1. PRESENTATIONS · COMUNICAÇÕES
1.1. ACCEPTED · ACEITES
“A Cinema Inhabited by the Angel of History: On Roberto Rossellini’s Paisà”. (Post-)Conflict Cinema: Remembering Out-breaks and In-tensions, IV International CECC Conference. Universidade Católica Portuguesa, 6 Dez. 2011. 
“Televisual Works”. “Screen” Studies Conference 2009. University of Glasgow, 4 Jul. 2009.
“Super Style: Heroes and Television Aesthetics”. The Politics of Super-Heroes: Renegotiating the Super-Hero in Post-9/11 Cinema. Yale University, 31 Jan. 2009.
“Borrowed Sounds, Appropriated Images: Music Videos and Found Footage”. Cultural Borrowings: A Study Day on Appropriation, Reworking and Transformation. University of Nottingham, 19 Mar. 2008.
“Laughing in Friendship: The Intimate Ensemble Comedy of Friends”. Playing for Laughs: On Comedy in Performance. De Montfort University, 9 Feb. 2008.
“Labyrinths of the Self: Different Characters, Identical Bodies in Battlestar Galactica”. BSG 2007: The Politics, Poetics and Philosophy of “Battlestar Galactica”. Bucks New University, 28 Jul. 2007.
“Being Her/She in ‘Who Are You?’”. It’s the End of the World. Again?!?: Why Buffy Still Matters. University of North Carolina at Greensboro, 16 Mar. 2007.
1.2. INVITED · CONVIDADAS
“Entre a Desordem: Balagan como Mapa Intersticial de Identidades e Histórias’”. 1.º Colóquio da Primavera: Literatura, Espaço, Cartografias. Universidade de Coimbra, 7 Maio 2010.
“Cowboys no Espaço: Convergências de Géneros em Firefly e Serenity”. Fórum Fantástico 2008. Universidade de Lisboa - Faculdade de Belas-Artes, 4 Out. 2008.
2. ESSAYS · ENSAIOS
2.1. CHAPTERS IN BOOKS · CAPÍTULOS EM LIVROS
“Na Desordem: Balagan, Mapa Intersticial de Histórias e Identidades”. In Literatura, Espaço, Cartografias, ed. António Apolinário Lourenço e Osvaldo Manuel Silvestre, pp. 391-408. Coimbra: Centro de Literatura Portuguesa da Universidade de Coimbra, 2011.
“Sci-Fi Ghettos: Battlestar Galactica and Genre Aesthetics”. In Reading “Battestar Galactica”: Flesh, Spirit, and Steel, ed. Roz Kaveney and Jennifer Stoy, pp. 185-98. London: I.B. Tauris, 2010.
2.2. REFEREED ARTICLES · ARTIGOS COM ARBITRAGEM CIENTÍFICA
“Music Videos and Reused Footage”. Scope: An Online Journal of Film & TV Studies, no. 15, “Cultural Borrowings: Appropriation, Reworking, Transformation” e-book, ed. Iain Robert Smith (2009), pp. 111-21. http://www.scope.nottingham.ac.uk/cultborr/chapter.php?id=10.
“The Mosaic-Screen: Exploration and Definition”. Refractory: A Journal of Entertainment Media, no. 14 (2008). http://blogs.arts.unimelb.edu.au/refractory/2008/12/27/the-mosaic-screen-exploration-and-definition-–-sergio-dias-branco/.
2.3. NON-REFEREED ARTICLES · ARTIGOS SEM ARBITRAGEM CIENTÍFICA
“Estranhos Dias”. Festa V-Ludo, Instituto Superior de Ciências do Trabalho e da Empresa (2001). 
“Rituais do Indecifrável”. V-Ludo, n.º 3 (2000), pp. 61-65.
“Intensidade e Segredo”. Folha, n.º 7 (1997), p. 4.