7. Participation in Academic Committees


7.1. GRADUATE (MA)

2018. As chair. Maria Beatriz Nogueira, “Convento São Francisco: Palco de Programação, de Produção e de Educação Artística” [“Saint Francis Convent: Stage of Programming, Production and Art Education”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 30 Oct.

2018. As chair. Pedro Vaz, “Do Atelier à Bienal: CAPC e a Bienal de Arte Contemporânea em Coimbra” [“From the Workshop to the Biennial: CAPC and the Coimbra Biennial of Contemporary Art”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 30 Oct.

2018. As chair. Sara Dacal Crespo, “A Música Impressa do Fundo da Biblioteca Geral da Universidade de Coimbra: Catalogação dos Livros de Partes do Séc. XVI” [“The Printed Music of the General Library of University of Coimbra Fund: Cataloging of the 16th Century Books of Parts”] (dissertation, supervised by Paulo Estudante and José Abreu). MA in Art Studies. University of Coimbra, 24 Oct.

2018. As supervisor. Ricardo Almeida, “O Realismo Mágico no Cinema: O Caso de Veit Helmer” [“Magic Realism in Film: The Case of Veit Helmer”] (dissertation). MA in Art Studies. University of Coimbra, 19 Jul.

2018. As chair. João Costa, “Produção Teatral em Coimbra: Relatório de Estágio no Teatro Académico de Gil Vicente” [“Theater Production in Coimbra: Internship Report at Academic Theatre of Gil Vicente”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 19 Jul.

2018. As chair. Nuno Rato, “Programação ao Centro: Relatório de Estágio nos Serviços de Cultura da Câmara Municipal de Oliveira do Hospital” [“Programming at the Center: Internship Report at the Culture Services of Oliveira do Hospital City Hall”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 19 Jul.

2018. As examiner. Diego Hoefel Vasconcelos, “Entre Retratos e Paisagens: Ensaio sobre Rosto no Cinema” [“Between Portraits and Landscapes: Essay on the Face in Film”] (dissertation, supervised by Marcelo Dídimo Souza Vieira). Equivalency of degree granted by Federal University of Ceará for MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 21 Mar.

2018. As chair. Fernando Gil Sousa, “Metamorphosis: Construção de uma Demo Musical” [“Metamorphosis: Construction of a Music Demo”] (project, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 26 Feb.

2018. As chair. Severina Jankauskaite, “The Therateutic Nature and Effects of Drama and Theatre Processes - The Case of Drama Therapy” (dissertation, supervised by Luís Umbelino). MA in Art Studies. University of Coimbra, 22 Feb.

2018. As supervisor. Ana Filipa Leandro, “Cinema e Memória Colectiva: German Concentration Camps Factual Survey, Death Mills e Nuit et brouillard” [“Film and Collective Memory: German Concentration Camps Factual Survey, Death Mills and Nuit et brouillard”] (dissertation). MA in Art Studies. University of Coimbra, 22 Feb.

2017. As chair. Rui Pedro Alpendre Aniceto, “Symposion: Argumento Cinematográfico Original” [“Symposion: Original Screenplay”] (project, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 17 Oct.

2017. As examiner. Jorge Eduardo Oliveira Lestre, “Jornalismo Cultural Online: Estágio na Magazine.HD” [“Online Cultural Jornalism: Internship at Magazine.HD”] (internship report, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 17 Oct.

2017. As supervisor. André Avelino, “Jogos de Empatia: Criação de Empatia e Conexão com Outras Realidades através dos Videojogos” [“Empathy Games: Creation of Empathy and Connection with Other Realities through Videogames”] (dissertation). MA in Art Studies. University of Coimbra, 13 Oct.

2017. As chair. Francisco Ricardo Silveira, “Hiper-Real(ismo): O Cinema Ciborgue à Beira do Ano 2000” [“Hyper-Real(ism): Cyborg Cinema on the Verge of the Year 2000”] (dissertation, supervised by Manuel Portela). MA in Art Studies. University of Coimbra, 12 Oct.

2017. As chair. Sónia Antonieta de Carvalho, “Solilóquios para Além das Palavras: Fugas em B Menor e K Maior” [“Soliloquies Beyond Words: Fugues in B Minor and K Major”] (dissertation, supervised by Marta Anacleto). MA in Art Studies. University of Coimbra, 12 Oct.

2017. As supervisor. Ana Lopes, “O Espaço Habitacional enquanto Retrato Psicológico da Personagem” [“The Space of Inhabitation as Psychological Character Portrait”] (dissertation). MA in Art Studies. University of Coimbra, 11 Oct.

2017. As supervisor. Cristina Lopes, “Sé7ima Memória: Ciclo de Cinema Sénior” [“Se7enth Memory: Senior Film Programme”] (project, co-supervised by João Maria André). MA in Art Studies. University of Coimbra, 11 Oct.

2017. As chair. Ana Luís de Oliveira, “Produção Cultural em Contexto de Educação Artística: O Caso da Associação Escolíadas” [“Cultural Production in a Context of Art Education: The Case of the Escolíadas Association”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 10 Oct.

2017. As chair. Rosa Catarina Diogo, “Programação, Produção Musical e Teatral nos Serviços de Cultura da Câmara Municipal de Abrantes” [“Music and Theater Programming and Production at the Culture Services of Abrantes City Hall”] (internship report, supervised by João Maria André). MA in Art Studies. University of Coimbra, 10 Oct.

2017. As examiner. Virgílio Marcelo Pereira Jesus, “Ressurgimento da Temática Melodramática no Cinema Contemporâneo” [“Resurgence of the Melodramatic Theme in Contemporary Cinema”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 2 Oct.

2017. As examiner. Ana Raquel Cássio, “Cinema Bioscoop” (internship report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 14 Jul.

2017. As examiner. Ricardo Branco, “Transpor o Género: Representação do Corpo Trans como um Outro no Cinema” [“Overcoming Gender: Representing the Trans Body as an Other in Film”] (project report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 14 Jul.

2017. As chair. João Miguel Simões, “Penacova em Movimento: Um Estudo de Caso para a Política Cultural Municipal” [“Penacova in Motion: A Case Study for Municipal Cultural Policy”] (internship report, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 13 Jul.

2017. As chair. Ana Teresa Leal, “Os Museus de Arte na Era da Revolução Digital: Considerações sobre os Processos de Mediação, Educação e Espectáculo” [“The Art Museums in the Era of Digital Revolution: Considerations on Processes of Mediation, Education and Entertainment”] (dissertation, supervised by João Maria André and Maria Dalila Rodrigues). MA in Art Studies. University of Coimbra, 16 Feb.

2017. As examiner. Gonçalo Oliveira de Mara, “Tornar o Cinema Vísivel: A Prática da Programação Cinematográfica” [“Making Cinema Visible: The Practice of Film Programming”] (dissertation, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 13 Feb.

2017. As examiner. Vanessa Ribeiro, “Documentário, Espaço Selvagem da Experimentação” [“Documentary, Wild Space for Experimentation”] (internship report, supervised by Maria Irene Aparício). MA in Communication Sciences, specialisation in Cinema and Television. Nova University of Lisbon, 13 Feb.

2017. As examiner. Mariana Feteira Parracho, “A Melancolia na Arquitetura a partir do Cinema Português” [“Melancholy in Architecture from Portuguese Cinema”] (dissertation, supervised by Susana Lobo and Luís Urbano). Integrated MA in Architecture. University of Coimbra, 2 Feb.

2016. As chair. Fernando Duarte de Oliveira, “Consciência Histórica ou Tradição?: O ‘Estilo Antigo’ em Edições Históricas Publicadas entre 1750 e 1850” [“Historical Consciousness or Tradition?: The ‘Old Style’ in Historical Editions Published between 1750 and 1850”] (dissertation, supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 27 Oct.

2016. As supervisor. Susana Figueira Henriques, “Queer Lisboa: Derek Jarman e a Estética Queer no Vídeo Musical” [“Queer Lisbon: Derek Jarman and Queer Aesthetics in Music Video”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct.

2016. As supervisor. Jéssica Pestana, “Cinema e Pedagogia: Estágio no IndieLisboa” [“Film and Pedagogy: Internship at IndieLisboa”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct.

2016. As supervisor. Marta Torres, “Queer Lisboa e o Novo Cinema Queer” [“Queer Lisbon and New Queer Cinema”] (internship report). MA in Art Studies. University of Coimbra, 26 Oct.

2016. As chair. Rúben Gaspar Gomes, supervised by Osvaldo Silvestre, “Agora Não: Argumento Cinematográfico Original” [“Agora Não (Not Now): Original Film Screenplay”] (project report). MA in Art Studies. University of Coimbra, 25 Oct.

2016. As chair. Raphael Diego de Mesquita, supervised by Paulo Estudante, “O Mercado da Música Urbana em Portugal: Estudo de Caso ‘Music in My Soul’” [“The Market of Urban Music in Portugal: ‘Music in My Soul’ as Case Study”] (internship report). MA in Art Studies. University of Coimbra, 24 Oct.

2016. As chair. Filipe Bento de Araújo, “Estudo e Edição Crítica dos Responsórios Polifónicos de Quinta-Feira Santa Presentes em Dois Manuscritos da Biblioteca Geral da Universidade de Coimbra” [“Study and Critical Edition of the Polyphonic Responses of Holy Thursday Present in Two Manuscripts of the General Library of the University of Coimbra”] (dissertation, supervised by José Abreu, co-supervised by Paulo Estudante). MA in Art Studies. University of Coimbra, 25 Feb.

2016. As chair. Cláudia Morais, “Teatro, Cultura e Educação: Relatório de Estágio nos Serviços de Produção e na Área de Projecto Educativo do Teatro Académico de Gil Vicente” [“Theater, Culture and Education: Report of the Internship in the Production Services and in the Educational Project Area of the Academic Theatre of Gil Vicente”] (internship report, supervised by João Maria André, co-supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 26 Jan.

2015. As supervisor. Denise Liege Fraga e Klock, supervised by Sérgio Dias Branco, “Estilo em Documentário: Análise dos Filmes 5 Broken Cameras (2011) e Iraq in Fragments (2006)” [“Style in Documentary: Analysis of the Films 5 Broken Cameras (2011) e Iraq in Fragments (2006)”] (dissertation). MA in Art Studies. University of Coimbra, 30 Oct.

2015. As chair. Ana Eduarda Barbosa, “Produção Cultural e Programação Cinematográfica no Teatro Académico de Gil Vicente” [“Cultural Production and Film Programming at Academic Theatre of Gil Vicente”] (internship report, supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 27 Oct.

2015. As chair. Pedro Valentim, “Da Desavergonhada Forma das Coisas: Uma Digressão Flanada Através da Forma e do Discurso duma Constelação de Corpos Cinematográficos” [“From the Shameless Shape of Things: A Strolling Tour Through the Shape and Discourse of a Constellation of Cinematographic Bodies”] (dissertation, supervised by Abílio Hernandez). MA in Art Studies. University of Coimbra, 19 Oct.

2015. As chair. Samanta Almeida, “Produção e Programação no TAGV: Uma Proposta para o Dia Mundial da Música” [“Production and Programming in TAGV: A Proposal for World Music Day”] (internship report, supervised by Fernando Matos de Oliveira). MA in Art Studies. University of Coimbra, 13 Oct.

2015. As chair. José Filipe Pereira, “A Performance como Ritual — da Arte como Veículo de Jerzy Grotowski ao Theyyam do Norte Malabar” [“Performance as Ritual — from Jerzy Grotowski’s Art as a Vehicle to Theyyam of North Malabar”] (dissertation, supervised by João Maria André). MA in Art Studies. University of Coimbra, 12 Oct.

2014. As examiner. Ricardo Batista, “Os Bastidores em Directo” [“The Backstage Live”] (internship report, supervised by João Ferreira). MA in Art Studies. University of Coimbra, 28 Oct.

2013. As supervisor. Angélica Bértolo, “Argumento Cinematográfico A Grande Falácia” [“Film Screenplay A Grande Falácia (The Great Fallacy)”] (project report). MA in Art Studies. University of Coimbra, 29 Oct.

2013. As supervisor. Pedro Niza, “Projecto Educativo no TAGV” [“Educational Project at TAGV”] (internship report). MA in Art Studies. University of Coimbra, 16 Jul.

2013. As second supervisor. Susana Serigado, seconded by Sérgio Dias Branco, “The Fountainhead Revisitado: De Chicago Tribune Tower a Pruitt-Igoe” [“The Fountainhead Revisited: From the Chicago Tribune Tower to Pruitt-Igoe”] (dissertation, supervised by Pedro Costa). MA in Architecture. University School Vasco da Gama, 24 Jan.

2012. As examiner. Débora Pinto de Carvalho, “Fatal, Cativa e Independente: A Mulher no Film Noir” [“Deadly, Captive and Independent: The Woman in Film Noir”] (dissertation, supervised by Abílio Hernandez Cardoso). MA in Art Studies. University of Coimbra, 18 Jan.

2012. As examiner. Raquel Casqueira, supervised by Bárbara Vallera, “Live the Dream or Die Trying: Live. Dream. Believe.” (project report, supervised by Bárbara Vallera). MA in Art Studies. University of Coimbra, 3 Feb.

2011. As examiner. Luís Esteves, “Relatório do Projecto do Filme Entre Macacos e Anjos” [“Project Report on the Film Macacos e Anjos (Monkeys and Angels)”] (project report, supervised by Fausto Crucinho e Elizeu Ewald). MA in Art Studies. University of Coimbra, 22 Sept.

7.2. GRADUATE (PHD)

2018. As examiner. Inês Rebanda Coelho, “Autoria Conjunta: Uma Visão Industrial, Legal e Social do Cinema e da Televisão” [“Joint Authorship: An Industrial, Legal and Social View of Cinema and Television”] (thesis, supervised by Helena Pires, co-supervised by Pedro Dias Venâncio). PhD in Communication Sciences. University of Minho, 25 Sept.

2018. As examiner. Inês Sapeta, “A Programação Cinematográfica: Ordem e Afecção nas Cartas Brancas Programadas na Cinemateca Portuguesa - Museu do Cinema” [“Film Programming: Order and Affection in the Cartas Brancas at the Portuguese Cinemateque - Cinema Museum”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 11 Apr.

2018. As supervisor. Nuno Malheiro Lopes, “Sério Fernandes e a Escola que ‘Não Existe’: Contributo para uma Reflexão sobre a Escola do Porto” [“Sério Fernandes and the School that ‘Does not Exist’: Contribution for a Reflection on the Porto School”] (thesis). PhD in Art Studies, specialisation in Film and Image Studies. University of Coimbra, 3 Apr.

2017. As examiner. Sina Knoll, “Blind Men and an Elephant: How We Speak and Think Animals in Documentary Film” (thesis project, supervised by Maria Irene Aparício). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 25 Oct.

2017. As examiner. Chang Zhang, “The Cinematic Possibilities of Painting” (thesis project, supervised by António Olaio). PhD in Contemporary Art. University of Coimbra, 30 Jun.

2016. As supervisor. Dária Salgado, “A Poética da Paisagem: Espiritualidade como Resultado de uma Fruição Estética Veiculada pela Relação do Indivíduo com o Espaço, o Tempo e as Memórias” [“The Poetics of Landscape: Spirituality as the Result of an Aesthetic Experience Conveyed by the Relationship of the Individual with Space, Time and Memories”] (thesis project, co-supervised by José Maçãs de Carvalho). PhD in Contemporary Art. University of Coimbra, 15 Jul.

2015. As examiner. Susana Nascimento Duarte, “O Figural no Cinema Contemporâneo: Articulações e Disjunções do Visível e do Dizível” [“The Figural in Contemporary Cinema: Articulations and Disjunctions of the Visible and of the Sayable”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 13 Jul.

2014. As examiner. Marta Pinho Alves, “Cinema 2.0: Modalidades de Produção Cinematográfica do Tempo do Digital” [“Cinema 2.0: Modalities of Film Production in Digital Times”] (thesis, supervised by José Luís Garcia). PhD in Sociology, Culture, Communication and Life Styles path. University of Lisbon, 1 Jul.

2013. As member. Fausto Cruchinho, “Roberto Rossellini: A ‘Televisão de Autor’” [“Roberto Rossellini: ‘Auteur Television’”] (thesis, supervised by António Pedro Pita). PhD in Art Studies, Film and Image Studies path. University of Coimbra, 3 Apr.

2013. As examiner. Liliana Navarra, supervised by Paulo Filipe Monteiro, “João César Monteiro entre Antropologia e Ficção” [“João César Monteiro between Anthropology and Fiction”] (thesis, supervised by Paulo Filipe Monteiro). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 6 Nov.

2013. As member. Maria do Carmo Piçarra, “Azuis Ultramarinos: Propaganda Colonial nas Actualidades Filmadas do Estado Novo e Censura a Três Filmes de Autor” [“Ultramarine Blues: Colonial Propaganda in the Filmed Newsreels of Estado Novo and Censorship of Three Auteur Films”] (thesis, supervised by João Mário Grilo). PhD in Communication Sciences, Film and Television path. Nova University of Lisbon, 31 Jan.

2012. As examiner. Diogo Morato, “Learning from Cinema: Da Cidade e da Explosão do Espaço no Séc. XX” [“Learning from Cinema: From the City to the Explosion of Space in the 20th Century”] (thesis project, supervised by António Lousa, co-supervised by Abílio Hernandez Cardoso). PhD in Architecture. University of Coimbra, 3 Feb.