 1980s Portugal.” Journal of Lusophone Studies 2, no. 1, “Special Dossier on Portuguese Cinema”, ed. Clara Rowland and Estela Vieira: 41-58. American Portuguese Studies Association. https://jls.apsa.us/index.php/jls/article/view/154. [EG.UC]
[13] 2016. “O Cinema como Educação Social dos Sentidos” [“Film as Social Education of the Senses”]. Persona: Revista do Departamento de Teatro e Cinema da ESAP 3, “Art and Human Development,” ed. José Eduardo da Silva: 61-69. Higher Artistic School of Porto. http://persona-esap.weebly.com/uploads/9/0/2/7/90272353/persona3_8_sergio_dias_branco.pdf. [EG.UC]
[14] 2015. “Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”. L’Atalante: Revista de estudios cinematográficos 19, coord. Pablo Hernández Miñano and Violeta Martín Núñez: 105-10. University of Valencia. https://www.revistaatalante.com/index.php/atalante/article/view/269/256. [EG.UC]
[15] 2012. “A Memória Resistente da Guerra no Cinema Vietnamita” [“The Resistant Memory of War in Vietnamese Cinema”]. O Olho da História: Revista de Teoria, Cultura, Cinema e Sociedades 19. Federal University of Bahia. http://oolhodahistoria.ufba.br/wp-content/uploads/2016/12/18sergio.pdf. [EG.UC]
[16] 2011. “Au hasard Balthazar: teologia e arte della presenza” [orig. “Seeing Balthazar: Robert Bresson’s Art of Presence and Franciscan Theology”], trans. Simona Busni and Andreina Campagna. Fata Morgana: Quadrimestrale di cinema e visioni 14, “Animalità”: 163-70. Luigi Pellegrini Editore and University of Calabria. [EG.UC]
[17] 2011. “Film noir, um Género Imaginado” [“Film Noir, an Imagined Genre”]. Revista de História das Ideias 32, “Artes” (2011): 327-54. Coimbra University Press. https://impactum.uc.pt/pt-pt/node/117977. [EG.UC]
[18] 2008. “The Mosaic-Screen: Exploration and Definition”. Refractory: A Journal of Entertainment Media 14. University of Melbourne. [EG.UC]
Forthcoming. With Sofia Cardetas Beato. “‘Porventura, não temos nós todos um único pai?’: Os Filmes da Cooperação Cultural e Religiosa entre a Comunidade Israelita do Porto e a Diocese do Porto” [“‘Have we not all the one father?’: The Films of Cultural and Religious Cooperation between the Jewish Community of Porto and the Diocese of Porto”]. REVER: Revista de Estudos da Religião, “Cinema e Religião: Da Representação à Expressão” [“Cinema and Religion: From Representation to Expression”], ed. Sérgio Dias Branco and Alfredo Teixeira.
4.7. PAPERS IN CONFERENCE PROCEEDINGS
[1] 2022. “Cinema e Marxismo, Pontos de Fuga” [“Cinema and Marxism, Vanishing Points”]. Atas do X Encontro Anual da AIM [Proceedings of the X AIM Annual Meeting], ed. Carlos Natálio, Elisabete Marques, and Marta Pinho Alves, 119-26. Lisbon: Association of Moving Image Researchers. https://aim.org.pt/atas/ATAS%
[2] 2020. “A Presença do Futuro: Marxismo e Cristianismo, Luta de Classes e Fraternidade Humana no Pensamento do Dominicano Herbert McCabe” [“The Presence of the Future: Marxism and Christianity, Class Struggle and Human Fraternity in the Thought of Dominican Herbert McCabe”]. III Congresso Internacional “Marx em Maio”: No Bicentenário do Nascimento de Karl Marx – Colectânea de Textos [III International Congress “Marx in May”: In the Bicentenary of Karl Marx’s Birth – Collection of Texts], 455-65. Lisboa: Grupo de Estudos Marxistas. [EG.UC]
[3] 2019. “The Class of Images: Sketch for a Research Project”. In Politics and Image, org. Constantino Pereira Martins and Pedro T. Magalhães, 119-24. E-book. Coimbra: IEF Instituto de Estudos Filosóficos. http://
[4] 2017. “Visualizar a Inferência: Motivos de Imagem nos Policiais Processuais da CBS” [“Visualising Inference: Image Motifs in CBS Police Procedurals”]. In Televisão e Novos Meios [Television and New Media], org. Paulo Serra and Sónia Sá, 129-35. Covilhã: Editora LabCom.IFP. http://labcom-ifp.ubi.pt/livro/291. [EG.UC]
[5] 2016. “O Cinema como Ética” [“Film as Ethics”]. In Atas do V Encontro Anual da AIM [Proceedings of the V AIM Annual Meeting], ed. Sofia Sampaio, Filipe Reis, and Gonçalo Mota, 146-55. E-book. Lisbon: Association of Moving Image Researchers. http://aim.org.pt/atas/Atas-VEncontroAnualAIM.pdf. [EG.UC]
[6] 2016. “O Rosto da Técnica: Walter Benjamin e a Arte Fotográfica” [“The Face of the Technique: Walter Benjamin and Photographic Art”]. In Filosofia e as Artes [Philosophy and the Arts], org. Steven S. Gouveia, 95-100. Charleston, SC: CreateSpace Independent Publishing. [EG.UC]
[7] 2015. “A Arte como Trabalho ou O Trabalho como Arte” [“Art as Labour or Labour of Art”]. In II Congresso Internacional “Marx em Maio” 2014: Colectânea de Textos [II International Congress “Marx in May” 2014: Collection of Texts], 455-66. Lisbon: Group for Marxist Studies. [EG.UC]
[8] 2015. “Comunidades do Cinema” [“Cinema Communities”]. In Atas do IV Encontro Anual da AIM [Proceedings of the IV AIM Annual Meeting], ed. Daniel Ribas and Manuela Penafria, 112-19. E-book. Covilhã: Association of Moving Image Researchers. https://aim.org.pt/atas/indice/Atas-IVEncontroAnual
[9] 2015. “A Identidade como Facto Colectivo em Palombella rossa” [“Identity as Collective Fact in Palombella rossa”]. In AVANCA | CINEMA 2015, coord. António Costa Valente and Rita Capucho, 391-98. Avanca: Edições Cineclube de Avanca. [EG.UC]
[10] 2015. “As Imagens Ressonantes: A Escrita Fílmica de Marguerite Duras” [“The Resonant Images: Marguerite Duras’s Film Writing”]. In 1.º Simpósio “A Fusão das Artes no Cinema” [“The Fusion of Arts in Cinema” 1st Symposium], org. Vítor Ferreira e André Cardoso, 18-24. Coimbra: Edições Caminhos do Cinema Português. [EG.UC]
[11] 2014. “Vídeos Musicais e Figuras Abstractas” [“Music Videos and Abstract Figures”]. In Atas do III Encontro Anual da AIM [Proceedings of the III AIM Annual Meeting], ed. Paulo Cunha and Sérgio Dias Branco, 258-63. E-book. Coimbra: Association of Moving Image Researchers. https://aim.org.pt/atas/indice/Atas-IIIEncontro
[12] 2013. “Darkened Spaces: The Urban and the Domestic in American Film Noir”. In Inter[sections]: A Conference on Architecture, City and Cinema, ed. Luís Urbano, 434-40. Porto: A Mochila do João Associação Cultural. [EG.UC]
[13] 2013. “‘Estejamos Atentos!’: Notas sobre o Cinematógrafo como Reflexões Espirituais” [“‘Be Attentive!’: Notes on the Cinematographer as Spiritual Reflections”]. In Atas do II Encontro Anual da AIM [Proceedings of the II AIM Annual Meeting], ed. Tiago Baptista and Adriana Martins, 135-41. E-book. Lisbon: Association of Moving Image Researchers. http://aim.org.pt/atas/Atas-IIEncontroAnualAIM.pdf. [EG.UC]
[14] 2013. “Permanecer no Amor: A Arte e Teologia de Des hommes et des dieux” [“Remaining Within Love: The Art and Theology of Des hommes et des dieux”]. In Mosteiros Cistercienses: História, Arte, Espiritualidade e Património - Tomo II [Cistercian Monasteries: History, Art, Spirituality and Heritage - Volume II], dir. José Albuquerque Carreiras, 365-69. Alcobaça: Jorlis. [EG.UC]
[15] 2012. “Prescrições e Descobertas: A Especificidade do Meio Cinemático Segundo Berys Gaut” [“Prescriptions and Discoveries: The Specificity of the Cinematic Medium According to Berys Gaut”]. In XIII Colóquio de Outono: Estética, Cultura Material e Diálogos Intersemióticos [XIII Autumn Colloquium: Aesthetics, Material Culture and Intersemiotic Dialogues], org. Ana Gabriela Macedo, Carlos Mendes de Sousa, and Vítor Moura, 115-25. Vila Nova de Famalicão: Edições Húmus. [EG.UC]
[16] 2012. “Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”. In Spirituality: New Reflections on Theory, Praxis and Pedagogy, ed. Martin C. Fowler, Michael Weiss, and John L. Hochheimer, 199-205. E-book. Oxford: Inter-Disciplinary Press. [EG.UC]
4.8. NON-REFEREED ARTICLES
[1] 2025. “(A)Religious Film: Materialism and Mourning in The Shrouds”. Furia Umana 47, “David Cronenberg’s The Shrouds”. https://www.lafuriaumana.com/areligious-film-materialism-and-mourning-in-the-shrouds. [EG.UC]
[2] 2025. “Beat Film: Jack Kerouac’s Writing and Reading for Pull My Daisy”. Senses of Cinema 114. https://
[3] 2025. “Land and Power: The Landscapes of Ousmane Sembène’s Post-Colonial Cinema”. La Furia Umana 46, “Ousmane Sembène: Inverting the Colonial Gaze”, ed. Raquel Schefer and Sérgio Dias Branco. https://
[4] 2024. “Frei Betto em Cuba” [“Frei Betto in Cuba”]. Vértice 212, 95-104.
[5] 2022. “Cinema e Classe Trabalhadora, Perspectivas Unidas” [“Film and Working Class, United Perspectives”]. Caderno Vermelho: Revista do Sector Intelectual da Organização Regional de Lisboa do PCP 30, 38-39. Lisbon Intellectual Sector of the Portuguese Communist Party.
[6] 2022. “Comunistas e Católicos: Contextos de uma Orientação Política do PCP” [“Communists and Catholics: Contexts of a Political Orientation of the PCP”]. Vértice 202, 46-65.
[7] 2021. “Uma Ausência Tornada Presente: Gestos & Fragmentos (1982)” [“An Absence Made Present: Gestures & Fragments (1982)”]. Palavrasemovimento: Vamos Falar de Cinema Português 1960-2000. https://
[8] 2021. “Outro País: O Cinema Português Depois da Revolução” [“Another Country: Portuguese Cinema After the Revolution”]. Seara Nova 1756, 118-25. [EG.UC]
[9] 2020. “Não Mais Morrer: Cinema, Invenção, Futuro” [“No More Dying: Cinema, Invention, Future ”]. Ensaios de Teatro 9, 81-85. TEatroensaio. [EG.UC]
[10] 2020. “Ouvir Cinema” [“Cinema Listening”]. Cinema: Revista da Federação Portuguesa de Cineclubes 46, 52-55. https://fpcc.pt/revista/cinema_46_opt20201220.pdf.
[11] 2019. “O Canto do Ossobó: Reminiscências” [“O Canto do Ossobó: Reminiscences”]. Cinema: Revista da Federação Portuguesa de Cineclubes 45, 58-61. https://www.fpcc.pt/revista/cinema_4520190911.pdf. [EG.UC]
[12] 2019. “Contra Tudo o que Era Velho: A Revolução de Abril e o Cinema” [“Against All That Was Old: The April Revolution and Cinema”]. Diagonal 2, series III, 2-4. Porto Intellectual Sector of the Portuguese Communist Party.
[13] 2019. “Conversations with Stanley”. Forma de Vida 15. School of Arts and Humanities of the University of Lisbon. https://formadevida.org/sdbrancofdv15. [EG.UC]
[14] 2019. “Séries de Televisão: Estética, Visionamento Atento e Escrita Crítica” [“Television Series: Aesthetics, Attentive Watching and Written Criticism”]. Aniki: Portuguese Journal of the Moving Image 6, no. 1: 32-40. Association of Moving Image Researchers. http://aim.org.pt/ojs/index.php/revista/article/view/527/pdf. [EG.UC]
[15] 2019. With Inês N. Lourenço and José Oliveira. “Carlos Melo Ferreira: Até Sempre, Querido Professor” [“Carlos Melo Ferreira: Farewell, Dear Teacher”] [part]. À Pala de Walsh, 10 Sept. http://
[16] 2018. “José Augusto Mourão, Errante da Palavra” [“José Augusto Mourão, Wanderer of the Word”]. Colóquio/Letras 199, 216-21. Calouste Gulbenkian Foundation. [EG.UC]
[17] 2016. “Corpos Instáveis: Os Vídeos Musicais de Chris Cunningham” [“Unstable Bodies: Chris Cunningham’s Music Videos”]. ESC:ALA: Revista Electrónica de Estudos e Práticas Interartes 7. Institute for Comparative Literature Margarida Losa. http://wp.me/p4iz9I-T9. [EG.UC]
[18] 2016. “The Law of Capital: The Measure of a Man”. Film International, 11 Sept. http://filmint.nu/?p=19295. [EG.UC]
[19] 2015. “Antígona, Mulher Levantada” [“Antigone, Woman Standing Up”]. Vértice 176, 98-106. [EG.UC]
[20] 2015. “Um Encontro Desencontrado em Tempo de Guerra” [“A Missed Meeting in Time of War”]. Via Latina: Ad Libitum 12, “Tempo de Encontro(s)” [“Time of Encounter(s)”], 102-4. Journalism Section of the Coimbra Academic Association. [EG.UC]
[21] 2015. “Entendimentos do Cinema: A Linguagem Analítica e Crítica para Daniel Frampton e David Bordwell” [“Understandings of Film: The Analytical and Critical Language of Daniel Frampton and David Bordwell”]. Vértice 174, 58-70. [EG.UC]
[22] 2015. “A Matéria do Mal: Os Filmes Noir de Orson Welles” [“The Matter of Evil: Orson Welles’s Noir Films”]. Vértice 177, 13-37. [EG.UC]
[23] 2014. “Fotografar, Filmar, Escrever” [“Photographing, Filming, Writing”]. Revista Alma Azul: Revista de Artes e Ideias 10, 6-13. Alma Azul. [EG.UC]
[24] 2014. “Uma Aparência, Diferentes Seres: Performance e Identidade Pessoal em Battlestar Galactica” [“One Appearance, Different Beings: Performance and Personal Identity in Battlestar Galactica”]. Drama: Revista de Cinema e Teatro 5, 38-41. Portuguese Association of Screenwriters and Playwrights. [EG.UC]
Forthcoming. “O Canto e o Olhar: Luís de Camões e o Cinema Português” [“Song and Gaze: Luís de Camões and Portuguese Cinema”]. Colóquio. Calouste Gulbenkian Foundation.
4.9. INTRODUCTIONS AND PREFACES
[1] 2023. With Luísa Neves Soares. “Autoria no Documentário: Um Panorama Contemporâneo” [“Authorship in Documentary: A Contemporary Panorama”]. Esferas: Revista Interprogramas de Pós-graduação em Comunicação do Centro Oeste 26, “Autoria no Documentário” [“Authorship in Documentary”], ed. Sérgio Dias Branco and Soares: i-vii. Catholic University of Brasília. https://portalrevistas.ucb.br/index.php/esf/
[2] 2022. “Prefácio” [“Preface”]. In Maria do Rosário Lupi Bello, Tempo e Narrativa no Cinema de Manoel de Oliveira [Time and Narrative in the Cinema of Manoel de Oliveira], 13-15. Lisbon: Tinta da China. [EG.UC]
[3] 2020. With Amir Khan. “Feeling It: Editorial Comment”. Conversations: The Journal of Cavellian Studies 8: 1-2. University of Ottawa. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/article/view/
[4] 2017. With Amir Khan. “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell: Editorial Comment”. Conversations: The Journal of Cavellian Studies 5, “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell”: 1-3. University of Ottawa. https://uottawa.scholarsportal.info/ottawa/
[5] 2017. With Patrícia Silveirinha Castello Branco and Saeed Zeydabadi-Nejad. “Editorial: (Re)Thinking Islamic Imagery”. Cinema: Journal of Philosophy and the Moving Image 9, “Islam and Images”: 1-3. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/index.php/revista/article/view/58/61. [EG.UC]
[6] 2016. With Amir Khan. “Cavell and Literature: Editorial Comment”. Conversations: The Journal of Cavellian Studies 4, “Cavell and Literature”: 1-3. University of Ottawa. https://uottawa.scholarsportal.info/ottawa/
[7] 2016. With Michael Wayne. “Editorial: Film Through Marx, Our Contemporary”. Cinema: Journal of Philosophy and the Moving Image 8, “Marx’s Philosophy”: 1-3. Nova Institute of Philosophy. https://
[8] 2015. With Amir Khan. “Cavell and History: Editorial Comment”. Conversations: The Journal of Cavellian Studies 3, “Cavell and History”: 1-2. University of Ottawa. https://uottawa.scholarsportal.info/ottawa/
[9] 2014. With Paulo Cunha. “Introdução” [“Introduction”]. In Atas do III Encontro Anual da AIM [Proceedings of the III AIM Annual Meeting], ed. Cunha and Sérgio Dias Branco, 7-8. Coimbra: Association of Moving Image Researchers. http://aim.org.pt/atas/pdfs/Atas-IIIEncontroAnualAIM-Intro.pdf. [EG.UC]
[10] 2013. “Editorial: Cinema, Religion, and Their Philosophical Thinking”. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”: 1-3. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/
[11] 2013. With Amir Khan. “Genesis: Editorial Comment”. Conversations: The Journal of Cavellian Studies 1, “Genesis”: 1-3. University of Ottawa. https://uottawa.scholarsportal.info/ojs/index.php/conversations/
[12] 2010. With Patrícia Silveirinha Castello Branco and Susana Viegas. “Editorial”. Cinema: Journal of Philosophy and the Moving Image 1: 1-6. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/
4.10. BOOK REVIEWS
[1] 2022. “Religion and Film: Representation, Experience, Meaning”, review of Stefanie Knauss’s Religion and Film: Representation, Experience, Meaning. Journal of Religion & Film 26, no. 1. University of Nebraska Omaha. https://digitalcommons.unomaha.edu/jrf/vol26/iss1/56. [EG.UC]
[2] 2021. “Cinema Transformed”, review of Mike Wayne’s Marxism Goes to the Movies. Aniki: Portuguese Journal of the Moving Image 8, no. 1: 303-6. Association of Moving Image Researchers. https://aim.org.pt/
[3] 2018. “Luis Buñuel e a Evanescência do Olhar” [“Luis Buñuel and the Evanescence of the Gaze”], review of Mirian Tavares’s Buñuel e o Surrealismo: A Arquitetura do Sonho. Aniki: Portuguese Journal of the Moving Image 5, no. 1: 176-78. Association of Moving Image Researchers. http://aim.org.pt/ojs/index.php/revista/
[4] 2014. “Estudos do Vídeo Musical” [“Music Video Studies”], review of The Music Video Reader, ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg, E. Ann Kaplan’s Rocking Around the Clock: Music Television, Postmodernism, & Consumer Culture, Laurent Jullier and Julien Péquignot’s Le clip: histoire et esthétique, and Carol Vernallis’s Experiencing Music Video: Aesthetics and Cultural Context. Aniki: Portuguese Journal of the Moving Image 1, no. 2: 363-68. Association of Moving Image Researchers. http://
Forthcoming. “The Theological Power of Film”, review of The Theological Power of Film by James Lorenz. Irish Theological Quarterly.
4.11. CONDUCTED INTERVIEWS
[1] 2018. “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant”. Aniki: Portuguese Journal of the Moving Image 5, no. 2: 521-37. Association of Moving Image Researchers. http://aim.org.pt/ojs/index.php/revista/article/download/427/pdf. [EG.UC]
[2] 2013. “Film/Religion: A Conversation with P. Adams Sitney”. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”: 210-15. Nova Institute of Philosophy. https://cinema.fcsh.unl.pt/
4.12. GRANTED INTERVIEWS
[1] 2023. “A Lei do Cinema – Entrevista com Sérgio Dias Branco” [“The Law of Cinema – Interview with Sérgio Dias Branco”]. Interview by Bernardo Freire. Camões TV. https://camoestv.com/producoes/a-lei-do-cinema/a-lei-do-cinema-entrevista-com-sergio-dias-branco-episode23-season-01.
[2] 2020. Sebastião, Cláudia. “Católicos Sindicalistas em Defesa da Justiça” [“Catholic Trade Unionists in Defense of Justice”]. Família Cristã LXVI, no. 4, 32-36.
[3] 2020. “A solidariedade é um instrumento de transformação social” [“Solidarity is an instrument of social transformation”]. Interview by Bruno Amaral de Carvalho. A Voz do Operário 3079, 8-9. https://
[4] 2017. “Dá-nos Música, Mas é Cinema” [“It Gives Us Music, But It’s Film”]. Interview by Sara Quelhas. Metropolis 50, 129. http://cinemametropolis.com/images/revistas-pdf/2017/m50/#p=1.
[5] 2016. “‘O cinema constrói um olhar e nós temos de questionar esse olhar’” [“‘Film constructs a perspective and we have to question that perspective’”]. Interview by Luís Mendonça. À Pala de Walsh, 22 Nov. http://
[6] 2016. “Duas perguntas a..”. [“Two questions to..”.]. JF - Jornal da FENPROF 286, 11. National Federation of Teachers. http://www.fenprof.pt/Download/FENPROF/SM_Doc/Mid_135/Cat_632/Anexos/JF_nov2016_
[7] 2015. “Em Foco: Catequese” [“In Focus: Catechesis”]. JO: Juventude Operária 655, 5. Catholic Workers Youth.
[8] 2007. “Entrevista a… Sérgio Dias Branco” [“Interview with… Sérgio Dias Branco”]. Interview by Luís Salvado. Premiere 93, 28.
4.13. OTHER ARTICLES
[1] 2025. “Consciência Social no Cinema ao Ar Livre” [“Social Awareness in Open-Air Cinema”] [not signed]. Avante! 2702, 11 Sept., 25. Portuguese Communist Party. https://www.avante.pt/pt/2702/
[2] 2025. “[A Páscoa do Luís]” [“[Luís’s Easter]”]. Laicado Dominicano 428, 4-5. Lay Fraternities of Saint Dominic.
[3] 2025. “Francisco, um Papa com Rosto de Irmão” [“Francis, a Pope with a Brother’s Face”]. AbrilAbril, 23 Apr. https://www.abrilabril.pt/internacional/francisco-um-papa-com-rosto-de-irmao.
[4] 2025. “‘Guerra Preventiva’ ou Prevenção da Guerra” [“‘Preventive War’ or Prevention of War”]. Terra da Fraternidade, 7 Jul. https://www.terradafraternidade.net/itens-1/guerra-preventiva-ou-prevencao-da-guerra.
[5] 2025. “Hoje Investigo Eu” [“Today I’m the Researcher”]. Magazine Vive as Letras! 15, 2nd series, Oct. 2025. Faculty of Arts and Humanities of the University of Coimbra. https://viveasletras.shorthandstories.com/
[6] 2025. “O Papa Leão XIV e Gaza” [“Pope Leo XIV and Gaza”]. Terra da Fraternidade, 1 Oct. https://
[7] 2025. “Paz para o Flagelado Haiti” [“Peace for the Flagellated Haiti”]. Terra da Fraternidade, 2 Jan. https://
[8] 2025. “Tapar os Olhos” [“Covering the Eyes”]. Terra da Fraternidade, 20 Oct. https://
[9] 2024. “A Alegria, Apesar de Tudo” [“Joy, Despite Everything”], review of Gaza mon amour (2020). Avante! 2647, 22 Aug., 28. Portuguese Communist Party. https://avante.pt/pt/2647/argumentos/176668/A-Alegria-apesar-de-tudo.htm.
[10] 2024. “Os Fantasmas de Lourenço Marques” [“The Ghosts of Lourenço Marques”], review of Catembe (1965). Avante! 2620, 15 Feb., 27. Portuguese Communist Party. https://www.avante.pt/pt/2620/
[11] 2024. “IA, Irmandade e Amizade” [“AI, Brotherhood and Friendship”]. Terra da Fraternidade, 26 Jan. https://www.terradafraternidade.net/itens-1/ia,-irmandade-e-amizade.
[12] 2024. “Mandabi”, review of Mandabi (1968). Cineclube EA, School of Arts, Catholic University of Portugal, Porto.
[13] 2024. “Morrer e Viver na Palestina” [“Dying and Living in Palestine”]. Terra da Fraternidade, 8 Jul. https://
[14] 2024. “Um Retrato da Periferia Social” [“A Portrait of the Social Periphery”], review of Mandabi (1968). Avante! 2636, 6 Jun., 28. Portuguese Communist Party. https://www.avante.pt/pt/2636/argumentos/
[15] 2024. “A Revolução Não Será Filmada” [“The Revolution Will Not Be Filmed”], review of Passagem ou a Meio Caminho (1980). AbrilAbril, 20 Sept. https://www.abrilabril.pt/cultura/revolucao-nao-sera-filmada.
[16] 2024. “São José Operário, ‘Padroeiro’ da CGTP-IN” [“Saint Joseph the Worker, ‘Patron Saint’ of CGTP-Intersindical”]. Terra da Fraternidade, 29 Apr. https://www.terradafraternidade.net/itens-1/são-josé-operário,-“padroeiro”-da-cgtp-in.
[17] 2024. With Deolinda Machado, Joaquim Mesquita, Artur Ribeiro, Nicolas Fernandez, and Duarte Nuno Morgado. “Votar e Lutar pela Liberdade, a Justiça, o Progresso Social e a Paz” [“Vote and Fight for Freedom, Justice, Social Progress and Peace”]. Terra da Fraternidade, 7 Mar. https://
[18] 2024. With Deolinda Machado, Joaquim Mesquita, Artur Ribeiro, Nicolas Fernandez, Duarte Nuno Morgado, and Júlia Amorim. “Uma Reflexão sobre o XXII Congresso do PCP: Debate, Convergência, Confiança” [“A Reflection on the XXII PCP Congress: Debate, Convergence, Confidence”]. Terra da Fraternidade, 10 Dec. https://www.terradafraternidade.net/reflexoes-equipa-tf/uma-reflexao-sobre-o-xxii-congresso-do-pcp-debate-converegencia.
[19] 2023. “O Activismo Católico na Construção da Paz (1)” [“Catholic Activism in Peacebuilding (1)”]. Terra da Fraternidade, 24 Feb. https://www.terradafraternidade.net/o-activismo-catolico-na-contrucao-da-paz-1.
[20] 2023. “O Activismo Católico na Construção da Paz (2)” [“Catholic Activism in Peacebuilding (2)”]. Terra da Fraternidade, 27 Feb. https://www.terradafraternidade.net/o-activismo-catolico-na-contrucao-da-paz-2.
[21] 2023. “O Activismo Católico na Construção da Paz (3)” [“Catholic Activism in Peacebuilding (3)”]. Terra da Fraternidade, 1 Mar. https://www.terradafraternidade.net/o-activismo-catolico-na-contrucao-da-paz-3.
[22] 2023. “O Activismo Católico na Construção da Paz (4)” [“Catholic Activism in Peacebuilding (4)”]. Terra da Fraternidade, 3 Mar. https://www.terradafraternidade.net/o-activismo-catolico-na-contrucao-da-paz-4.
[23] 2023. “O Activismo Católico na Construção da Paz (5)” [“Catholic Activism in Peacebuilding (5)”]. Terra da Fraternidade, 6 Mar. https://www.terradafraternidade.net/o-activismo-catolico-na-contrucao-da-paz-5.
[24] 2023. “Destruição, Reconstrução” [“Destruction, Reconstruction”], review of Oppenheimer (2003). Avante! 2602, 12 Oct., 28. Portuguese Communist Party. https://www.avante.pt/pt/2602/argumentos/
[25] 2023. “Eu, Daniel Blake (2016): Um Marceneiro Exige os Seus Direitos (I)” [“I, Daniel Blake (2016): A Woodworker Demands His Rights (I)”]. AbrilAbril, 12 Jul. https://www.abrilabril.pt/cultura/eu-daniel-blake-2016-um-marceneiro-exige-os-seus-direitos-i.
[26] 2023. “Eu, Daniel Blake (2016): Um Marceneiro Exige os Seus Direitos (II)” [“I, Daniel Blake (2016): A Woodworker Demands His Rights (II)”]. AbrilAbril, 1 Oct. https://www.abrilabril.pt/cultura/eu-daniel-blake-2016-um-marceneiro-exige-os-seus-direitos-ii.
[27] 2023. “A Guerra Vista por Rossellini” [“The War Seen by Rossellini”], review of Rome, Open City (Roma, città aperta, 1945), Paisan (Paisà, 1946), e Germany, Year Zero (Germania anno zero, 1948). Avante! 2594, 17 Ago., 27. Portuguese Communist Party. https://www.avante.pt/pt/2594/argumentos/172680/A-guerra-vista-por-Rossellini.htm.
[28] 2023. “Imaginação Emancipadora” [“Emancipating Imagination”], review of Women Talking (2022). Avante! 2577, 20 Apr., 27. Portuguese Communist Party. https://www.avante.pt/pt/2577/argumentos/
[29] 2023. “A Juventude do Papa Francisco” [“The Youth of Pope Francis”]. Le Monde Diplomatique - Edição Portuguesa 204, II series, Oct., 10-11. https://pt.mondediplo.com/2023/10/a-juventude-do-papa-francisco.html.
[30] 2023. “Um Manifesto em Celulóide” [“A Manifesto on Celluloid”], review of The Man with a Movie Camera (Chelovek s kino-apparatom, 1929). Avante! 2567, 9 Feb., 27. Portuguese Communist Party. https://
[31] 2023. “Natal, Tempo de (Des)Esperança” [“Christmas, Time of Hope(lessness)”]. Terra da Fraternidade, 22 Dec. https://www.terradafraternidade.net/itens-1/natal,-tempo-de-(des)esperança.
[32] 2023. “Uma Nova Justiça” [“A New Justice”], review of Trails (Veredas, 1978). Avante! 2584, 7 Jun., 27. Portuguese Communist Party. https://www.avante.pt/pt/2584/argumentos/171894/Uma-nova-justiça.htm.
[33] 2023. “Paz e Comunhão (1)” [“Peace and Communion (1)”]. Terra da Fraternidade, 25 Jan. https://
[34] 2023. “Paz e Comunhão (2)” [“Peace and Communion (2)”]. Terra da Fraternidade, 27 Jan. https://
[35] 2023. “Paz e Comunhão (3)” [“Peace and Communion (3)”]. Terra da Fraternidade, 30 Jan. https://
[36] 2023. “Paz e Comunhão (4)” [“Peace and Communion (4)”]. Terra da Fraternidade, 1 Fev. https://
[37] 2023. “Pressa no Ar e Vontade de Transformar” [“Hurry in the Air and the Will to Transform”]. Terra da Fraternidade, 11 Aug. https://www.terradafraternidade.net/itens-6/pressa-no-ar-e-vontade-de-transformar.
[38] 2023. “Sicília!: O Lugar das Coisas Antigas e Esquecidas”. [“Sicilia!: The Place of Ancient and Forgotten Things”]. AbrilAbril, 19 Dec. https://www.abrilabril.pt/cultura/sicilia-o-lugar-das-coisas-antigas-e-esquecidas.
[39] 2023. “A Tocha Invisível” [“The Invisible Torch”], review of Hangmen Also Die! (1943). Avante! 2611, 14 Dec., 27. Portuguese Communist Party. https://www.avante.pt/pt/2611/argumentos/173931/A-Tocha-Invisível.htm.
[40] 2023. “Valorizar a Riqueza do Cinema Português” [“Valuing the Richness of Portuguese Cinema”]. Avante! 2597, 7 Sept., 11. Portuguese Communist Party. https://www.avante.pt/pt/2597/Festa_do_Avante/172890/
[41] 2023. With Deolinda Machado and Joaquim Mesquita. “Um Ano a Construir a Terra da Fraternidade” [“A Year of Building the Land of Fraternity”]. Terra da Fraternidade, 11 Oct. https://
[42] 2023. With Deolinda Machado and Joaquim Mesquita. “JMJ 2023: Da Logística ao Potencial” [“WYD 2023: From Logistics to Potential”]. Terra da Fraternidade, 3 Aug. https://www.terradafraternidade.net/itens-6/
[43] 2023. With Deolinda Machado and Joaquim Mesquita. “JMJ 2023: Um Contexto Promissor” [“WYD 2023: A Promising Context”]. Terra da Fraternidade, 22 Jun. https://www.terradafraternidade.net/reflexoes-equipa-tf/jmj-2023%3A-um-contexto-promissor-.
[44] 2022. “11.ª Assembleia Europeia — Vilnius: Cantai Todos os Povos, Louvai Nosso Senhor” [“11th European Assembly — Vilnius: Sing Praises, All You Peoples, Sing Praises to the Lord”]. Laicado Dominicano 413, 1-2. Lay Fraternities of Saint Dominic.
[45] 2022. “Cinema Atento ao Mundo” [“Cinema Attentive to the World”]. AbrilAbril, 30 Aug. https://
[46] 2022. “Cinema Deste Tempo e das Suas Lutas” [“Cinema of This Time and Its Struggles”]. Avante! 2545, 8 Sept., 29. Portuguese Communist Party. https://www.avante.pt/pt/2545/Festa_do_Avante/168861/
[47] 2022. “A Fraternidade como Horizonte” [“Fraternity as a Horizon”]. Terra da Fraternidade, 28 Sept. https://
[48] 2022. “O Homem da Câmara de Filmar: Um Olhar Visionário” [“Man with a Movie Camera: A Visionary Look”]. AbrilAbril, 6 Dec. https://www.abrilabril.pt/cultura/o-homem-da-camara-de-filmar-um-olhar-visionario.
[49] 2022. “Ilhas de Rocha” [“Rocha’s Islands”], review of The Island of Love (A Ilha dos Amores, 1982). Avante! 2533, 15 Jun., 29. Portuguese Communist Party. https://www.avante.pt/pt/2533/argumentos/168034/
[50] 2022. “Lutas pela Democracia” [“Struggles for Democracy”]. O Militante: PCP - Reflexão e Prática 377, 42-46. Portuguese Communist Party. https://www.omilitante.pcp.pt/pt/377/Tema/1874/Lutas-pela-Democracia.htm.
[51] 2022. “A Música da Casa” [“The House Music”], review of The Kegelstatt Trio (O Trio em Mi Bemol, 2022). Avante! 2560, 22 Dec., 27. Portuguese Communist Party. https://www.avante.pt/pt/2560/argumentos/
[52] 2022. “A Ordem do Caos” [“The Order of Chaos”], review of Enemy (2014). Avante! 2525, 21 Apr., 27. Portuguese Communist Party. https://www.avante.pt/pt/2525/argumentos/167483/A-Ordem-do-Caos.htm.
[53] 2022. “Os Pobres Não Têm Direito a Olhar para o Rio” [“The Poor Have No Right to Look at the River”], review of A Nossa Terra, O Nosso Altar (2020). Avante! 2541, 11 Aug., 27. Portuguese Communist Party. https://www.avante.pt/pt/2541/argumentos/168593/Os-pobres-não-têm-direito-a-olhar-para-o-rio.htm.
[54] 2022. “As Raízes do Território” [“The Roots of Territory”], review of The Stone Raft (La balsa de piedra, 2002). Avante! 2550, 13 Oct., 28. Portuguese Communist Party. https://www.avante.pt/pt/2550/
[55] 2022. “A Teia do Mundo” [“The World’s Web”], review of The Year of the Death of Ricardo Reis (O Ano da Morte de Ricardo Reis, 2020). Avante! 2516, 17 Feb., 27. Portuguese Communist Party. https://
[56] 2021. “25 de Abril, 3 Filmes” [“25th of April, 3 Films”]. Cinema Sétima Arte, 23 Apr. https://
[57] 2021. “A Alquimia do Cinema” [“The Alchemy of Film”], review of The Vows (A Promessa, 1973). Avante! 2490, 19 Aug., 27. Portuguese Communist Party. https://www.avante.pt/pt/2490/argumentos/165080/
[58] 2021. “Às Segundas ao Sol: Nem Casa, Nem Filhos, Nem Crédito, Nada (I)” [“Mondays in the Sun: No House, No Children, No Credit, Nothing (I)”]. AbrilAbril, 16 Mar. https://www.abrilabril.pt/internacional/segundas-ao-sol-nem-casa-nem-filhos-nem-credito-nada-i.
[59] 2021. “Às Segundas ao Sol: Nem Casa, Nem Filhos, Nem Crédito, Nada (II)” [“Mondays in the Sun: No House, No Children, No Credit, Nothing (II)”]. AbrilAbril, 23 Apr. https://www.abrilabril.pt/cultura/
[60] 2021. “Festa do ‘Avante!’: Cinema ao Ar Livre Comprometido com a Liberdade e a Imaginação” [“‘Avante!’ Festival: Outdoor Cinema Committed to Freedom and Imagination”]. AbrilAbril, 3 Sept. https://
[61] 2021. “Os Habitantes das Estantes” [“The Inhabitants of the Shelves”]. À Pala de Walsh, 30 Jun. http://
[62] 2021. “Harlan County U.S.A.: Os Mineiros Estarão Sempre em Luta (I)” [“Harlan County U.S.A.: The Miners Will Always Be Fighting (I)”]. AbrilAbril, 20 Jan. https://www.abrilabril.pt/cultura/harlan-county-usa-os-mineiros-estarao-sempre-em-luta-i.
[63] 2021. “Harlan County U.S.A.: Os Mineiros Estarão Sempre em Luta (II)” [“Harlan County U.S.A.: The Miners Will Always Be Fighting (II)”]. AbrilAbril, 16 Feb. https://www.abrilabril.pt/cultura/harlan-county-usa-os-mineiros-estarao-sempre-em-luta-ii.
[64] 2021. “Luto Itinerante” [“Itinerant Mourning”], review of The Metamorphosis of Birds (A Metamorfose dos Pássaros, 2020). Avante! 2499, 21 Oct., 27. Portuguese Communist Party. https://www.avante.pt/pt/2499/
[65] 2021. “Manifesto Revolucionário” [“Revolutionary Manifesto”], review of The Guns and the People (As Armas e o Povo, 1975). Avante! 2471, 8 Apr., 29. Portuguese Communist Party. https://www.avante.pt/pt/
[66] 2021. “Não Há Cinema como Este” [“There Is No Cinema like This”]. Avante! 2493, 9 Sept., 27. Portuguese Communist Party. https://www.avante.pt/pt/2493/Festa_do_Avante/165295/Não-há-cinema-como-este.htm.
[67] 2021. “Uma Noite Imensa” [“An Immense Night”], review of Vitalina Varela (2019). Avante! 2463, 11 Feb., 29. Portuguese Communist Party. https://www.avante.pt/pt/2463/argumentos/162626/Uma-noite-imensa.htm.
[68] 2021. “O Prazer da Liberdade” [“The Pleasure of Freedom”], review of A Pleasure, Comrades! (Prazer, Camaradas!, 2019). Avante! 2480, 9 Jun., 27. Portuguese Communist Party. https://www.avante.pt/pt/
[69] 2021. “Raiva: Ninguém Transforma o Mundo Sozinho (I)” [“Rage: Nobody Transforms the World Alone (I)”]. AbrilAbril, 25 May. https://www.abrilabril.pt/cultura/raiva-ninguem-transforma-o-mundo-sozinho-i.
[70] 2021. “Raiva: Ninguém Transforma o Mundo Sozinho (II)” [“Rage: Nobody Transforms the World Alone (II)”]. AbrilAbril, 10 Jul. https://www.abrilabril.pt/cultura/raiva-ninguem-transforma-o-mundo-sozinho-ii.
[71] 2021. “Sorrisos e Lágrimas” [“Smiles and Tears”], review of The Kid (1921). Avante! 2506, 9 Dec., 27. Portuguese Communist Party. https://www.avante.pt/pt/2506/argumentos/166172/Sorrisos-e-lágrimas.htm.
[72] 2020. “Um Apostolado na Companhia de Domingos” [“An Apostolate in the Company of Dominic”]. Laicado Dominicano 403, 2. Lay Fraternities of Saint Dominic.
[73] 2020. “O Cinema Libertado” [“The Liberated Cinema”] [not signed]. Avante! 2441, 10 Sept., 11. Portuguese Communist Party. https://www.avante.pt/pt/2441/Festa_do_Avante/160557/O-Cinema-libertado.htm.
[74] 2020. “Um Corpo Pregado ao Asfalto” [“A Body Nailed to the Asphalt”]. Pontos SJ, 24 Jun. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/um-corpo- pregado-ao-asfalto.
[75] 2020. “Ensino Superior: Um Presente Incerto, Um Futuro Melhor” [“Higher Education: An Uncertain Present, A Better Future”]. RCI - Região Centro Informação 189, 23. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/RCI_189_Junho2020.pdf.
[76] 2020. “A Injustiça da Guerra” [“The Injustice of War”]. Pontos SJ, 12 Nov. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-injustica-da-guerra.
[77] 2020. “No Teu Nome e na Tua Páscoa” [“In Your Name and Your Easter”]. Laicado Dominicano 401, 3. Lay Fraternities of Saint Dominic.
[78] 2020. “Os Passos no Caminho da Paz” [“The Steps on the Path of Peace”]. Pontos SJ, 13 Feb. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/os-passos-no-caminho-da-paz.
[79] 2020. “A Paz e o Desassossego” [“Peace and Restlessness”]. Pontos SJ, 27 Aug. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-paz-e-o-desassossego.
[80] 2020. “O Silêncio de Tomás” [“Thomas’s Silence”]. Laicado Dominicano 402, 4-5. Lay Fraternities of Saint Dominic.
[81] 2020. “Terra da Fraternidade” [“Land of Fraternity”]. Pontos SJ, 23 Apr. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/terra-da-fraternidade.
[82] 2020. “Uma Vida Conspirada” [“A Conspired Life”]. A Voz do Operário 141, no. 3075, 15. https://
[83] 2019. “60 Anos de Revolução, 60 Anos de Cinema” [“60 Years of Revolution, 60 Years of Cinema”]. Avante! 2355, 17 Jan., 29. Portuguese Communist Party. http://www.avante.pt/pt/2355/argumentos/152862/60-anos-de-Revolução-60-anos-de-cinema.htm.
[84] 2019. “Ferrugem e Clamor” [“Rust and Outcry”]. Pontos SJ, 21 Mar. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/ferrugem-e-clamor.
[85] 2019. “A Morte e o Inferno: Vem e Vê (1985)” [“Death and Hell: Come and See (1985)”]. Boletim da URAP - União de Resistentes Antifascistas Portugueses 160, series 4, 7. http://www.urap.pt/attachments/article/
[86] 2019. “A Noite Escura da Fé: Luz de Inverno, de Ingmar Bergman” [“The Dark Night of Faith: Winter Light, by Ingmar Bergman”]. 7 Margens, 15 Jan. http://setemargens.com/a-noite-escura-da-fe-luz-de-inverno-de-ingmar-bergman.
[87] 2019. “Os Nomes da Diferença” [“The Names of Difference”]. Pontos SJ, 21 Jun. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/os-nomes-da-diferenca. Repub. Laicado Dominicano 397, 4-5. Lay Fraternities of Saint Dominic.
[88] 2019. “A Palavra, de Carl Dreyer: Provas de Vida” [“Ordet, by Carl Dreyer: Proofs of Life”]. 7 Margens, 18 Feb. http://setemargens.com/a-palavra-de-carl-dreyer-provas-de-vida.
[89] 2019. “Passeio da Família Dominicana: A Presença da Ordem em Abrantes” [“Dominican Family Trip: The Presence of the Order in Abrantes”]. Laicado Dominicano 396, 1-2. Lay Fraternities of Saint Dominic.
[90] 2019. “Portugal e o Resto do Mundo Vistos pelo Cinema” [“Portugal and the Rest of the World Seen by Cinema”]. Avante! 2389, 12 Sept., 7. Portuguese Communist Party. https://www.avante.pt/pt/2389/
[91] 2019. “A Presença do Ressuscitado no Mundo” [“The Presence of the Risen One in the World”]. Pontos SJ, 22 Aug. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-presenca-do-ressuscitado-no-mundo. Repub. Laicado Dominicano 399, 4-5. Lay Fraternities of Saint Dominic.
[92] 2019. “Razões de um Católico que Vota à Esquerda” [“A Catholic’s Reasons for a Vote on the Left”]. Pontos SJ, 19 Sept. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/razoes-de-um-catolico-que-vota-a-esquerda.
[93] 2019. “Roma: Distinção Católica para um Filme sobre a Coragem Solidária das Mulheres” [“Roma: Catholic Distinction for a Film About Women’s Solidary Courage”]. 7 Margens, 7 Jan. http://setemargens.com/roma-distincao-catolica-para-um-filme-sobre-a-coragem-solidaria-das-mulheres.
[94] 2019. “Tríptico Parajanov” [“A Parajanov Triptych”]. 27.º Curtas Vila do Conde, ed. João Araújo and Paulo Cunha, 138-40. Vila do Conde: Curtas Metragens CRL.
[95] 2018. “O Cinema Devolvido ao Povo” [“The Cinema Returned to the People”]. Avante! 2337, 13 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2337/Festa_do_Avante/151419/O-cinema-devolvido-ao-povo.htm.
[96] 2018. “Fronteiras e Forasteiros” [“Borders and Outsiders”], review of The Other Side of Hope (Toivon tuolla puolen, 2017). Avante! 2329, 19 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2329/
[97] 2018. “Igreja do Pecado e da Santidade” [“Church of Sin and Holiness”]. Laicado Dominicano 392, 3. Lay Fraternities of Saint Dominic.
[98] 2018. “Neste Tempo” [“In This Time”]. À Pala de Walsh, “Godard, Livro Aberto” [“Godard, Open Book”] dossier, 25 Dec. http://www.apaladewalsh.com/2018/12/neste-tempo.
[99] 2018. “Roma: Distinção Católica para um Filme sobre a Coragem Solidária das Mulheres” [“Roma: Catholic Distinction for a Film About Women’s Solidary Courage”]. Religionline, 12 Sept. https://
[100] 2018. “A Ronda da Morte” [“The Prowl of Death”], review of Colo (2017). Avante! 2314, 5 Apr., 29. Portuguese Communist Party. https://www.avante.pt/pt/2314/argumentos/149421.
[101] 2018. “Sair da Noite, Entrar na Aurora: XIV Jornadas da Família Dominicana” [“Exiting the Night, Entering the Aurora: XIV Meeting of the Dominican Family”]. Laicado Dominicano 389, 1-2. Lay Fraternities of Saint Dominic.
[102] 2017. “Cinema em Festa” [“Film in Celebration”]. Avante! 2284, 7 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2284/Festa_do_Avante/146738.
[103] 2017. “Esfir Shub: Mulher, Cineasta, Revolucionária” [“Esfir Shub: Woman, Filmmaker, Revolutionary”]. Avante! 2298, 14 Dec., 29. Portuguese Communist Party. https://www.avante.pt/pt/2298/argumentos/
[104] 2017. “A Fábrica de Tudo” [“The Everything Factory ”], review of The Nothing Factory (A Fábrica de Nada, 2017). Avante! 2290, 19 Oct., 29. Portuguese Communist Party. https://www.avante.pt/pt/2290/
[105] 2017. “A Inquietação da Fé: 1. A Segurança na Escuridão” [“The Disquiet of Faith: 1. Security in Darkness”]. Laicado Dominicano 384, 6-7. Lay Fraternities of Saint Dominic.
[106] 2017. “A Inquietação da Fé: 2. Deus na Assembleia Humana” [“The Disquiet of Faith: 2. God in Human Gathering”]. Laicado Dominicano 385, 2-3. Lay Fraternities of Saint Dominic.
[107] 2017. “A Pedra e a Carne” [“The Stone and the Flesh”], review of October: Ten Days That Shook the World (Oktyabr, 1928). AbrilAbril, 27 Nov. https://www.abrilabril.pt/pedra-e-carne.
[108] 2017. “A Poesia Nasce na Rua” [“Poetry Is Born on the Street”], review of Paterson (2017). Avante! 2277, 20 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2277/argumentos/146128.
[109] 2017. “Que Viva o Cinema!” [“Que Viva Film!”]. Avante! 2282, 24 Ago., 29. Portuguese Communist Party. https://www.avante.pt/pt/2282/argumentos/146573.
[110] 2017. “Terras Mineiras” [“Mining Lands”], review of Eldorado XXI (2016). Avante! 2254, 9 Feb., 29. Portuguese Communist Party. https://www.avante.pt/pt/2254/argumentos/143996.
[111] 2017. “O Trabalho do Evangelho” [“The Labour of the Gospel”]. Voz do Trabalho 628, 11. Catholic Workers League - Christian Workers Movement.
[112] 2017. “A UC Não Foi Fundada para Ser Fundação” [“The UC Wasn’t Founded to be a Foundation”]. RCI - Região Centro Informação 184, 33. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/
[113] 2017. “A Vida da Fantasia” [“The Life of Fantasy”], review of Super 8 (2011). AbrilAbril, 13 Jan. http://
[114] 2016. “O Dinheiro como Monstro” [“Money as Monster”], review of Money Monster (2016). Avante! 2220, 16 Jun., 29. Portuguese Communist Party. https://www.avante.pt/pt/2220/argumentos/140778.
[115] 2016. “A Festa do Cinema” [“The Feast of Film”]. Avante! 2232, 8 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2232/Festa_do_Avante/141952.
[116] 2016. “O Homem que Escrevia Demasiado” [“The Man who Wrote Too Much”], review of Trumbo (2015). Avante! 2201, 7 Mar., 29. Portuguese Communist Party. https://www.avante.pt/pt/2210/argumentos/
[117] 2016. “A Lei do Capital” [“The Law of Capital”], review of The Measure of a Man (La Loi du marché, 2015). Avante! 2215, 12 May, 29. Portuguese Communist Party. https://www.avante.pt/pt/2215/argumentos/
[118] 2016. “Na Terra de Oz” [“In the Land of Oz”], review of Where to Invade Next (2015). Avante! 2224, 14 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2224/argumentos/141197.
[119] 2016. “Pela Mão de Catarina” [“By Catherine’s Hand”]. Laicado Dominicano 379 (2016), 7, and 380, 2. Lay Fraternities of Saint Dominic.
[120] 2016. “Porque Não Sou o Giacometti do Século XXI”, review of Porque Não Sou o Giacometti do Século XXI (2009). “Há Filmes na Baixa!” film program, 5 May. Porto/Post/Doc.
[121] 2016. “Reitoria da UC Deve Recuar: Provedoria de Justiça Confirma Posição Sindical” [“The Rectory of the UC Must Back Off: Chancellery of Justice Confirms Union’s Position”]. RCI - Região Centro Informação 183, 20. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/RCI_Out2016.pdf.
[122] 2016. “O Rumor da Guerra” [“The Rumble of War”], review of The Patriots (Okraina, 1933). AbrilAbril, 25 Sept. http://www.abrilabril.pt/opiniao/o-rumor-da-guerra.
[123] 2016. “Sarita e o Cinema como Militância” [“Sarita and Film as Militancy”], review of Iré a Santiago (1964) and Y... tenemos sabor (1967). AbrilAbril, 21 Oct. http://www.abrilabril. pt/cultura/sarita-e-o-cinema-como-militancia.
[124] 2016. “A Solidão do Denunciante” [“The Whistleblower’s Solitude”], review of Snowden (2016). Avante! 2237, 13 Oct., 29. Portuguese Communist Party. https://www.avante. pt/pt/2237/argumentos/142397.
[125] 2016. “A Verdade Liberta” [“Truth Liberates”], review of Spotlight (2015). Avante! 2202, 11 Fev., 29. Portuguese Communist Party. https://www.avante.pt/pt/2202/argumentos/138973.
[126] 2016. “A Vida Sobre a Morte” [“Life Over Death”], review of Son of Saul (Saul fia, 2015). Avante! 2233, 15 Sept., 29. Portuguese Communist Party. https://www.avante.pt/pt/2233/argumentos/141993.
[127] 2016. “A Voz de Dan” [“Dan’s Voice”], review of I, Daniel Blake (2016). Avante! 2246, 15 Dec., 29. Portuguese Communist Party. https://www.avante.pt/pt/2246/argumentos/143213.
[128] 2015. “A Cativa” [“The Captive”], review of The Captive (La Captive, 2000). O Interior, 2 Apr., 13. https://
[129] 2015. “A Comunidade” [“The Community”], review of The Community (A Comunidade, 2012). O Interior, 15 Jan., 13. https://www.ointerior.pt/arquivo/a-comunidade.
[130] 2015. “Ne change rien”, review of Ne change rien (2009). “Há Filmes na Baixa!” film program, 25 Mar. Porto/Post/Doc. http://www.portopostdoc.com/home/ha-filmes-na-baixa/2015/view?id=124.
[131] 2014. “Fala e Lugar” [“Speech and Place”], review of Word and Utopia (Palavra e Utopia, 2000). O Interior, 7 Aug., 19. https://www.ointerior.pt/arquivo/fala-e-lugar.
[132] 2014. “A Ilusão do Pós-Troika” [“The Illusion of Post-Troika”]. Voz do Trabalho 614, 11. Catholic Workers League - Christian Workers Movement.
[133] 2014. “Imagens Arrastadas de uma Cidade” [“Dragged Images of a City”], review of Lisbonnenuit (1989). O Interior, 3 Jun., 13. https://www.ointerior.pt/arquivo/imagens-arrastadas-de-uma-cidade.
[134] 2014. “Imagens das Orações de Catarina de Sena: 1. Água Marinha” [“Images of Catherine of Siena’s Prayers: 1. Marine Water”]. Laicado Dominicano 367, 2-3. Lay Fraternities of Saint Dominic.
[135] 2014. “Imagens das Orações de Catarina de Sena: 2. Mar Divino” [“Images of Catherine of Siena’s Prayers: 2. Divine Sea”]. Laicado Dominicano 368, 2-3. Lay Fraternities of Saint Dominic.
[136] 2014. “Liberdade Encarcerada” [“Incarcerated Freedom”], review of 48 (2009). O Interior, 15 May, 12. https://www.ointerior.pt/arquivo/liberdade-encarcerada.
[137] 2014. “Nomes da Inquietação” [“Names of Disquiet”], review of Anxiety (Inquietude, 1998). O Interior, 20 Feb., 16. https://www.ointerior.pt/arquivo/nomes-da-inquietacao.
[138] 2014. “As Quatro Voltas” [“The Four Turns”], review of The Four Times (Le quattro volte, 2010). O Interior, 23 Oct., 12. https://www.ointerior.pt/arquivo/as-quatro-voltas.
[139] 2014. “THX 1138 (1971)”, review of the film. “O Futuro do Passado” film programme. Guimarães Film Society, 18 Feb.
[140] 2013. “Abraço ao Vento” [“Embrace to the Wind”], review of Wind’s Embrace (Abraço do Vento, 2004). O Interior, 21 Feb., 10. https://www.ointerior.pt/arquivo/abraco-ao-vento.
[141] 2013. “Casa das Caldeiras” [“Boiler House”]. Diário As Beiras, 3 Jun., 8.
[142] 2013. “Os Dias Vastos” [“The Vast Days”], review of Where the Sun Beats (Onde Bate o Sol, 1989). O Interior, 22 Aug., 13. https://www.ointerior.pt/arquivo/os-dias-vastos.
[143] 2013. “Educação em Portugal: Direito ou Privilégio?” [“Education in Portugal: Right or Privilege?”]. Voz do Trabalho 607, 4-5. Catholic Workers League - Christian Workers Movement.
[144] 2013. “Existência e Arte” [“Existence and Art”]. Laicado Dominicano 360, 4-5. Lay Fraternities of Saint Dominic.
[145] 2013. “Uma Máquina de Passar Vidro Colorido” [“A Colorful Glass Spinning Machine”], review of Autografia (2004). O Interior, 19 Dec., 15. https://www.ointerior.pt/arquivo/uma-maquina-de-passar-vidro-colorido.
[146] 2013. “Música Nocturna” [“Nocturnal Music”], review of Ne change rien (2009). O Interior, 17 Oct., 12. https://www.ointerior.pt/arquivo/musica-nocturna.
[147] 2013. “Tecer e Voar” [“Weaving and Flying”], review of The Flying Carpet (O Tapete Voador, 2008). O Interior, 20 Jun., 16. https://www.ointerior.pt/arquivo/tecer-e-voar.
[148] 2013. “A Urgência do Amor” [“The Urgence of Love”]. Laicado Dominicano 363, 3. Lay Fraternities of Saint Dominic.
[149] 2013. “A Vida Ganha” [“Won Life”], review of Get a Life (Ganhar a Vida, 2001). O Interior, 18 Apr., 14. https://www.ointerior.pt/arquivo/a-vida-ganha.
[150] 2012. “A Árvore e o Círculo: As Palavras Vivas de Sta. Catarina de Sena (1347-1380)” [“The Tree and the Circle: The Living Words of St. Catherine of Siena (1347-1380)”]. Laicado Dominicano 356, 1 and 8. Lay Fraternities of Saint Dominic.
[151] 2012. “Postulare”. Laicado Dominicano 358, 3-4. Lay Fraternities of Saint Dominic.
[152] 2012. Review of 2 Days in New York (2012). Metropolis 0.5, 75.
[153] 2012. Review of The Flowers of War (Jin líng shí san chai, 2011). Metropolis 0, 57.
[154] 2012. Review of I Wish (Kiseki, 2011). Metropolis 1, 74.
[155] 2011. Review of The Help (2011). Premiere 2, no. 38, 67.
[156] 2011. Review of Melancholia (2011). Premiere 2, no. 39, 68.
[157] 2011. Review of Offside (2006). Premiere 2, no. 37, 67.
[158] 2011. Review of Our Life (La nostra vita, 2010). Premiere 2, no. 36, 66.
[159] 2011. Review of Pina (2011). Premiere 2, no. 33, 62.
[160] 2011. Review of Scream 4 (2011). Premiere 2, no. 32, 60.
[161] 2011. Review of Socialism (Film Socialisme, 2010). Premiere 2, no. 31, 58.
[162] 2011. Review of Transformers: Dark of the Moon (2011). Premiere 2, no. 35, 62.
[163] 2011. Review of The Tree of Life (2011). Premiere 2, no. 34, 56.
[164] 2007. “Life on Mars: Fora de Tempo” [“Life on Mars: Out of Time”]. Premiere 96, 21.
[165] 2007. “Prison Break: O Suspense da Fuga” [“Prison Break: The Suspense of the Escape”]. Premiere 95, 21.
[166] 2007. Review of Death Proof (2007). Premiere 94, 10.
[167] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 77, 94.
[168] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 78, 94.
[169] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 79, 94.
[170] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 80, 94.
[171] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 81, 94.
[172] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 82, 96.
[173] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 83, 96.
[174] 2006. “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 84, 96.
[175] 2006. “Curtas Vila do Conde 2006” [“Vila do Conde International Short Film Festival 2006”]. Premiere 81, 30.
[176] 2006. “Curtas Vila do Conde 2006: Elogio dos Esquecidos” [“Vila do Conde International Short Film Festival 2006: In Praise of the Forgotten”]. Premiere 83, 72-74.
[177] 2006. “Daniela Costa: Sob a Pele” [“Daniela Costa: Under the Skin”]. Premiere 79, 31.
[178] 2006. “Entrevista com... Carla Chambel” [“Interview with... Carla Chambel”]. Premiere 83, 58-59.
[179] 2006. “IndieLisboa 2006: Um Tanto Maior do que Lisboa” [“IndieLisboa 2006: A Lot Bigger Than Lisbon”]. Premiere 80, 34-36.
[180] 2006. “Inventar a Independência: Nos Bastidores do IndieLisboa 2006” [“Inventing Independence: In the Backstage of IndieLisboa 2006”]. Premiere 78, 32-37.
[181] 2006. Review of 98 Octanes (98 Octanas, 2006). Premiere 84, 10.
[182] 2006. Review of The Da Vinci Code (2006). Premiere 80, 9.
[183] 2006. Review of Hidden (Caché, 2005). Premiere 76, 11.
[184] 2006. Review of Hostel (2005). Premiere 79, 12.
[185] 2006. Review of Poseidon (2006). Premiere 82, 12.
[186] 2006. Review of Running Scared (2006). Premiere 80, 11.
[187] 2006. Review of The Squid and the Whale (2005). Premiere 81, 13.
[188] 2006. Review of Syriana (2005). Premiere 77, 11.
[189] 2006. Review of The World (Shijie, 2004). Premiere 78, 10.
[190] 2006. Review of United 93 (2006). Premiere 83, 12.
[191] 2006. “Sienna Miller: A Bela Impertinente” [“Sienna Miller: Impertinent Beauty”]. Premiere 77, 56-58.
[192] 2005. “Evocation of Fear”. Big Lens: The Kent Film Magazine 3, no. 2, 2. University of Kent Film Society.
[193] 2005. “The Nocturnal Art”, Dark Contrast photo exhibition. Fnac Chiado and Colombo.
[194] 2003. “A Banalidade” [“The Banality”]. Registos 0, 6.
[195] 2003. “Editorial”. Registos 0, 3.
[196] 2003. “Il paesaggio”. Zero Mag 5, 11-12. Zero em Comportamento – Cultural Association.
[197] 2003. “O Silêncio dos Olhares” [“The Silence of Gazes”]. Registos 0, 30-31.
[198] 2002. “Cinco Detritos” [“Five Debris”]. V-Ludo 7, 60-62.
[199] 2002. “O Cinema Justo” [“The Fair Cinema”]. AO: Boletim da Ordem dos Advogados 21, 85-86.
[200] 2001. “Dança Fúnebre” [“Funereal Dance”], review of Boogie Nights (1997). Festa V-Ludo.
[201] 2001. “Edifícios de Palavras (Universidade)” [“Buildings of Words (University)”]. V-Ludo 4, 45-47.
[202] 2001. “Estranhos Dias” [“Strange Days”], review of Strange Days (1995). Festa V-Ludo.
[203] 2001. “A Política dos Autores: Pensar a Nossa Solidão” [“The Auteur Policy: Thinking Our Solitude”]. V-Ludo 6, 75-81.
[204] 2001. “Rituais do Indecifrável” [“Rituals of the Indecipherable”]. V-Ludo 3, 61-65.
[205] 2000. “Cinema 1990-99”. Noite 01. Faculty of Architecture Student Association.
[206] 2000. “O Feminino Plural” [“The Plural Feminine”]. V-Ludo 1, 18-21.
[207] 2000. “Stanley Kubrick (1928-1999): Labirintos e Olhares” [“Stanley Kubrick (1928-1999): Labyrinths and Gazes”]. Boletim Informativo da Faculdade de Arquitectura 2000, 16-17.
[208] 1999. “O Mundo nos Nossos Olhos Atentos: Xinema, um Relatório de Actividades” [“The World in Our Attentive Eyes: Xinema, an Activity Report”]. Folha 9, 8. Faculty of Architecture Student Association.
[209] 1998. “1997: Figurar o Imaterial” [“1997: Representing the Immaterial”]. Folha 8, 7. Faculty of Architecture Student Association.
[210] 1998. “Akira Kurosawa (1910-1998): Entre o Sonho e a Morte” [“Akira Kurosawa (1910-1998): Between Dream and Death”]. Xinema 1, 1. Faculty of Architecture Student Association.
[211] 1998. “Morrer Assombrado pela Beleza” [“Dying Haunted by Beauty”], review of Morte a Venezia (Death in Venice, 1971). Xinema 3, 1. Faculty of Architecture Student Association.
[212] 1998. “Profundo Oceano de Fantasmas” [“Deep Ocean of Ghosts”], review of Titanic (1997). Xinema 2, 1. Faculty of Architecture Student Association.
[213] 1998. “Verdade e Mentira” [“Truth and Lie”]. Xinema 4, 3. Faculty of Architecture Student Association.
[214] 1997. “Intensidade e Segredo” [“Intensity and Secrecy”], review of Ossos (Bones, 1997). Folha 7, 4. Faculty of Architecture Student Association.
[215] 1997. “A Linha que Fecha a Forma” [“The Line that Closes the Form”], review of Il Postino (The Postman, 1994). Folha 6, 4. Faculty of Architecture Student Association.
4.14. BLOGS AND WEBSITES
[1] 2022-. Coord. Terra da Fraternidade [Land of Fraternity]. Wix. https://terradafraternidade.net.
[2] 2013-. Common Liberation. Blogger. https://commonliberation.blogspot.com.
[3] 2012-13. Admin. Spiritual Dialogues. Blogger. https://spiritualdialogues.blogspot.com.
[4] 2010-. Writings of a Spectator. Blogger. https://writingsspectator.blogspot.com.
[5] 2009-. Gestures of the Word. Blogger. https://gesturesword.blogspot.com.
[6] 2007-. The Motions of Images. Blogger. https://motionsimages.blogspot.com.
4.15. TRANSLATIONS
[1] 2022. Herbert McCabe, OP, “Páscoa” [“Easter”]. In God, Christ and Us, ed. Brian Davies, OP (London and New York: Continuum, 2005), 89-91. Laicado Dominicano 412, 4. Lay Fraternities of Saint Dominic.
[2] 2019. OP, Acta Capitui Generalis Electivi: “Caput I” and “Caput V”. Biên Hòa, Vietnam.
[3] 2015. Bruno Cadoré, OP, “Domingos: Governo, Espiritualidade e Liberdade” [“Dominic: Government, Spirituality and Freedom”]. Fratres Ordinis Prædicatorum: Curia Generalitia.
[4] 2015. Timothy Radcliffe, OP, interviewed by Lucette Verboven, “A Ressurreição Acontece Hoje” [“The Resurrection Happens Today”]. Based on excerpts from “Timothy Radcliffe (UK): Passionately in Love with Truth”, in The Dominican Way, ed. Lucette Verboven (London: Continuum, 2011), 5-16. Laicado Dominicano 375, 6.-7. Lay Fraternities of Saint Dominic.
[5] 2012. Catherine of Siena, OP, “Oração na Festa da Anunciação” [“Prayer at the Feast of the Annunciation”]. Based on an excerpt from “Prayer 18” (25 Mar. 1379), in The Prayers of Catherine of Siena, 2nd edn., ed. and trans. Suzanne Noffke, OP (San Jose, CA: Authors Choice Press, 2001), 188-89. Laicado Dominicano 359, 7. Lay Fraternities of Saint Dominic.
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