12. Publications

12.1. Journals

2013-, co-ed. with Amir Khan. Conversations: The Journal of Cavellian Studies. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ojs/index.php/conversations.

2010-19, co-ed. with Patrícia Silveirinha Castello Branco and Susana Viegas. Cinema: Journal of Philosophy and the Moving Image. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt.

12.2. Books

2020. Escrita em Movimento: Apontamentos Críticos sobre Filmes [Writing in Motion: Critical Notes on Films]. Lisbon: Documenta. 176 pp. ISBN: 978-989-9006-32-4.
2020. O Trabalho das Imagens: Estudos sobre Cinema e Marxismo [The Work of Images: Studies on Cinema and Marxism]. Lisbon: Página a Página. 182 pp. ISBN: 978-972-8140-92-2.
2016. Por Dentro das Imagens: Obras de Cinema, Ideias do Cinema [Within Images: Film Works, Cinema Ideas]. Lisbon: Documenta. 160 pp. ISBN: 978-989-8618-92-4.

12.3. Edited Journal Issues and Books

2020, with Amir Khan. Conversations: The Journal of Cavellian Studies 8. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/issue/view/574. [EG.UC]
2019, with Daniel Ribas and Manuela Penafria. Atas do VIII Encontro da AIM [Proceedings of the VIII AIM Annual Meeting]. E-book. Lisbon: Association of Moving Image Researchers. ISBN: 978-989-98215-9-0. http://aim.org.pt/atas/Atas-VIIIEncontroAnualAIM.pdf. [EG.UC]
2019. “The Watching and Criticism of Television Series” dossier. Aniki: Portuguese Journal of the Moving Image 6, no. 1. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. http://aim.org.pt/ojs/index.php/revista/issue/view/20. [EG.UC]
2017, with Amir Khan. Conversations: The Journal of Cavellian Studies 5, “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell”. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/issue/view/291. [EG.UC]
2017, with Patrícia Silveirinha Castello Branco and Saeed Zeydabadi-Nejad. Cinema: Journal of Philosophy and the Moving Image 9, “Islam and Images”. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/9/9.pdf. [EG.UC]
2016, with Michael Wayne. Cinema: Journal of Philosophy and the Moving Image 8, “Marx’s Philosophy”. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/8/8.pdf. [EG.UC]
2016, with Amir Khan. Conversations: The Journal of Cavellian Studies 4, “Cavell and Literature”. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/257. [EG.UC]
2015, with Amir Khan. Conversations: The Journal of Cavellian Studies 3, “Cavell and History”. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/230. [EG.UC]
2014, with Paulo Cunha. Atas do III Encontro da AIM [Proceedings of the III AIM Annual Meeting]. E-book. Coimbra: Association of Moving Image Researchers. ISBN: 978-989-98215-1-4. http://aim.org.pt/atas/Atas-IIIEncontroAnualAIM.pdf. [EG.UC]
2013. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/4/4.pdf. [EG.UC]
2013, with Amir Khan. Conversations: The Journal of Cavellian Studies 1, “Genesis”. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ojs/index.php/conversations/issue/view/198. [EG.UC]
2011, with Patrícia Silveirinha Castello Branco and Susana Viegas. Cinema: Journal of Philosophy and the Moving Image 2. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/2/2.pdf. [EG.UC]
2010, with Patrícia Silveirinha Castello Branco and Susana Viegas. Cinema: Journal of Philosophy and the Moving Image 1. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/1/1.pdf. [EG.UC]

12.4. Chapters in Books

2021. “Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema”. In New Approaches to Islam in Film, ed. Kristian Petersen, 210-21. New York: Routledge.
2020. “‘A Cultura É Política’: O Cinema de Ousmane Sembène na África Pós-Colonial” [“‘Culture Is Politics’: Ousmane Sembène’s Cinema in Post-Colonial Africa”]. In Cinemas Pós-Coloniais e Periféricos, Volume 2 [Post-Colonial and Peripheral Cinemas, Volume 2], ed. Michelle Sales, Paulo Cunha, and Liliane Leroux, 145-55. Guimaraes and Rio de Janeiro: Nós por Cá Todos Bem - Associação Cultural and Edições LCV. ISBN: 978-989-99704-2-7. [EG.UC]
2020. “Expressões da Solidão: Início, Fim, Entremeio em Carta de Uma Desconhecida (1948)” [“‘Expressions of Solitude: Beginning, Ending, In-Between in Letter from an Unknown Woman (1948)”]. In Imitações da Vida: Cinema Clássico Americano — Ensaios para Mário Jorge Torres [Imitations of Life: Classic American Cinema — Essays for Mário Jorge Torres], org. Clara Rowland, Fernando Guerreiro, and José Bértolo, 285-95. Silveira: BookBuilders. ISBN: 978-989-8973-26-9. [EG.UC]
2020. “Nem Luz Pura, Nem Sombra: Nostalgia da Luz como Documentário Poético Politizado” [“Neither Pure Light, Nor Shadow: Nostalgia for the Light as Politicised Poetic Documentary”]. In Visões da Luz [Visions of Light], ed. Francisco Gil and Lídia Catarino, 163-74. Coimbra: Coimbra University Press. ISBN: 978-989-26-1818-0. http://monographs.uc.pt/iuc/catalog/book/42. [EG.UC]
2019. “Mulheres Especulares: Género e Desdobramento no Neo-Noir de Brian De Palma” [“Specular Women: Gender and Unfolding in Brian De Palma’s Neo-Noir”]. In Espelhos do “Film Noir” [Mirrors of Film Noir], ed. Jeffrey Childs, 133-42. Lisbon: Documenta. ISBN: 978-989-9006-15-7. [EG.UC]
2018. “The Urban and the Domestic: Spaces of American Film Noir”. In New Approaches to Cinematic Spaces, ed. Filipa Rosário and Iván Villarmea Álvarez, 85-96. London: Routledge. ISBN: 978-113-860-444-5. [EG.UC]
2017. “As Águas de Sua Mãe: Líquida Força, Líquida Fragilidade” [“As Águas de Sua Mãe: Liquid Strength, Liquid Fragility”]. In UBICinema 2007-2017, org. Ana Catarina Pereira and Luís Nogueira, 209-17. Covilhã: Editora LabCom.IFP. ISBN: 978-989-654-420-1. http://www.labcom-ifp.ubi.pt/ficheiros/201712131640-201713_ubicinema10anos_acpereiralnogueira_02.pdf. [EG.UC]
2016. “A Cidade das Imagens: Três Olhares Fílmicos sobre a Urbanidade de Hoje” [“The City of Images: Three Film Perspectives on Today’s Urbanity”]. In Territórios do Cinema: Representações e Paisagens da Pós-Modernidade [Territories of Film: Representations and Landscapes of Post-Modernity], coord. Fátima Velez de Castro and João Luís J. Fernandes, 103-22. Malaga, AN: Eumed - University of Malaga. ISBN: 978-841-639-998-7. http://www.eumed.net/libros-gratis/ciencia/2016/39/39.zip. [EG.UC]
2016. “Sembène, Ousmane (1923-2007)”. In The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, Vol. I, ed. Immanuel Ness and Zack Cope, 218-22. Basingstoke: Palgrave Macmillan. ISBN: 978-023-039-277-9. [EG.UC]
2015. “Magic and Loss: Style, Progression and the ‘Ending’ of Carnivàle”. In “Carnivàle” and the American Grotesque: Critical Essays on the HBO Series, ed. Peg Aloi and Hannah E. Johnston, 57-72. Jefferson, NC: McFarland. ISBN: 978-078-644-816-6. [EG.UC]
2014, with Paulo Cunha. “Introdução” [“Introduction”]. In Atas do III Encontro Anual da AIM [Proceedings of the III AIM Annual Meeting], ed. Cunha and Sérgio Dias Branco, 7-8. Coimbra: Association of Moving Image Researchers. ISBN: 978-989-98215-1-4. http://aim.org.pt/atas/pdfs/Atas-IIIEncontroAnualAIM-Intro.pdf. [EG.UC]
2014. “O Conceito Aberto de Cinemático” [“The Open Concept of the Cinematic”]. In Cinema & Filosofia: Compêndio [Film & Philosophy: Compendium], org. João Mário Grilo and Maria Irene Aparício, 351-63. Lisbon: Edições Colibri. ISBN: 978-989-689-342-2. [EG.UC]
2013. “Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”. In Television Aesthetics and Style, ed. Jason Jacobs and Steven Peacock, 93-102. New York: Bloomsbury. ISBN: 978-144-117-992-0. [EG.UC]
2011. “Na Desordem: Balagan, Mapa Intersticial de Histórias e Identidades” [“In Disorder: Balagan, Interstitial Map of Histories and Identities”]. In Literatura, Espaço, Cartografias [Literature, Space, Cartographies], ed. António Apolinário Lourenço and Osvaldo Manuel Silvestre, 391-408. Coimbra: Centre for Portuguese Literature at the University of Coimbra. ISBN: 978-972-9126-23-9. [EG.UC]
2011. “Super Style: Notes for a Stylistic Analysis”. In Investigating “Heroes”: Truth, Justice and Quality TV, ed. David Simmons, 109-18. Jefferson, NC: McFarland. ISBN: 978-078-645-936-0. [EG.UC]
2010. “Sci-Fi Ghettos: Battlestar Galactica and Genre Aesthetics”. In “Battlestar Galactica”: Investigating Flesh, Spirit, and Steel, ed. Roz Kaveney and Jennifer Stoy, 185-98. London: I.B. Tauris. ISBN: 978-184-885-373-7. [EG.UC]
2009. “Music Videos and Reused Footage”. In Cultural Borrowings: Appropriation, Reworking, Transformation, ed. Iain Robert Smith, 111-21. Nottingham: Scope. ISBN: 978-0-9564641-0-1. http://www.nottingham.ac.uk/scope/documents/2009/culturalborrowingsebook.pdf. [EG.UC]

12.5. Refereed Articles

2020. “O Agora de Outrora: O Cinema de Silas Tiny” [“The Now of Erstwhile: The Cinema of Silas Tiny”]. Vista: Revista de Cultura Visual 6, “(In)Visibilidades: Imagem e Racismo” [“(In)Visibilities: Image and Racism”], ed. Ana Cristina Pereira, Michele Sales, and Rosa Cabecinhas: 171-78. Lisbon: Portuguese Association of Communication Sciences. ISSN: 2184-1284. http://vista.sopcom.pt/ficheiros/20200630-9_o_agora_de_outrora_o_cinema_de_silas_tiny.pdf. [EG.UC]
2020. “Nas Flores Vermelhas: Três Estudos sobre a Revolução de Outubro e o Cinema” [“In the Red Flowers: Three Studies on the October Revolution and Film”]. Estudos do Século XX 20, “Politização, Despolitização e Repolitização” [“Politicisation, Depoliticisation and Repoliticisation”], ed. António Pedro Pita, Fernando Matos Oliveira, and Michelle Sales: 65-82. Coimbra: Coimbra University Press. ISSN: 1645-3530. https://impactum-journals.uc.pt/estudossecxx/article/view/6815. [EG.UC]
2020. “Spectres of Today: The Fractures of History in Horse Money (2014)”. Observatorio (OBS*) 14, no. 4, “Intermedialidades em Imagens (Pós)Coloniais” [“Intermedialities in (Post)Colonial Images”], ed. Maria do Carmo Piçarra: 39-51. Lisbon: Observatory on Communication. ISSN: 1646-5954. http://obs.obercom.pt/index.php/obs/article/view/1811/pdf. [EG.UC]
2020. “The Work of Cinematic Art: Art as Work and Work as Art”. Peace, Land, & Bread: A Scholarly Journal of Revolutionary Theory and Practice 3: 173-80. ISSN: 2767-1437. https://4e738bf1-3b89-467b-8f45-de5511b6665d.filesusr.com/ugd/ec1faf_9d1edf69765a4913b401921 ee2800177.pdf. [EG.UC]
2019. “Descobertas do Cinemático” [“Discoveries of the Cinematic”]. Paralaxe: Revista de Estética e Filosofia da Arte 6, no. 1: 121-43. São Paulo: Pontifical Catholic University of São Paulo. ISSN: 2318-9215. https://revistas.pucsp.br/paralaxe/article/view/46608/30965. [EG.UC]
2019. “Melodias do Reuso: A Reutilização de Imagens nos Vídeos Musicais” [“Melodies of Reuse: Image Reutilisation in Music Videos”]. Esferas: Revista Interprogramas de Pós-graduação em Comunicação do Centro Oeste 16, “Novas Linguagens do Audiovisual” [“New Languages of the Audiovisual”], ed. Felipe Polydoro and Gabriela Freitas: 26-34. Brasília: Catholic University of Brasília. ISSN: 2446-6190. https://portalrevistas.ucb.br/index.php/esf/article/view/11265/6754. [EG.UC]
2017. “Morta por Dentro: Subjetividade e Alegoria em The Addiction” [“Dead Inside: Subjectivity and Allegory in The Addiction”]. Revista de História das Ideias 35, “Fronteiras”, ed. João Maria André and Rui Cunha Martins: 437-61. Coimbra: Coimbra University Press. ISSN: 0870-0958. https://impactum.uc.pt/pt-pt/node/119660. [EG.UC]
2017. “The Past Tense of Our Selves: Um Adeus Português in 1980s Portugal”. Journal of Lusophone Studies 2, no. 1, “Special Dossier on Portuguese Cinema”, ed. Clara Rowland and Estela Vieira: 41-58. Davis, CA: American Portuguese Studies Association. ISSN: 2469-4800. https://jls.apsa.us/index.php/jls/article/view/154. [EG.UC]
2016. “O Cinema como Educação Social dos Sentidos” [“Film as Social Education of the Senses”]. Persona: Revista do Departamento de Teatro e Cinema da ESAP 3, “Art and Human Development”, ed. José Eduardo da Silva: 61-69. Porto: Department of Theatre and Cinema - Higher Artistic School of Porto. ISSN: 2183-4504. http://persona-esap.weebly.com/uploads/9/0/2/7/90272353/persona3_8_sergio_dias_branco.pdf. [EG.UC]
2015. “Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”. L’Atalante: Revista de estudios cinematográficos 19, coord. Pablo Hernández Miñano and Violeta Martín Núñez: 105-10. Valencia: University of Valencia. ISSN: 2340-6992. http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=269&path%5B%5D=256. [EG.UC]
2012 [2015]. “A Memória Resistente da Guerra no Cinema Vietnamita” [“The Resistant Memory of War in Vietnamese Cinema”]. O Olho da História: Revista de Teoria, Cultura, Cinema e Sociedades 19. Salvador, BA: Faculty of Philosophy and Human Sciences - Federal University of Bahia. ISSN: 2236-0824. http://oolhodahistoria.ufba.br/wp-content/uploads/2016/12/18sergio.pdf. [EG.UC]
2011. “Au hasard Balthazar: teologia e arte della presenza” [orig. “Seeing Balthazar: Robert Bresson’s Art of Presence and Franciscan Theology”], trans. Simona Busni and Andreina Campagna. Fata Morgana: Quadrimestrale di cinema e visioni 14, “Animalità”: 163-70. Cosenza, CS: Luigi Pellegrini Editore and University of Calabria. ISSN: 1970-5786. [EG.UC]
2011. “Film noir, um Género Imaginado” [“Film Noir, an Imagined Genre”]. Revista de História das Ideias 32, “Artes”: 327-54. Coimbra: Coimbra University Press. ISSN: 0870-0958. https://impactum.uc.pt/pt-pt/node/117977. [EG.UC]
2008. “The Mosaic-Screen: Exploration and Definition”. Refractory: A Journal of Entertainment Media 14. Melbourne: School of Culture and Communication - University of Melbourne. ISSN: 1447-4905. https://refractory-journal.com/the-mosaic-screen-exploration-and-definition-sergio-dias-branco. [EG.UC]

12.6. Papers in Conference Proceedings

2020. “A Presença do Futuro: Marxismo e Cristianismo, Luta de Classes e Fraternidade Humana no Pensamento do Dominicano Herbert McCabe” [“The Presence of the Future: Marxism and Christianity, Class Struggle and Human Fraternity in the Thought of Dominican Herbert McCabe”]. III Congresso Internacional “Marx em Maio”: No Bicentenário do Nascimento de Karl Marx – Colectânea de Textos [III International Congress “Marx in May”: In the Bicentenary of Karl Marx’s Birth – Collection of Texts], 455-65. Lisboa: Grupo de Estudos Marxistas. ISBN: 978-989-33-0937-7. [EG.UC]
2019. “The Class of Images: Sketch for a Research Project”. In Politics and Image, org. Constantino Pereira Martins and Pedro T. Magalhães, 119-24. E-book. Coimbra: IEF Instituto de Estudos Filosóficos. ISBN: 978-989-54328-3-7. http://www.uc.pt/fluc/uidief/ebooks/Politics_and_Image. [EG.UC]
2017. “Visualizar a Inferência: Motivos de Imagem nos Policiais Processuais da CBS” [“Visualising Inference: Image Motifs in CBS Police Procedurals”]. In Televisão e Novos Meios [Television and New Media], org. Paulo Serra and Sónia Sá, 129-35. Covilhã: Editora LabCom.IFP. ISBN: 978-9896543716. http://labcom-ifp.ubi.pt/livro/291. [EG.UC]
2016. “O Cinema como Ética” [“Film as Ethics”]. In Atas do V Encontro Anual da AIM [Proceedings of the V AIM Annual Meeting], ed. Sofia Sampaio, Filipe Reis, and Gonçalo Mota, 146-55. E-book. Lisbon: Association of Moving Image Researchers. ISBN: 978-989-98215-4-5. http://aim.org.pt/atas/Atas-VEncontroAnualAIM.pdf. [EG.UC]
2016. “O Rosto da Técnica: Walter Benjamin e a Arte Fotográfica” [“The Face of the Technique: Walter Benjamin and Photographic Art”]. In Filosofia e as Artes [Philosophy and the Arts], org. Steven S. Gouveia, 95-100. Charleston, SC: CreateSpace Independent Publishing. ISBN: 978-154-101-982-9. [EG.UC]
2015. “A Arte como Trabalho ou O Trabalho como Arte” [“Art as Labour or Labour of Art”]. In II Congresso Internacional “Marx em Maio” 2014: Colectânea de Textos [II International Congress “Marx in May” 2014: Collection of Texts], 455-66. Lisbon: Group for Marxist Studies. ISBN: 978-989-205-936-5. [EG.UC]
2015. “Comunidades do Cinema” [“Cinema Communities”]. In Atas do IV Encontro Anual da AIM [Proceedings of the IV AIM Annual Meeting], ed. Daniel Ribas and Manuela Penafria, 112-19. E-book. Covilhã: Association of Moving Image Researchers. ISBN: 978-989-98215-2-1. https://aim.org.pt/atas/indice/Atas-IVEncontroAnualAIM-09.pdf. [EG.UC]
2015. “A Identidade como Facto Colectivo em Palombella rossa” [“Identity as Collective Fact in Palombella rossa”]. In AVANCA | CINEMA 2015, coord. António Costa Valente and Rita Capucho, 391-98. Avanca: Edições Cineclube de Avanca. ISBN: 978-989-96858-6-4. [EG.UC]
2015. “As Imagens Ressonantes: A Escrita Fílmica de Marguerite Duras” [“The Resonant Images: Marguerite Duras’s Film Writing”]. In 1.º Simpósio “A Fusão das Artes no Cinema” [“The Fusion of Arts in Cinema” 1st Symposium], org. Vítor Ferreira e André Cardoso, 18-24. Coimbra: Edições Caminhos do Cinema Português. ISBN: 978-989-98948-2-2. [EG.UC]
2014. “Vídeos Musicais e Figuras Abstractas” [“Music Videos and Abstract Figures”]. In Atas do III Encontro Anual da AIM [Proceedings of the III AIM Annual Meeting], ed. Paulo Cunha and Sérgio Dias Branco, 258-63. E-book. Coimbra: Association of Moving Image Researchers. ISBN: 978-989-98215-1-4. https://aim.org.pt/atas/indice/Atas-IIIEncontroAnualAIM-27.pdf. [EG.UC]
2013. “Darkened Spaces: The Urban and the Domestic in American Film Noir”. In Inter[sections]: A Conference on Architecture, City and Cinema, ed. Luís Urbano, 434-40. Porto: A Mochila do João Associação Cultural. ISBN: 978-989-98494-3-3. [EG.UC]
2013. “‘Estejamos Atentos!’: Notas sobre o Cinematógrafo como Reflexões Espirituais” [“‘Be Attentive!’: Notes on the Cinematographer as Spiritual Reflections”]. In Atas do II Encontro Anual da AIM [Proceedings of the II AIM Annual Meeting], ed. Tiago Baptista and Adriana Martins, 135-41. E-book. Lisbon: Association of Moving Image Researchers. ISBN: 978-989-98215-0-7. http://aim.org.pt/atas/Atas-IIEncontroAnualAIM.pdf. [EG.UC]
2013. “Permanecer no Amor: A Arte e Teologia de Des hommes et des dieux” [“Remaining Within Love: The Art and Theology of Des hommes et des dieux”]. In Mosteiros Cistercienses: História, Arte, Espiritualidade e Património - Tomo II [Cistercian Monasteries: History, Art, Spirituality and Heritage - Volume II], dir. José Albuquerque Carreiras, 365-69. Alcobaça: Jorlis. ISBN: 978-989-98209-2-0. [EG.UC]
2012. “Prescrições e Descobertas: A Especificidade do Meio Cinemático Segundo Berys Gaut” [“Prescriptions and Discoveries: The Specificity of the Cinematic Medium According to Berys Gaut”]. In XIII Colóquio de Outono: Estética, Cultura Material e Diálogos Intersemióticos [XIII Autumn Colloquium: Aesthetics, Material Culture and Intersemiotic Dialogues], org. Ana Gabriela Macedo, Carlos Mendes de Sousa, and Vítor Moura, 115-25. Vila Nova de Famalicão: Edições Húmus. ISBN: 978-989-8549-25-9. [EG.UC]
2012. “Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”. In Spirituality: New Reflections on Theory, Praxis and Pedagogy, ed. Martin C. Fowler, Michael Weiss, and John L. Hochheimer, 199-205. E-book. Oxford: Inter-Disciplinary Press. ISBN: 978-1-84888-139-6. [EG.UC]

12.7. Non-Refereed Articles

2021. “Uma Ausência Tornada Presente: Gestos & Fragmentos (1982)” [“An Absence Made Present: Gestures & Fragments (1982)”]. Palavrasemovimento: “Vamos Falar de Cinema Português 1960-2000”. https://static1.squarespace.com/static/5dbb010f9c99f94ce79d45f2/t/606616c1853cd04ab4852f9f/1617303233906/Gestos+e+Fragmentos.pdf. [EG.UC]
2020, with Amir Khan. “Feeling It: Editorial Comment”. Conversations: The Journal of Cavellian Studies 8: 1-2. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/article/view/5787. [EG.UC]
2020. “Ouvir Cinema” [“Cinema Listening”]. Cinema: Revista da Federação Portuguesa de Cineclubes 46: 52-55. ISSN: 2184-5956. https://fpcc.pt/revista/cinema_46_opt20201220.pdf.
2020. “Não Mais Morrer: Cinema, Invenção, Futuro” [“No More Dying: Cinema, Invention, Future ”]. Ensaios de Teatro 9: 81-85. ISSN: 2182-3898. [EG.UC]
2019, with Inês N. Lourenço and José Oliveira. “Carlos Melo Ferreira: Até Sempre, Querido Professor” [“Carlos Melo Ferreira: Farewell, Dear Teacher”] [part]. À Pala de Walsh, 10 Sept. http://www.apaladewalsh.com/2019/09/carlos-melo-ferreira-ate-sempre-querido-professor.
2019. “O Canto do Ossobó: Reminiscências” [“O Canto do Ossobó: Reminiscences”]. Cinema: Revista da Federação Portuguesa de Cineclubes 45: 58-61. ISSN: 2184-5956. https://www.fpcc.pt/revista/cinema_4520190911.pdf. [EG.UC]
2019. “Contra Tudo o que Era Velho: A Revolução de Abril e o Cinema” [“Against All That Was Old: The April Revolution and Cinema”]. Diagonal 2, series III: 2-4. Porto: Porto Intellectual Sector - Portuguese Communist Party.
2019. “Conversations with Stanley”. Forma de Vida 15. Lisbon: School of Arts and Humanities - University of Lisbon. ISSN: 2183-1343. https://formadevida.org/sdbrancofdv15. [EG.UC]
2019. “Séries de Televisão: Estética, Visionamento Atento e Escrita Crítica” [“Television Series: Aesthetics, Attentive Watching and Written Criticism”]. Aniki: Portuguese Journal of the Moving Image 6, no. 1: 32-40. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. http://aim.org.pt/ojs/index.php/revista/article/view/527/pdf. [EG.UC]
2018. “José Augusto Mourão, Errante da Palavra” [“José Augusto Mourão, Wanderer of the Word”]. Colóquio/Letras 199: 216-21. Lisbon: Calouste Gulbenkian Foundation. ISSN: 0010-1451. [EG.UC]
2017, with Amir Khan. “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell: Editorial Comment”. Conversations: The Journal of Cavellian Studies 5, “The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell”: 1-3. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/article/view/2421/2061. [EG.UC]
2017, with Patrícia Silveirinha Castello Branco and Saeed Zeydabadi-Nejad. “Editorial: (Re)Thinking Islamic Imagery”. Cinema: Journal of Philosophy and the Moving Image 9, “Islam and Images”: 1-3. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/9/9_Editorial.pdf. [EG.UC]
2016, with Amir Khan. “Cavell and Literature: Editorial Comment”. Conversations: The Journal of Cavellian Studies 4, “Cavell and Literature”: 1-3. Ottawa: Universidade de Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/article/view/1617/1515. [EG.UC]
2016, with Michael Wayne. “Editorial: Film Through Marx, Our Contemporary”. Cinema: Journal of Philosophy and the Moving Image 8, “Marx’s Philosophy”: 1-3. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/8/8_Editorial.pdf. [EG.UC]
2016. “Corpos Instáveis: Os Vídeos Musicais de Chris Cunningham” [“Unstable Bodies: Chris Cunningham’s Music Videos”]. ESC:ALA: Revista Electrónica de Estudos e Práticas Interartes 7. Porto: Institute for Comparative Literature Margarida Losa - University of Porto. ISSN: 2183-1823. http://wp.me/p4iz9I-T9. [EG.UC]
2016. “The Law of Capital: The Measure of a Man”. Film International, 11 Sept. 2016. ISSN: 2040-3801. http://filmint.nu/?p=19295. [EG.UC]
2015, with Amir Khan. “Cavell and History: Editorial Comment”. Conversations: The Journal of Cavellian Studies 3, “Cavell and History”: 1-2. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ottawa/index.php/conversations/article/view/1296. [EG.UC]
2015. “Antígona, Mulher Levantada” [“Antigone, Woman Standing Up”]. Vértice 176: 98-106. ISSN: 0042-4447. [EG.UC]
2015. “Um Encontro Desencontrado em Tempo de Guerra” [“A Missed Meeting in Time of War”]. Via Latina: Ad Libitum 12, “Tempo de Encontro(s)” [“Time of Encounter(s)”]: 102-4. Coimbra: Journalism Section - Coimbra Academic Association. DL: 53140/90. [EG.UC]
2015. “Entendimentos do Cinema: A Linguagem Analítica e Crítica para Daniel Frampton e David Bordwell” [“Understandings of Film: The Analytical and Critical Language of Daniel Frampton and David Bordwell”]. Vértice 174: 58-70. ISSN: 0042-4447. [EG.UC]
2015. “A Matéria do Mal: Os Filmes Noir de Orson Welles” [“The Matter of Evil: Orson Welles’s Noir Films”]. Vértice 177: 13-37. ISSN: 0042-4447. [EG.UC]
2014. “Fotografar, Filmar, Escrever” [“Photographing, Filming, Writing”]. Revista Alma Azul: Revista de Artes e Ideias 10: 6-13. Coimbra: Alma Azul. ISSN: 0874-7040. [EG.UC]
2014. “Uma Aparência, Diferentes Seres: Performance e Identidade Pessoal em Battlestar Galactica” [“One Appearance, Different Beings: Performance and Personal Identity in Battlestar Galactica”]. Drama: Revista de Cinema e Teatro 5: 38-41. Lisbon: Portuguese Association of Screenwriters and Playwrights. ISSN: 2183-0894. [EG.UC]
2013, with Amir Khan. “Genesis: Editorial Comment”. Conversations: The Journal of Cavellian Studies 1, “Genesis”: 1-3. Ottawa: University of Ottawa. ISSN: 1929-6169. https://uottawa.scholarsportal.info/ojs/index.php/conversations/article/view/1110/964. [EG.UC]
2013. “Editorial: Cinema, Religion, and Their Philosophical Thinking”. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”: 1-3. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/4/4_Editorial.pdf. [EG.UC]
2010, with Patrícia Silveirinha Castello Branco and Susana Viegas. “Editorial”. Cinema: Journal of Philosophy and the Moving Image 1: 1-6. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/1/1_Editorial E.pdf. [EG.UC]

12.8. Book Reviews

2021. “Cinema Transformed”, review of Mike Wayne’s Marxism Goes to the Movies. Aniki: Portuguese Journal of the Moving Image 8, no. 1: 303-6. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. https://aim.org.pt/ojs/index.php/revista/article/view/711/428/pdf. [EG.UC]
2018. “Luis Buñuel e a Evanescência do Olhar” [“Luis Buñuel and the Evanescence of the Gaze”], review of Mirian Tavares’s Buñuel e o Surrealismo: A Arquitetura do Sonho. Aniki: Portuguese Journal of the Moving Image 5, no. 1: 176-78. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. http://aim.org.pt/ojs/index.php/revista/article/view/336/pdf. [EG.UC]
2014. “Estudos do Vídeo Musical” [“Music Video Studies”], review of The Music Video Reader edited by Simon Frith, Andrew Goodwin, and Lawrence Grossberg, E. Ann Kaplan’s Rocking Around the Clock: Music Television, Postmodernism, & Consumer Culture, Laurent Jullier and Julien Péquignot’s Le clip: histoire et esthétique, and Carol Vernallis’s Experiencing Music Video: Aesthetics and Cultural Context. Aniki: Portuguese Journal of the Moving Image 1, no. 2: 363-68. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. http://aim.org.pt/ojs/index.php/revista/article/view/75/70. [EG.UC]

12.9. Conducted Interviews

2018. “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant”. Aniki: Portuguese Journal of the Moving Image 5, no. 2: 521-37. Lisbon: Association of Moving Image Researchers. ISSN: 2183-1750. http://aim.org.pt/ojs/index.php/revista/article/download/427/pdf. [EG.UC]
2013. “Film/Religion: A Conversation with P. Adams Sitney”. Cinema: Journal of Philosophy and the Moving Image 4, “Philosophy of Religion”: 210-15. Lisbon: Nova Institute of Philosophy - Nova University of Lisbon. ISSN: 1647-8991. http://cjpmi.ifilnova.pt/storage/4/4_Sitney_Dias.Branco.pdf. [EG.UC]

12.10. Granted Interviews

2020. Conducted by Bruno Amaral de Carvalho, “A solidariedade é um instrumento de transformação social” [“Solidarity is an instrument of social transformation”]. A Voz do Operário 3079 (June): 8-9. https://vozoperario.pt/jornal/2020/06/11/a-solidariedade-e-um-instrumento-de-transformacao-social.
2020. Conducted by Cláudia Sebastião, “Católicos Sindicalistas em Defesa da Justiça” [“Catholic Trade Unionists in Defense of Justice”]. Família Cristã LXVI, no. 4 (May): 32-36. https://familiacrista.paulus.pt/catolicos-sindicalistas-em-defesa-da-justica.
2017. Conducted by Sara Quelhas, “Dá-nos Música, Mas é Cinema” [“It Gives Us Music, But It’s Film”]. Metropolis 50, 129. http://cinemametropolis.com/images/revistas-pdf/2017/m50/#p=1.
2016. Conducted by Luís Mendonça, “‘O cinema constrói um olhar e nós temos de questionar esse olhar’” [“‘Film constructs a perspective and we have to question that perspective’”]. À Pala de Walsh, 22 Nov. http://www.apaladewalsh.com/2016/11/sergio-dias-branco-o-cinema-constroi-um-olhar-e-nos-temos-de-questionar-esse-olhar.
2016. “Duas perguntas a...” [“Two questions to...”]. JF - Jornal da FENPROF 286, 11. National Federation of Teachers. http://www.fenprof.pt/Download/FENPROF/SM_Doc/Mid_135/Cat_632/Anexos/JF_nov2016_286.pdf.
2015. “Em Foco: Catequese” [“In Focus: Catechesis”]. JO: Juventude Operária 655, 5. Catholic Workers Youth.
2007. Conducted by Luís Salvado. Premiere 93, 28.

12.11. Other Articles

2021. “25 de Abril, 3 Filmes” [“25th of April, 3 Films”]. Cinema Sétima Arte, 23 Apr. https://www.cinema7arte.com/25-de-abril-3-filmes-por-sergio-dias-branco.
2021. “Às Segundas ao Sol: Nem Casa, Nem Filhos, Nem Crédito, Nada (I)” [“Mondays in the Sun: No House, No Children, No Credit, Nothing (I)”]. AbrilAbril, 16 Mar. https://www.abrilabril.pt/internacional/segundas-ao-sol-nem-casa-nem-filhos-nem-credito-nada-i.
2021. “Às Segundas ao Sol: Nem Casa, Nem Filhos, Nem Crédito, Nada (II)” [“Mondays in the Sun: No House, No Children, No Credit, Nothing (II)”]. AbrilAbril, 23 Apr. https://www.abrilabril.pt/cultura/segundas-ao-sol-nem-casa-nem-filhos-nem-credito-nada-ii.
2021. “Harlan County U.S.A.: Os Mineiros Estarão Sempre em Luta (I)” [“Harlan County U.S.A.: The Miners Will Always Be Fighting (I)”]. AbrilAbril, 20 Jan. https://www.abrilabril.pt/cultura/harlan-county-usa-os-mineiros-estarao-sempre-em-luta-i.
2021. “Harlan County U.S.A.: Os Mineiros Estarão Sempre em Luta (II)” [“Harlan County U.S.A.: The Miners Will Always Be Fighting (II)”]. AbrilAbril, 16 Feb. https://www.abrilabril.pt/cultura/harlan-county-usa-os-mineiros-estarao-sempre-em-luta-ii.
2021. “Manifesto Revolucionário” [“Revolutionary Manifesto”], review of As Armas e o Povo (1975). Avante! 2471, 8 Apr., 29. Portuguese Communist Party. https://www.avante.pt/pt/2471/argumentos/163674/Manifesto-revolucionário.
2021. “Uma Noite Imensa” [“An Immense Night”], review of Vitalina Varela (2019). Avante! 2463, 11 Feb., 29. Portuguese Communist Party. https://www.avante.pt/pt/2463/argumentos/162626/Uma-noite-imensa.htm.
2020. “Um Apostolado na Companhia de Domingos” [“An Apostolate in the Company of Dominic”]. Laicado Dominicano 403, 2. Lay Fraternities of Saint Dominic. https://leigosdominicanos.org/2020/09/21/403-laicado-dominicano-agosto-setembro-2020.
2020. “O Cinema Libertado” [“The Liberated Cinema”] [not signed]. Avante! 2441, 10 Sept., 11. Portuguese Communist Party. https://www.avante.pt/pt/2441/Festa_do_Avante/160557/O-Cinema-libertado.htm.
2020. “Um Corpo Pregado ao Asfalto” [“A Body Nailed to the Asphalt”]. Pontos SJ, 24 Jun. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/um-corpo-pregado-ao-asfalto.
2020. “Ensino Superior: Um Presente Incerto, Um Futuro Melhor” [“Higher Education: An Uncertain Present, A Better Future”]. RCI - Região Centro Informação 189, 23. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/RCI_189_Junho2020.pdf.
2020. “A Injustiça da Guerra” [“The Injustice of War”]. Pontos SJ, 12 Nov. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-injustica-da-guerra.
2020. “No Teu Nome e na Tua Páscoa” [“In Your Name and in Your Easter”]. Laicado Dominicano 401, 3. Lay Fraternities of Saint Dominic. https://leigosdominicanos.org/2020/05/10/401-laicado-dominicano-maio-2020.
2020. “Os Passos no Caminho da Paz” [“The Steps on the Path of Peace”]. Pontos SJ, 13 Feb. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/os-passos-no-caminho-da-paz.
2020. “A Paz e o Desassossego” [“Peace and Restlessness”]. Pontos SJ, 27 Aug. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-paz-e-o-desassossego.
2020. “O Silêncio de Tomás” [“Thomas’s Silence”]. Laicado Dominicano 402, 4-5. Lay Fraternities of Saint Dominic. https://leigosdominicanos.org/2020/07/22/junho-julho-2020.
2020. “Terra da Fraternidade” [“Land of Fraternity”]. Pontos SJ, 23 Apr. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/terra-da-fraternidade.
2020. “Uma Vida Conspirada” [“A Conspired Life”]. A Voz do Operário 141, no. 3075, 15. https://vozoperario.pt/jornal/2020/02/03/uma-vida-conspirada. [EG.UC]
2019. “A Morte e o Inferno: Vem e Vê (1985)” [“Death and Hell: Come and See (1985)”]. Boletim da URAP - União de Resistentes Antifascistas Portugueses 160, series 4, 7. http://www.urap.pt/attachments/article/934/URAP160.pdf. [EG.UC]
2019. “Os Nomes da Diferença” [“The Names of Difference”]. Pontos SJ, 21 Jun. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/os-nomes-da-diferenca. Repub. Laicado Dominicano 397, 4-5. Lay Fraternities of Saint Dominic.
2019. “Passeio da Família Dominicana: A Presença da Ordem em Abrantes” [“Dominican Family Trip: The Presence of the Order in Abrantes”]. Laicado Dominicano 396, 1-2. Lay Fraternities of Saint Dominic.
2019. “Portugal e o Resto do Mundo Vistos pelo Cinema” [“Portugal and the Rest of the World Seen by Cinema”]. Avante! 2389, 12 Sept., 7. Portuguese Communist Party. https://www.avante.pt/pt/2389/Festa_do_Avante/156330/Portugal-e-o-resto-do-Mundo-vistos-pelo-Cinema.htm.
2019. “A Presença do Ressuscitado no Mundo” [“The Presence of the Risen One in the World”]. Pontos SJ, 22 Aug. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/a-presenca-do-ressuscitado-no-mundo. Repub. Laicado Dominicano 399, 4-5. Lay Fraternities of Saint Dominic.
2019. “Razões de um Católico que Vota à Esquerda” [“A Catholic’s Reasons for a Vote on the Left”]. Pontos SJ, 19 Sept. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/razoes-de-um-catolico-que-vota-a-esquerda.
2019. “Tríptico Parajanov” [“A Parajanov Triptych”]. 27.º Curtas Vila do Conde, ed. João Araújo and Paulo Cunha, 138-40. Vila do Conde: Curtas Metragens CRL. [EG.UC]
2019. “Ferrugem e Clamor” [“Rust and Outcry”]. Pontos SJ, 21 Mar. Portuguese Province of the Society of Jesus. https://pontosj.pt/opiniao/ferrugem-e-clamor.
2019. “A Palavra, de Carl Dreyer: Provas de Vida” [“Ordet, by Carl Dreyer: Proofs of Life”]. 7 Margens, 18 Feb. Porta 18 Association. http://setemargens.com/a-palavra-de-carl-dreyer-provas-de-vida.
2019. “60 Anos de Revolução, 60 Anos de Cinema” [“60 Years of Revolution, 60 Years of Cinema”]. Avante! 2355, 17 Jan., 29. Portuguese Communist Party. https://www.avante.pt/pt/2355/argumentos/152862/60-anos-de-Revolução-60-anos-de-cinema.htm.
2019. “A Noite Escura da Fé: Luz de Inverno, de Ingmar Bergman” [“The Dark Night of Faith: Winter Light, by Ingmar Bergman”]. 7 Margens, 15 Jan. Porta 18 Association. http://setemargens.com/a-noite-escura-da-fe-luz-de-inverno-de-ingmar-bergman.
2019. “Roma: Distinção Católica para um Filme sobre a Coragem Solidária das Mulheres” [“Roma: Catholic Distinction for a Film About Women’s Solidary Courage”]. 7 Margens, 7 Jan. Porta 18 Association. http://setemargens.com/roma-distincao-catolica-para-um-filme-sobre-a-coragem-solidaria-das-mulheres.
2018. “O Cinema Devolvido ao Povo” [“The Cinema Returned to the People”]. Avante! 2337, 13 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2337/Festa_do_Avante/151419/O-cinema-devolvido-ao-povo.htm.
2018. “Fronteiras e Forasteiros” [“Borders and Outsiders”], review of The Other Side of Hope (Toivon tuolla puolen, 2017). Avante! 2329, 19 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2329/argumentos/150707/Fronteiras-e-Forasteiros.
2018. “Igreja do Pecado e da Santidade” [“Church of Sin and Holiness”]. Laicado Dominicano 392, 3. Lay Fraternities of Saint Dominic.
2018. “Neste Tempo” [“In This Time”]. À Pala de Walsh, dossier “Godard, Livro Aberto” [“Godard, Open Book”] dossier, 25 Dec. http://www.apaladewalsh.com/2018/12/neste-tempo.
2018. “Roma: Distinção Católica para um Filme sobre a Coragem Solidária das Mulheres” [“Roma: Catholic Distinction for a Film About Women’s Solidary Courage”]. Religionline, 12 Sept. https://religionline.blogspot.com/2018/09/roma-distincao-catolica-para-um-filme.html.
2018. “A Ronda da Morte” [“The Prowl of Death”], review of Colo (2017). Avante! 2314, 5 Apr., 29. Portuguese Communist Party. https://www.avante.pt/pt/2314/argumentos/149421.
2018. “Sair da Noite, Entrar na Aurora: XIV Jornadas da Família Dominicana” [“Exiting the Night, Entering the Aurora: XIV Meeting of the Dominican Family”]. Laicado Dominicano 389, 1-2. Lay Fraternities of Saint Dominic.
2017. “Cinema em Festa” [“Film in Celebration”]. Avante! 2284, 7 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2284/Festa_do_Avante/146738.
2017. “Esfir Shub: Mulher, Cineasta, Revolucionária” [“Esfir Shub: Woman, Filmmaker, Revolutionary”]. Avante! 2298, 14 Dec., 29. Portuguese Communist Party. https://www.avante.pt/pt/2298/argumentos/147922.
2017. “A Fábrica de Tudo” [“The Everything Factory ”], review of The Nothing Factory (A Fábrica de Nada, 2017). Avante! 2290, 19 Oct., 29. Portuguese Communist Party. https://www.avante.pt/pt/2290/argumentos/147190.
2017. “A Inquietação da Fé: 1. A Segurança na Escuridão” [“The Disquiet of Faith: 1. Security in Darkness”]. Laicado Dominicano 384, 6-7. Lay Fraternities of Saint Dominic.
2017. “A Inquietação da Fé: 2. Deus na Assembleia Humana” [“The Disquiet of Faith: 2. God in Human Gathering”]. Laicado Dominicano 385, 2-3. Lay Fraternities of Saint Dominic.
2017. “A Pedra e a Carne” [“The Stone and the Flesh”], review of October: Ten Days That Shook the World (Oktyabr, 1928). AbrilAbril, 27 Nov. https://www.abrilabril.pt/pedra-e-carne.
2017. “A Poesia Nasce na Rua” [“Poetry Is Born on the Street”], review of Paterson (2017). Avante! 2277, 20 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2277/argumentos/146128.
2017. “Que Viva o Cinema!” [“Que Viva Film!”]. Avante! 2282, 24 Ago., 29. Portuguese Communist Party. https://www.avante.pt/pt/2282/argumentos/146573.
2017. “Terras Mineiras” [“Mining Lands”], review of Eldorado XXI (2016). Avante! 2254, 9 Feb., 29. Portuguese Communist Party. https://www.avante.pt/pt/2254/argumentos/143996.
2017. “O Trabalho do Evangelho” [“The Labour of the Gospel”]. Voz do Trabalho 628, 11. Catholic Workers League - Christian Workers Movement.
2017. “A UC Não Foi Fundada para Ser Fundação” [“The UC Wasn’t Founded to be a Foundation”]. RCI - Região Centro Informação 184, 33. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/RCI_Mar2017.pdf.
2017. “A Vida da Fantasia” [“The Life of Fantasy”], review of Super 8 (2011). AbrilAbril, 13 Jan. http://www.abrilabril.pt/vida-da-fantasia.
2016. “O Dinheiro como Monstro” [“Money as Monster”], review of Money Monster (2016). Avante! 2220, 16 Jun., 29. Portuguese Communist Party. https://www.avante.pt/pt/2220/argumentos/140778.
2016. “A Festa do Cinema” [“The Feast of Film”]. Avante! 2232, 8 Sept., 10. Portuguese Communist Party. https://www.avante.pt/pt/2232/Festa_do_Avante/141952.
2016. “O Homem que Escrevia Demasiado” [“The Man who Wrote Too Much”], review of Trumbo (2015). Avante! 2201, 7 Mar., 29. Portuguese Communist Party. https://www.avante.pt/pt/2210/argumentos/139803.
2016. “A Lei do Capital” [“The Law of Capital”], review of The Measure of a Man (La Loi du marché, 2015). Avante! 2215, 12 May, 29. Portuguese Communist Party. https://www.avante.pt/pt/2215/argumentos/140297.
2016. “Na Terra de Oz” [“In the Land of Oz”], review of Where to Invade Next (2015). Avante! 2224, 14 Jul., 29. Portuguese Communist Party. https://www.avante.pt/pt/2224/argumentos/141197.
2016. “Pela Mão de Catarina” [“By Catherine’s Hand”]. Laicado Dominicano 379, 7, and 380, 2. Lay Fraternities of Saint Dominic.
2016. “Porque Não Sou o Giacometti do Século XXI”, review of Porque Não Sou o Giacometti do Século XXI (2009). “Há Filmes na Baixa!” film program, 5 May. Porto/Post/Doc.
2016. “Reitoria da UC Deve Recuar: Provedoria de Justiça Confirma Posição Sindical” [“The Rectory of the UC Must Back Off: Chancellery of Justice Confirms Union’s Position”]. RCI - Região Centro Informação 183, 20. Teachers’ Union of the Centre Region. http://www.sprc.pt/images/RCI/RCI_Out2016.pdf.
2016. “O Rumor da Guerra” [“The Rumble of War”], review of The Patriots (Okraina, 1933). AbrilAbril, 25 Sept. http://www.abrilabril.pt/opiniao/o-rumor-da-guerra.
2016. “Sarita e o Cinema como Militância” [“Sarita and Film as Militancy”], review of Iré a Santiago (1964) and Y... tenemos sabor (1967). AbrilAbril, 21 Oct. http://www.abrilabril.pt/cultura/sarita-e-o-cinema-como-militancia.
2016. “A Solidão do Denunciante” [“The Whistleblower’s Solitude”], review of Snowden (2016). Avante! 2237, 13 Oct., 29. Portuguese Communist Party. https://www.avante.pt/pt/2237/argumentos/142397.
2016. “A Verdade Liberta” [“Truth Liberates”], review of Spotlight (2015). Avante! 2202, 11 Fev., 29. Portuguese Communist Party. https://www.avante.pt/pt/2202/argumentos/138973.
2016. “A Vida Sobre a Morte” [“Life Over Death”], review of Son of Saul (Saul fia, 2015). Avante! 2233, 15 Sept., 29. Portuguese Communist Party. https://www.avante.pt/pt/2233/argumentos/141993.
2016. “A Voz de Dan” [“Dan’s Voice”], review of I, Daniel Blake (2016). Avante! 2246, 15 Dec., 29. Portuguese Communist Party. https://www.avante.pt/pt/2246/argumentos/143213.
2015. “A Cativa” [“The Captive”], review of The Captive (La Captive, 2000). O Interior, 2 Apr., 13. https://www.ointerior.pt/arquivo/a-cativa.
2015. “A Comunidade” [“The Community”], review of The Community (A Comunidade, 2012). O Interior, 15 Jan., 13. https://www.ointerior.pt/arquivo/a-comunidade.
2015. “Ne change rien”, review of Ne change rien (2009). “Há Filmes na Baixa!” film program, 25 Mar. Porto/Post/Doc. http://www.portopostdoc.com/home/ha-filmes-na-baixa/2015/view?id=124.
2014. “Fala e Lugar” [“Speech and Place”], review of Word and Utopia (Palavra e Utopia, 2000). O Interior, 7 Aug., 19. https://www.ointerior.pt/arquivo/fala-e-lugar.
2014. “A Ilusão do Pós-Troika” [“The Illusion of Post-Troika”]. Voz do Trabalho 614, 11. Catholic Workers League - Christian Workers Movement.
2014. “Imagens Arrastadas de uma Cidade” [“Dragged Images of a City”], review of Lisbonnenuit (1989). O Interior, 3 Jun., 13. https://www.ointerior.pt/arquivo/imagens-arrastadas-de-uma-cidade.
2014. “Imagens das Orações de Catarina de Sena: 1. Água Marinha” [“Images of Catherine of Siena’s Prayers: 1. Marine Water”]. Laicado Dominicano 367, 2-3. Lay Fraternities of Saint Dominic.
2014. “Imagens das Orações de Catarina de Sena: 2. Mar Divino” [“Images of Catherine of Siena’s Prayers: 2. Divine Sea”]. Laicado Dominicano 368, 2-3. Lay Fraternities of Saint Dominic.
2014. “Liberdade Encarcerada” [“Incarcerated Freedom”], review of 48 (2009). O Interior, 15 May, 12. https://www.ointerior.pt/arquivo/liberdade-encarcerada.
2014. “Nomes da Inquietação” [“Names of Disquiet”], review of Anxiety (Inquietude, 1998). O Interior, 20 Feb., 16. https://www.ointerior.pt/arquivo/nomes-da-inquietacao.
2014. “As Quatro Voltas” [“The Four Turns”], review of The Four Times (Le quattro volte, 2010). O Interior, 23 Oct., 12. https://www.ointerior.pt/arquivo/as-quatro-voltas.
2014. “THX 1138 (1971)”, review of the film. “O Futuro do Passado” film programme. Guimarães Film Society, 18 Feb.
2013. “Abraço ao Vento” [“Embrace to the Wind”], review of Wind’s Embrace (Abraço do Vento, 2004). O Interior, 21 Feb., 10. https://www.ointerior.pt/arquivo/abraco-ao-vento.
2013. “Casa das Caldeiras” [“Boiler House”]. Diário As Beiras, 3 Jun., 8.
2013. “Os Dias Vastos” [“The Vast Days”], review of Where the Sun Beats (Onde Bate o Sol, 1989). O Interior, 22 Aug., 13. https://www.ointerior.pt/arquivo/os-dias-vastos.
2013. “Educação em Portugal: Direito ou Privilégio?” [“Education in Portugal: Right or Privilege?”]. Voz do Trabalho 607, 4-5. Catholic Workers League - Christian Workers Movement.
2013. “Existência e Arte” [“Existence and Art”]. Laicado Dominicano 360, 4-5. Lay Fraternities of Saint Dominic.
2013. “Uma Máquina de Passar Vidro Colorido” [“A Colorful Glass Spinning Machine”], review of Autografia (2004). O Interior, 19 Dec., 15. https://www.ointerior.pt/arquivo/uma-maquina-de-passar-vidro-colorido.
2013. “Música Nocturna” [“Nocturnal Music”], review of Ne change rien (2009). O Interior, 17 Oct., 12. https://www.ointerior.pt/arquivo/musica-nocturna.
2013. “Tecer e Voar” [“Weaving and Flying”], review of The Flying Carpet (O Tapete Voador, 2008). O Interior, 20 Jun., 16. https://www.ointerior.pt/arquivo/tecer-e-voar/.
2013. “A Urgência do Amor” [“The Urgence of Love”]. Laicado Dominicano 363, 3. Lay Fraternities of Saint Dominic.
2013. “A Vida Ganha” [“Won Life”], review of Get a Life (Ganhar a Vida, 2001). O Interior, 18 Apr., 14. https://www.ointerior.pt/arquivo/a-vida-ganha.
2012. “A Árvore e o Círculo: As Palavras Vivas de Sta. Catarina de Sena (1347-1380)” [“The Tree and the Circle: The Living Words of St. Catherine of Siena (1347-1380)”]. Laicado Dominicano 356, 1 and 8. Lay Fraternities of Saint Dominic.
2012. Review of 2 Days in New York (2012). Metropolis 0.5, 75.
2012. Review of The Flowers of War (Jin líng shí san chai, 2011). Metropolis 0, 57.
2012. Review of I Wish (Kiseki, 2011). Metropolis 1, 74.
2012. “Postulare”. Laicado Dominicano 358, 3-4. Lay Fraternities of Saint Dominic.
2011. Review of Socialism (Film Socialisme, 2010). Premiere 2, no. 31, 58.
2011. Review of The Help (2011). Premiere 2, no. 38, 67.
2011. Review of Melancholia (2011). Premiere 2, no. 39, 68.
2011. Review of Our Life (La nostra vita, 2010). Premiere 2, no. 36, 66.
2011. Review of Offside (2006). Premiere 2, no. 37, 67.
2011. Review of Pina (2011). Premiere 2, no. 33, 62.
2011. Review of Scream 4 (2011). Premiere 2, no. 32, 60.
2011. Review of Transformers: Dark of the Moon (2011). Premiere 2, no. 35, 62.
2011. Review of The Tree of Life (2011). Premiere 2, no. 34, 56.
2007. Review of Death Proof (2007). Premiere 94, 10.
2007. “Life on Mars: Fora de Tempo” [“Life on Mars: Out of Time”]. Premiere 96, 21.
2007. “Prison Break: O Suspense da Fuga” [“Prison Break: The Suspense of the Escape”]. Premiere 95, 21.
2006. Review of 98 Octanes (98 Octanas, 2006) and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 84, 10 and 96.
2006. Review of Hidden (Caché, 2005). Premiere 76, 11.
2006. Reviews of The Da Vinci Code (2006) and Running Scared (2006), “IndieLisboa 2006: Um Tanto Maior do que Lisboa” [“IndieLisboa 2006: A Lot Bigger Than Lisbon”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 80, 9, 11, 34-36, and 94.
2006. Review of Hostel (2005), “Daniela Costa: Sob a Pele” [“Daniela Costa: Under the Skin”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 79, 12, 31, and 94.
2006. Review of Poseidon (2006) and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 82, 12 and 96.
2006. Review of The World (Shijie, 2004), “Inventar a Independência: Nos Bastidores do IndieLisboa 2006” [“Inventing Independence: In the Backstage of IndieLisboa 2006”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 78, 10, 32-37, and 94.
2006. Review of The Squid and the Whale (2005), “Curtas Vila do Conde 2006” [“Vila do Conde International Short Film Festival 2006”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 81, 13, 30, and 94.
2006. Review of Syriana (2005), “Sienna Miller: A Bela Impertinente” [“Sienna Miller: Impertinent Beauty”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 77, 11, 56-58, and 94.
2006. Review of United 93 (2006), “Entrevista com... Carla Chambel” [“Interview with... Carla Chambel”], “Curtas Vila do Conde 2006: Elogio dos Esquecidos” [“Vila do Conde International Short Film Festival 2006: In Praise of the Forgotten”], and “Cinema em Casa: Ler” [“Home Cinema: Reading”]. Premiere 83, 12, 58-59, 72-74, and 96.
2005. “Evocation of Fear”. Big Lens: The Kent Film Magazine 3, no. 2, 2. University of Kent Film Society.
2005. “The Nocturnal Art”, Dark Contrast photo exhibition. Fnac Chiado/Colombo.
2003. “Editorial”, “A Banalidade” [“The Banality”], and “O Silêncio dos Olhares” [“The Silence of Gazes”]. Registos 0, 3, 6, and 30-31.
2003. “Il paesaggio”. Zero Mag 5, 11-12. Zero em Comportamento – Cultural Association.
2002. “Cinco Detritos” [“Five Debris”]. V-Ludo 7, 60-62.
2002. “O Cinema Justo” [“The Fair Cinema”]. AO: Boletim da Ordem dos Advogados 21, 85-86.
2001. “Edifícios de Palavras (Universidade)” [“Buildings of Words (University)”]. V-Ludo 4, 45-47.
2001. “Dança Fúnebre” [“Funereal Dance”], review of Boogie Nights (1997). Festa V-Ludo. Higher Institute for Labour and Business Sciences - University Institute of Lisbon.
2001. “Estranhos Dias” [“Strange Days”], review of Strange Days (1995). Festa V-Ludo. Higher Institute for Labour and Business Sciences - University Institute of Lisbon.
2001. “A Política dos Autores: Pensar a Nossa Solidão” [“The Auteur Policy: Thinking Our Solitude”]. V-Ludo 6, 75-81.
2001. “Rituais do Indecifrável” [“Rituals of the Indecipherable”]. V-Ludo 3, 61-65.
2000. “Cinema 1990-99”. Noite 01. Faculty of Architecture Student Association.
2000. “O Feminino Plural” [“The Plural Feminine”]. V-Ludo 1, 18-21.
2000. “Stanley Kubrick (1928-1999): Labirintos e Olhares” [“Stanley Kubrick (1928-1999): Labyrinths and Gazes”]. Boletim Informativo da Faculdade de Arquitectura 2000, 16-17. Faculty of Architecture - Technical University of Lisbon.
1999. “O Mundo nos Nossos Olhos Atentos: Xinema, um Relatório de Actividades” [“The World in Our Attentive Eyes: Xinema, an Activity Report”]. Folha 9, 8. Faculty of Architecture Student Association.
1998. “1997: Figurar o Imaterial” [“1997: Representing the Immaterial”]. Folha 8, 7. Faculty of Architecture Student Association.
1998. “Akira Kurosawa (1910-1998): Entre o Sonho e a Morte” [“Akira Kurosawa (1910-1998): Between Dream and Death”]. Xinema 1, 1. Faculty of Architecture Student Association.
1998. “Morrer Assombrado pela Beleza” [“Dying Haunted by Beauty”], review of Morte a Venezia (Death in Venice, 1971). Xinema 3, 1. Faculty of Architecture Student Association.
1998. “Profundo Oceano de Fantasmas” [“Deep Ocean of Ghosts”], review of Titanic (1997). Xinema 2, 1. Faculty of Architecture Student Association.
1998. “Verdade e Mentira” [“Truth and Lie”]. Xinema 4, 3. Faculty of Architecture Student Association.
1997. “Intensidade e Segredo” [“Intensity and Secrecy”], review of Ossos (Bones, 1997). Folha 7, 4. Faculty of Architecture Student Association.
1997. “A Linha que Fecha a Forma” [“The Line that Closes the Form”], review of Il Postino (The Postman, 1994). Folha 6, 4. Faculty of Architecture Student Association.

12.12. Blogs

2013-. Common Liberation. Blogger. https://commonliberation.blogspot.com.
2012-13, with Hadi Fayyaz, Noorin Fazal, and Wim Van Moer. Spiritual Dialogues, founder and administrator. Blogger. https://spiritualdialogues.blogspot.com.
2010-. Writings of a Spectator. Blogger. https://writingsspectator.blogspot.com.
2009-. Gestures of the Word. Blogger. https://gesturesword.blogspot.com.
2007-. Aesthetics and Other Philosophies. Blogger. https://aestheticsotherphilosophies.blogspot.com.
2007-. Motions of Images. Blogger. https://motionsimages.blogspot.com.
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